Progarchy Radio Episode 7


, , , , , , , , , , , , , , , , , , , , , , , ,

prog radio.001

Episode 7

Hey everyone, my apologies for taking so long to get episode 7 recorded.  Still, I hope you enjoy it–over two hours of prog and New Wave.  This episode features new songs from Big Big Train, Frost*, Mike Kershaw, Airbag, and Ayreon.

In addition, songs from Neal Morse, The Tangent, Salander, The Reasoning, New Model Army, New Order, Foo Fighters, Catherine Wheel, Echo and the Bunnymen, and The Cure.

Big Big Train – Folklore – Album Review — The Blog of Much Metal

Artist: Big Big Train Album Title: Folklore Label: English Electric Recordings Date Of Release: 27 May 2016 Albums like this need to be consumed for some time before any thoughts are committed to paper or PC. However, I was desperate to review ‘Folklore’ by Big Big Train before it was officially released and so, after […]

via Big Big Train – Folklore – Album Review — The Blog of Much Metal

The Wall Street Journal on BENT KNEE


, ,


The new album.

One of America’s two finest print sources has a great writeup on BENT KNEE.  And, well deserved.  By Jim Fusilli.

Bent Knee, whose latest album, “Say So” (Cuneiform), arrived on Friday, has been classified as a proponent of art rock, which is only a little more helpful than saying it makes music. Across the span of its three full-length discs, the silo-smashing, Boston-based sextet taps into cabaret, ’70s piano-based folk, chamber pop, industrial rock, metal and prog rock—with the snap of funk and hip-hop in some of its rhythms. Featuring the versatile, ever-appealing voice of Courtney Swain on top, Bent Knee’s unique mix is equal parts ingenuity and deliciousness.

Bent Knee may begin and end a track near the same sonic place, but in between it offers a journey filled with fruitful detours. The initial listening experience is to wonder what’s next; later, it’s a matter of catching up with what was missed the earlier times around. On “Say So,” the track “Counselor” features bouncy allusions to show tunes; punchy funk; wailing metal; and a sing-along worthy of a protest rally. A cocktail-lounge piano and a theatrical vocal by Ms. Swain introduce “Nakami,” but soon comes Gavin Wallace-Ailsworth’s booming drums, a stinging guitar and sweet strings; Ms. Swain, who also plays keyboards, sings the stirring outro in Japanese. “Eve” has two bludgeoning interludes right out of sludge metal, but there are also little bits on plucked violin and accordion, with some jazzy chording on electric guitar. For all that’s happening on this album, there’s little bloat or self-indulgence, and even the longest tracks feel like concise statements.

To read it all, and you should, go here:

Thanks to Stephen Humphries for pointing this out to me this morning.


Get every new post delivered to your Inbox.

Join 4,245 other followers