Getting Physical with Insideout: Riverside and Karmakanic


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riverside 2016

2016 special edition

Two unexpected beauties arrived in the mail today–the latest releases from Riverside and Karmakanic.  Well, I write unexpected because 1) I had completely forgotten that I’d pre-ordered the Riverside; and 2) I wasn’t expecting it to show up with Karmakanic, which I’d also forgotten was a two-disk affair.  Truly serendipity.

The Riverside release is really a re-release of last year’s LOVE FEAR AND THE TIME MACHINE.  This special edition includes a second disk, a DVD, with the album presented in hi-res stereo as well as 5.1 surround (mixed by Bruce Soord).  It also includes a hi-res version of five tracks from the recording sessions, and the videos made to accompany the album.  From what I can tell, the booklet that comes with it contains no new information from last year’s release except for an update on who mixed the DVD.

Not surprisingly in the least, everything here is outstanding–from the packaging to the re-released music.  If you haven’t yet, make sure you check out Erik Heter’s review as well as his interview with the band last year.

I’m especially taken with the five additional tracks labeled as “day sessions.”  These add up to nearly 28 minutes of extra music.  If you remember how The Pineapple Thief often released bonus material of their jam sessions a decade or so ago, you know exactly what to expect from these “day sessions.”  Frankly, they’re stunning, sounding as much like Lunatic Soul as Riverside.  The atmosphere created and presented by these tracks is really exceptional.  It’s worth ordering this new package just for these five songs alone.  I’m sure I will be spending many hours listening to these songs.



When I pre-ordered the new Karmakanic (already reviewed–several days ago), I didn’t remember having ordered the special edition.  While the artwork–provided by Rush’s Hugh Syme–is simply stunning, I can’t say the same about the packaging.  Mostly plastic, my new case came pre-crushed!  The booklet is in good shape, but the innards that hold the two disks are just lots and lots of flaky pieces.  Ugh.  Thankfully, the disks are ok, but the packaging is weak and poor.  Too bad, as this release deserves the highest treatment possible.  The extra disk is also a DVD.  It has five songs recorded at RosFest 2012, a “making of” documentary, and several interviews.

Both albums come from Insideout.

Interview with TRAUMA FIELD


Trauma Field (photo by Miika Ihanainen)

Finnish progsters Trauma Field released one of the most pleasant releases of 2016 that I’ve listened on quite a few occasions so far. Their second album, “Changing Tides,” is certainly a great addition to the melodic, more melancholic spectre of the progressive genre.

Jaakko Pessu (vocals, guitars) and Antero Jokinen (keyboards) answered my question about their work. Head over the band’s Bandcamp page, hit the play button and enjoy reading this interview while “Changing Tides” takes you on a journey through vast.

What made you go for the name Trauma Field?

Jaakko: Trauma is a powerful and somewhat scary word. The name can make you wonder, what is a trauma field and how does it look like. And then you have a picture in your head. At least that’s how it worked for me in the beginning. Also it describes our themes well. Trauma field is inside ones head, and that’s where we dive on our albums.

How do you usually describe your music?

Jaakko: Atmoshpheric, melodic and somewhat progressive. The goal is to deliver emotions and feelings and to do that, all tools and spices can be used.

What is your writing process like?

Jaakko: I usually get a small idea from somewhere. It can be a melody, a riff or a chord progression. Immediately after that I try to recognize the feeling in it. That feeling is the guideline to make the rest of the song and the lyrics. But of course every song and every process is different.

Who or what is your inspiration, if you have any?

Jaakko: I find inspiration from everywhere. Usually it’s other music, but it can be a movie, a photo, etc. The lyrical theme of Changing Tides is the progress of growing and maturing through good and bad days. I have thought about these things for a couple of years now and it was kind of natural to mold these thoughts into an album.

Changing Tides

What is your favourite piece on the “Changing Tides” album?

Jaakko: My personal favourite is High Tide. It was fun and painless to make and contains some elements I’m really proud of, like the use of the theme melody in different time signatures. The best thing about this album is that everyone has a different favourite.

Antero: My favourite piece changes from time to time but I have to say I’m very happy to have a proper ballad on the album! I mean Hope For Rain of course.

What makes “Changing Tides” different?

Jaakko: It is a combination of easy and complex things. The melodies are clear and easy to follow, but there’s more in the songs. I hope that a listener wants to hear the songs again and again to hear and understand new things.

What should music lovers expect from “Changing Tides”?

Jaakko: A musical journey to yourself. Everyone should think these themes at some point in their lives. Musically it’s full of feeling and emotion to dive into.

What kind of emotions would you like your audience to feel when they listen to your music?

Jaakko: Depends on the song. Most of the time it’s some shade of melancholy, but there’s always a positive side to it. I’m small, but I matter. Today it rains but the sun will shine tomorrow.

Which do you like most, life in the studio or on tour?

Jaakko: We have never been on a longer tour, but I guess the studio wins. It’s nice to try different ideas and hear the music form in front of you. You can never hear it quite the same while playing.

Antero: We would like to have a some kind of tour of course but sometimes I wonder how some bands can do it for almost two years straight.

Pick your three favourite albums that you would take on a desert island with you.

Jaakko: Today’s choice would be: Boxer by The National, New World Shadows by Omnium Gatherum and Appeal to Reason by Rise Against. An album for each mood.

Antero: I have to say Unia by Sonata Arctica because the album is so complex  and you can find new things in it on every listen. Other two might be Once by Nightwish and Addicted by Devin Townsend Project.

Check out Progarchy’s review of “Changing Tides” here.

RochaNews: Nosound


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Fifth studio album “Scintilla” out September 2 on Kscope
ROME, Italy – Ahead of the release of its fifth studio album Scintilla on September 2 via Kscope, Nosound has launched a new video for the song “Sogno E Incendio” featuring acclaimed Italian singer Andrea Chimenti. Stream the clip on YouTube at:
Nosound’s Giancarlo Erra explains: “The video was directed by Erika Errante. She was introduced to me by Andrea [Chimenti] via his son, as she had produced a few videos for his band and I wanted a video done by someone else for once, not myself. For this reason I wanted to give her full freedom. All we knew is that we didn’t want to go too literal with the lyrics in the song, but instead expressing the concept in another way. So the concept is explained through the idea of lost and found people and feeling, and transformation from one into the other. It is a more loose and artistic connection, and I liked it a lot for that reason.” 
Giancarlo Erra co-wrote the song with Andrea Chimenti: “Working with Andrea was extremely easy; we discovered we have a common emotional ground, so the theme of my album immediately vibrated with him and together we quickly arrived to the meaning this song was meant for. The song is all about the spark (scintilla) that can ignite a fire, but for that to happen there’s a need for dead dried leaves, or branches, or old paper, so the old and dead stuff that seems useless is what is really needed for the fire to start again.”
On the collaboration and creative thought process Chimenti adds: “Giancarlo Erra had long ago sent me an instrumental song to listen to. It struck me immediately and I liked very much the idea of working with him, but as often happens we were busy with various things and that tune remained in the drawer for a while … maybe it was not the time to deal with it because everything happens when it has to happen. At the beginning of this year, after a series of events that have transformed my life, the text and singing for that song were born. The extraordinary piano sequence of Nosound, with its perpetual motion, rolled out the words, one after another like a string of pearls and the album title ‘Scintilla’ was the thread on which they walked. 
“The crescendo of the second part suggested to me fire as a purifying element that from a spark turns into a real fire. I love music when it manages to be evocative, calling into dreams and images. The music of this song has in it all that strength and not just that of the dream, but that of the spark, the fire prelude.”
Inspired by personal upheaval and a desire for change, Scintilla is an emotionally complex and musically direct work, presenting a stripped-down set of compositions that mark a major departure from Nosound’s trademark symphonic lushness and production precision. Taking in influences from post rock, shoegaze and alt-singer-songwriters, the album imaginatively utilizes a mostly organic and acoustic sound palette.
In addition to Andrea Chimenti, Anathema’s Vincent Cavanagh lends his distinctive vocals to two of the album’s tracks, and cellist Marianne De Chastelaine returns once more to the Nosound fold (this time in a more free-flowing and improvisational capacity).
An additional Scintilla track and video, “Short Story,” can be streamed on YouTube at: and Vimeo at:
Scintilla is available to pre-order via the Kscope webstore at: as a deluxe CD/Blu-Ray in Mediabook (with 24 page booklet and Blu-Ray containing HD stereo and 5.1 surround sound mixes, plus additional video content) and audiophile double 180g vinyl edition (mastered at 45rpm to ensure quality) in a gatefold cover with booklet and poly-lined inner bags. Download and streaming versions will be available to pre-order at: with instant downloads of “Short Story” and “Sogno E Incendio.”
1. Short Story [02:24]
2. Last Lunch [07:00]
3. Little Man [04:38]
4. In Celebration of Life [05:34]
5. Sogno E Incendio [04:44]
6. Emily [03:19]
7. The Perfect Wife [07:27]
8. Love is Forever [02:51]
9. Evil Smile [04:33]
10. Scintilla [06:27]
Regarded by critics and fans alike as one of the most interesting up and coming alt/art rock bands in Europe, Nosound inventively combines influences from ’70s psychedelia, ’80s/’90s ambient and contemporary alternative, progressive and post rock. The project started as a one man studio project in late 2002 by Giancarlo Erra, but has since grown into a five piece band, evolving into something unique, focused and powerful. The music is evocative and intense, with personal songwriting.
A cathartic album of emotional extremes, Scintilla marks the brave beginning of the second phase of Nosound’s fascinating career. Stay tuned for more information on Nosound and Scintilla, out this September on Kscope.
Nosound is:
Giancarlo Erra – vocals, guitar, keyboards
Marco Berni – keyboards, vocals
Alessandro Luci – bass, upright bass, keyboards
Paolo Vigliarolo – acoustic/electric guitars
Giulio Caneponi – drums, percussion, vocals
Nosound online:

My introduction to IQ — Grendel HeadQuarters


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Another introduction story again. I have discovered so many bands through different ways (and not the usual “Hey, listen to this” happenings), so I thought that it’s fun to share those stories with you! Today’s story is about the band IQ!

via My introduction to IQ — Grendel HeadQuarters

Topographic Wilsons

I had no idea this was forthcoming, Steven Wilson mixing Yes’s most misunderstood masterpiece, TALES FROM TOPOGRAPHIC OCEANS.  The following is from Burning Shed:

The ultimate way to enjoy Yes’s most controversial album! 


The towering Tales From Topographic Oceans is the fifth in a series of remixed and expanded Yes albums. 
Presented in a 2 x mini vinyl replica gatefold card sleeves in a slipcase with booklet featuring new sleeve notes by Sid Smith along with rare photos and archive material, the album has been mixed for 5.1 Surround Sound from the original studio masters and is fully approved by Yes. 
The 3 CDs feature a 2016 mix of the album by Steven Wilson plus an alternative extended Dance of the Dawn (mixed from multi-track by SW) and 5 single edits. The CDs also include a complete alt. album with High The Memory (unreleased studio run-through) and Ritual (live in Zurich, April 1974) – fully restored audio from original sources. 
The booklet includes elements of new interviews with Jon Anderson, Steve Howe and Alan White. 
The blu-ray (Region 0, NTSC) features: 
– 5.1 DTS-HD Master Audio Surround (24bit/96khz) mixed from the original multi-channel recordings. 
– the new stereo album mix in DTS-HD Master Audio (24bit/96khz). 
– the original album mix in a DTS-HD Master Audio flat transfers from the original master tape source. (24bit/192khz). We believe this is the earliest master of the original mix to be issued in the digital era. (This master was also used for the original stereo on the CDs). 
– full alt. album featuring: sides 1 and 3 from the 2003 Rhino CD, previously unreleased studio run-through of Side 2 and previously unreleased live version of Side 4. 
– exclusive needle-drop of an original UK vinyl pressing transferred in 24bit/96khz audio and US branded promo pressing. 
– exclusive instrumental versions of all new mixes in DTS-HD Master Audio stereo (24bit/96khz). 
– 2016 stereo and 5.1 remix of Dance of the Dawn plus 5 single edits (stereo only) all mixed from multi-track by Steven Wilson. 
Original artwork expanded, restored and approved by Roger Dean. 
“I worked on and off for about 3 years on this new mix in my quest to do it justice. I hope it will satisfy the people who agree with me that it may just be Yes’s pre-eminent masterpiece.” Steven Wilson 
Pre-order for 26th September release.


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