2015 continued the trend of the past few years of providing tremendous offerings for lovers of prog.
For starters, Best Reissue:
The number of exciting and revelatory reissues of prog classics is growing at an exponential rate. The best one of 2015 is La Grande Edition of Jethro Tull’s Minstrel In The Gallery. Ian Anderson was at his peak, songwriting-wise, at this point in his career, and this lavish set (including a new 5.1 surround mix) does one of the band’s best albums true justice.
And now for some new music:
A great Seattle band of the ‘90s that never received the acclaim it was due. They have reunited 20 years later. They are all older and much wiser, and it shows in their music. It’s still tough, melodic, and full of energy, while exhibiting a confidence and ease that is very gratifying.
A very nice live set that provides a good sample of Gazpacho’s output. The band is incredibly tight while performing some demanding pieces. This is an excellent introduction to a band whose music is often enigmatic.
Technically, this is a 2014 release, but the expanded double album came out this year, so I’m including it in this list. Strong Pink Floyd/Genesis influences which Kerzner uses to springboard into new territory. This is a concept album with an intriguing storyline – a stranded astronaut has to make it back to civilization on a planet. This is the most “classically prog” rock I’ve heard in a long time, and it’s tremendously appealing.
Kevin Keller is a classical pianist and composer who loves Rush in general and Neil Peart in particular. His compositions are melodic yet challenging, and his production values are top-notch. His latest album is the perfect accompaniment to a relaxed Sunday afternoon.
Before 2015, I knew nothing of John Mitchell; this year I immersed myself in his work, listening to Frost*, It Bites, and above all his solo project Lonely Robot. This is prog with a pop orientation that never disappoints. He is an incredibly talented guitarist and vocalist, and I hope this is the first of many Lonely Robot albums.
3. Glass Hammer: The Breaking Of The World
Wow. Ode To Echo was an amazing album, and “The Breaking Of The World” tops it. Carl Groves is the best vocalist they’ve ever had, and he’s no slouch in the lyrics department. His voice works perfectly with Susie Bogdanowicz, as you can experience on their other fine release of 2015, “Double Live”. On this album, the band is fire, powered by Steve Babb’s endlessly inventive bass and Fred Schendel’s keyboards.
Neal Morse continues his streak as one of the most prolific artists in prog, and this time he offers up a true group effort, with all the band members sharing songwriting credit. “New Jerusalem” may be the best short-form song he’s ever been involved in, while “Alive Again” ranks up there with his finest epics. The band tore down the house when they performed these songs live; here’s hoping this is more than a one-time experiment.
For their sixth full-length album, Riverside has tightened up their sound to deliver their best set of songs ever. Mariusz Duda marries the ambience of his Lunatic Soul project to a definite ‘80s sound – Discard Your Fear would be right at home on a Tears For Fears album, while Duda’s bass work has Peter Hook’s influence all over it – and the result is the most beautiful album I’ve heard in years. I listen to it two or three times in a row, I put it aside for a while, and I bring it back out. I have yet to tire of it. Be sure to read Erik Heter’s excellent and illuminating interview of Duda.