Prog Magazine Wants You to List Your Top 10 Prog Albums Ever

Progarchist and quasi-Kiwi Russell Clarke receives his copy and is quite elated.
Progarchist and quasi-Kiwi Russell Clarke receives his copy and is quite elated.

Mastereditor Jerry Ewing has asked all good people to list their ten favorite prog albums of all time and submit them to PROG by July 4.  Jerry, I assume is thinking about the American founding.  Ha.  Well, probably not.

So, all time?  Back to Pet Sounds by The Beach Boys?  Without giving any real thought to the parameters, I jotted down my favorite albums.  I followed only three rules: no duplication of bands; listing them in alphabetical order; and writing down what immediately came to my mind.

So, please consider this tentative at best.  And, of course, subject to revision.

For Jerry Ewing: My Top (10) Prog Albums—EVER.

  • Ayreon, Universal Migrator
  • BBT, EEFP
  • Cosmograf, Capacitor
  • Flower Kings, Space Revolver
  • Gazpacho, Night
  • Genesis, Selling England by the Pound
  • Glass Hammer, Inconsolable Secret
  • Kansas, Leftoverture
  • Nosound, Lightdark
  • Porcupine Tree, Fear of a Blank Planet
  • Riverside, Second Life Syndrome
  • Rush, 2112
  • Talk Talk, Spirit of Eden
  • The Reasoning, Dark Angel
  • The Tangent, Down and Out in Paris
  • Yes, Close to the Edge

The Voting Begins: 2014 Progressive Music Awards

prog-banner

 

Mighty Jerry Ewing, editor extraordinaire of PROG, has just announced the opening of elections for the 2014 Progressive Music Awards.

As Chicagoans might state: vote early and often.

But, in the republic of progarchy, we encourage you to vote only once and with appropriate gravitas.

To vote, go here: http://awards.progmagazine.com

Half-Way Through 2014 – The Best So Far – Part 3

manofmuchmetal's avatar

Today I bring you the third instalment of my half-way round-up of some of the best albums released so far in 2014. So far, this year has been a strong one with a number of albums catching my attention and garnering positive reviews where applicable.

If you missed parts 1 and 2, they can be accessed via the following links:

Half-Way Through 2014 – The Best So Far – Part 1
Half-Way Through 2014 – The Best So Far – Part 2

But here now, is Part 3:

Anathema – distant satellites

Distan_SatellitesRegular readers of this blog will not be surprised to read that this album features in this list. I absolutely adored ‘Weather Systems’ and it finished at the summit of my ‘Best of 2012’ top 20. Clearly, based on the quality of the follow-up, ‘distant satellites’, Anathema didn’t feel any pressure. Instead, they have matched the brilliance…

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Review: Jason Rubenstein NEW METAL FROM OLD BOXES

Review: Jason Rubenstein, NEW METAL FROM OLD BOXES (Tone Cluster, 2014).

new metalSo.  You’ve been a progger since the 1970s, you’re musically trained, and and you’ve enjoyed a solid if now former career as a software engineer with several major companies.  What do you do?  You write a brilliant, stunning, majestic soundtrack to your life, especially if you live in glorious San Francisco.

I exaggerate a bit, but not much.  This, essentially, is the background to music maestro Jason Rubenstein.  He has just released a rather stunning album, New Metal from Old Boxes (Tone Cluster, 2014; mixed by Niko Bolas and mastered by Ron McMaster).  While many Americans and other citizens of western civilization might simply desire new wine from old bottles, those of us who live in the republic of progarchy can rejoice heartily.  We can have our wine and our Rubenstein!

From the first listen, I was hooked.  This is a mesmerizing album best described as cinematic.  While dark and brooding (just look at Rubenstein’s photo—the guy is the perfect Hollywood dark hero), the music is always playful and mischievous, never coming anywhere near the dread of dull.

Almost effortlessly, Rubenstein employs classical jazz, noir jazz, prog, metal, classical, and jazz fusion.  If I had to label it, I’d called it “Cinematic metal prog.”  At times, it’s downright frantic, always extravagant, but never campy or over-the-top.  While this is certainly Rubenstein’s creation, he is never shy about borrowing styles from those he clearly admires.  I hears lots of The Tangent, ELP, King Crimson, Cosmograf, Cailyn, Tool, Dead Can Dance, and even Wang Chung (only from their spectacular To Live and Die in LA soundtrack)

Alex Lifeson? Harrison Ford? No.  Jason Rubenstein.
Alex Lifeson? Harrison Ford? No. Jason Rubenstein.

Rubenstein credits himself with keyboards, synths, samplers, computers, programming, and angry noises.  In terms of sound quality, this album is perfection itself.  Pardon me for employing such a Catholic term, but its production is immaculate.  Even the packaging is a work of art.  Like the music, it is dark, brooding, and industrial.  Intricate pipes and strings, smelting of iron, nail heads (in a V’ger pattern), more strings, more pipes, and, then, rather profoundly, a GQ-Rubenstein, looking every bit the Hollywood action hero.

Admittedly, looking over my review, I’m tempted to fear that I have given the impression this is just a hodge podge of musical ideas.  Please note, that nothing could be further from the truth.  This is the soundtrack of your best day.

 

To visit Jason Rubenstein’s beautifully designed website, go here.

Progarchy is Moving! New Address.

cu buffaloFor the next year, yours truly (ed.-Brad) will be living in Longmont, Colorado, and teaching at the University of Colorado, Boulder.  It is my goal to make CU an all-prog rock campus.  By the end of the academic year, I’m hoping CU students will chant things such as Socrates, Petrarch, Spawton, Tillison, Cohen. . . . We’ll see what happens.

Therefore, the physical address of Progarchy, July 1, 2014-July 1, 2015, will be:

Brad Birzer/Progarchy

1710 Whitefeather Drive

Longmont CO 80504

USA

Contact email will still be: progarchy@gmail.com

On July 1, 2015, progarchy hq will move back to its normal Hillsdale, Michigan, address.  Thanks for understanding!  Yours, BB

Progarchy Post #999

We’ve reached our 999th post just four months shy of our second anniversary. Our progarchist (also a novelist, DPRP.net reviewer, as well as an all-around incredible guy) Eric Perry prompted me to write something for this auspicious occasion.

And, really, I would be a fool not to follow Eric’s advice on this or any thing else.

First, a huge thanks to all of the progarchists. Not a single one of us gets paid for any of this, but, as you can see, each and every member of the progarchy writing team gives her or his heart and soul to the endeavor. So much time, devotion, and dedication.

Progarchists might be faulted for being more enthusiastic than critical, but no one could fault us for not caring or for not putting forth our best. I am honored to write with such friends and allies in this world. Indeed, I’m more than a bit humbled to think that whatever powers that exist decided I’d get to share an existence with these fine folks.

Second, I want to thank the bands and individuals of the music community for being so open to us. We realize that every time you send us something, you do so as an act of faith. Not only do you spend an immense amount of your own money and your time to share your art with us, but you also extend to us your most sacred thoughts and ideas, your very creations from the very depths of your being.

Not only have we tried to treat your art with all the respect it demands, but we have done so by pledging that we will attempt to write as well as you construct, perform, and record your music.

Third, an equally immense thanks to all of our readers. Of course, you’re a most diverse group, and you come from every single part of the world, though the vast majority of readers come, understandably, from the U.K., the U.S., and other English speaking countries. We’re happy to have every one of you, and we thank you profoundly for allowing us to be a part of your lives. As of this writing, every single post goes via email to 1,951 of you. Another 200-1,500 readers visit us each day, depending on topic, day of the week, etc.

Though we founded progarchy—in large part—as a way to promote Big Big Train and The Tangent—we have, I think, added to this list while not neglecting our original desire to advance the art of Spawton, Tillison, and compatriots.

A final thanks to the labels, the promoters, and the PR women and men who have helped us in innumerable ways. Right off, I can think of Karisma, Glass Onyon, Fresno, Kscope, Cherry Red, Bad Elephant, Sally Collier, Chris Thompson (now retired), Billy James, Brian Rocha, Cleopatra, English Electric, and many others.

Our first post hit the web on October 11, 2012. So, we’re not quite two years old. Yet, so much has happened in the prog rock world since then. Already, the market was being saturated with prog releases and prog-related releases. Progarchists joked that we were drinking from the fire hose.

As of June 2014, this hasn’t subsided. But, the quality and expectations have risen dramatically. There really can no longer be any such thing as just “another release.” For an album to qualify as excellent or even very good, it has to reach a VERY different standard than it did only three years ago. Releases from Big Big Train, The Tangent, Cosmograf, and Glass Hammer especially have almost completely remade the genre. Not only are these bands and others releasing albums of the highest calibre, they have taken the genre to levels unimagined even during the first wave of Genesis, King Crimson, Yes, etc. Truly, there is progress.

We are, as mentioned earlier, absolutely thrilled to play any role—no matter how large or small—during this great moment of art, music, and history.

Rush MOVING PICTURES–reviewed in Notre Dame Student Paper 1981

My family and I are in the process of moving to Boulder, Colorado, for the upcoming school year.  One of the terrible parts of any move is the packing.  But, there’s a plus side–things thought lost reappear!  And, so it is with this review I found in a spring issue of the University of Notre Dame student newspaper, The Observer.  Dated April 23, 1981, pg. 11, by Tom Krueger.  Forgive the quality of the image.  It’s a photocopy from microfilm run through a Scansnap.  So, in terms of image–blah!  Still, good to have it posted for historical reasons.

rush moving pictures review nd 1981

Rush is Everywhere in 2011 New York Times Bestseller

rvkeeper's avatarrush vault

RPOIf you’re not a science fiction fan you might have missed the news that Ready Player One was one of the biggest literary hits of the year when it came out in 2011. First-time novelist Ernest Cline became an improbable success story when his book about a Tom Sawyer-like character sticking it to the corporation in a dystopian future reached No. 20 on the New York Times bestseller list. But maybe the book’s success is no more improbable than Rush’s success, since the book is threaded throughout with wry Rush references.

cline Cline

The story takes place in the not-too distant future and it’s not a pretty picture. The environment’s a mess and the social order is collapsing. But there’s one good thing: virtual reality. For many people, the real living takes place online in a highly immersive massively multiplayer game.

Without getting too much into the details, think of the…

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The Feast of Andy Tillison: Happy Birthday, Andy!

48033_aProgarchy wishes one of its favorite artists a happy birthday today.

Andy Tillison has always walked his own path while honoring those who came before him and those who will follow.  It hasn’t always been easy, we know, but it always has been brilliant.

Armed with immense stores of energy, integrity, talent, and individuality, he, perhaps ironically, finds himself at the center of a number of communities.

We are honored to be his friend and ally in this world.  Rage on, Mr. Diskdrive, rage on!

 

Craig Breaden: Progger and Mountain Surfer

Just in case you ever wondered what the editors of Progarchy did before Progarchy (or, even the internet!) existed, here is a rare glimpse into the early life of editor Craig Breaden.  Taken in the Rockies, somewhere near the Utah-Idaho-Wyoming border.  Ca. 1991.  Photo by yours truly–BB, ed.

craig surfing