A retro review of Tori Amos, LITTLE EARTHQUAKES (Atlantic, 1992), originally released January 6, 1992. Twelve tracks at 57 minutes: Crucify; Girl; Silent All These Years; Precious Things; Winter; Happy Phantom; China; Leather; Mother; Tear in Your Hand; Me and a Gun; and Little Earthquakes.
Nothing quite prepared me for my first listen to LITTLE EARTHQUAKES by Tori Amos, twenty-five years ago this month (actually, twenty-five years ago tomorrow, to be exact).
Full of confessional anger and blasphemy, LITTLE EARTHQUAKES is nothing if not utterly honest. Indeed, this first album from American vocalist and pianist remains one of the most honest and earnest albums I’ve ever heard in my 49 years of life. Amos has a voice that could awake the dead who await the Last Judgment. And, if she challenged God to a debate, I don’t think it would be a pretty sight. Though, I can imagine Tori raising her fist pretty quickly at the first glimpse of the divine. I’m not quite sure what God would do.