Mike Portnoy’s new supergroup, Sons of Apollo, is the prog metal bombast we have been waiting from the legendary drummer ever since he left Dream Theater. While DT have struggled to define their sound moving forward, Portnoy has dabbled in seemingly disparate genres in an endless number of bands (all of them admittedly amazing). Sons of Apollo finds him coming home to the wonderful world of prog metal with a lineup of extremely talented musicians.
Featuring Portnoy on drums, Bumblefoot (formerly of Guns N’ Roses), on guitar, Derek Sherinian (ex-Dream Theater keyboardist circa “Falling Into Infinity”), Billy Sheehan (Winery Dogs) on bass, and Jeff Scott Soto on vocals. I initially was hesitant when I heard Sheehan would be playing bass, because I’m not the biggest fan of his heavily distorted bass tone, even though I think he is a brilliant player. However, in a heavy metal setting, his tone works quite well. Soto’s vocal range matches the music quite well. He can go from Brian Johnson-esque screams in the beginning of “Coming Home” to Steve Perry highs later in the same song.
In a way, Sons of Apollo reminds me of AC/DC if they were super proggy, super complex, and had a keyboard master. Sherinian really is a brilliant keyboardist, and I like that he uses more traditional organs rather than the nintendo theme-song keyboards that other DT keyboardists have overused. In the music videos, it is clear that Sherinian is thrilled to be working with Portnoy again, and based upon the drummer’s Twitter feed, the feeling is mutual.
I kept my expectations pretty low for Sons of Apollo’s “Psychotic Symphony” because there seemed to be a lot of hype surrounding it. After listening to it several times, the album has grown on me, and I can honestly say the hype is justified. This is a fantastic metal album well worthy of any progger’s collection.