The 1982 US Festival on DVD/Blu-ray

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From Clint Weiler/MVD.

Taking us back to the years of Stranger Things. . . this looks wonderful.  From Clint Weiler, MVD Media:

The Us Festival: 1982 The Us Generation
The authorized story of the 1982 Us Festival with remastered live performances from
The Police, Tom Petty, Fleetwood Mac, Santana, The Cars, The B-52s, and more
Coming to Blu-ray / DVD on August 10th
The Us Generation: The Making Of the 1982 Us Festival is an in-depth look at one of the most influential music festivals of all time. The Us Generation is from award winning filmmaker and rockumentarian Glenn Aveni, who is also the film’s director. Co-Directed by Jay Cederholm and Produced by Bruce Gibb & Rich Schmig, the film blends rare concert footage and insightful interviews with both organizers and performers.
The film tells the story of the groundbreaking 1982 Us Festival–an epic three-day event featuring an eclectic and unprecedented lineup boasting some of the biggest names in music, performing live in front of over one million people at Glen Helen Regional Park in San Bernardino, CA. The Us Festival was the brainchild of Apple visionary Steve Wozniak, who wanted to create something that was a true celebration of Americana, cultivating positive vibes and building a deep sense of community through the power of technology and music.
Highlights include performances by chart-topping superstars, Tom Petty & The Heartbreakers, alt-rock trio The Police, blues rock heroes Fleetwood Mac, guitar virtuoso Carlos Santana, retro-chic favorites The B-52s, and new wave icons The Cars; as well as archived appearances by Johnny & Joey Ramone, Carlos Santana, Sting, Ric Ocasek, Danny Elfman, and Fred Schneider; plus exclusive sit-downs with festival founder Steve Wozniak, Mick Fleetwood, Eddie Money, Marky Ramone, Kate Pierson, Stewart Copeland, and Mickey Hart, among others.
The film is produced by Icon Television Music, Inc., Plum Media, and in association with Us Festival original founders Unuson Corporation.

MVDnEWS: Max’s Kansas City

Max’s Kansas City: 1976 & Beyond 
coming to CD ad Vinyl on May 5th via Jungle Records
 
The original Max’s Kansas City 1976 pioneering punk club album,
extended with an extra 30 tracks and historical notes

Max’s Kansas City is the legendary New York City nightclub that became the focal point for the city’s hip artistic community from the late 60’s until the early 80’s. In its initial period, it was famously often populated by Andy Warhol’s Factory crowd, and played host to new artists such as the Velvet Underground, New York Dolls, the Stooges, Bruce Springsteen and countless others. It became a base for jet-setters, glam rockers and celebs, until the scene faded and it shut its doors at the end of 1974.

Reopened in 1975 under new management, Peter Crowley was hired as music director. The new young bands he booked helped spawn, in tandem with CBGBs, the New York City punk scene. In 1976 Peter compiled a studio album of acts associated with the club, Max’s Kansas City 1976, to help promote the club. It featured the first released recordings of Suicide, The Fast and Warhol-era veteran Wayne County, whose title-track gave a roll-call of many of the famous acts who’d regularly performed there.
Now the original album is reissued as Max’s Kansas City 1976 & Beyond, greatly extended to 40 tracks on a double-CD and a selection of 25 tracks on a double-LP. As well as the aforementioned Suicide, Fast and Wayne County, the new extended album features the New York Dolls, the Stillettos, the Offs, the Senders, Philip Rambow, VON LMO, Iggy Pop, Knots, Roland Alphonso, Cherry Vanilla, Nico, Joy Ryder, Johnny Thunders & the Heartbreakers and Sid Vicious amongst many others. It includes many previously unreleased tracks and rarities. Compiled by Peter Crowley, who also contributes notes detailing the history of the album. Writer, musician and Max’s scenester Jimi LaLumia provides historical overview sleeve-notes along with biographies of the artists in a 20-page booklet.

Jimi LaLumia writes:

Max’s Kansas City 1976 as an expanded edition two record vinyl and double CD collection, celebrates the historic first compilation of recordings by bands that were making big noise in New York City, and, thanks to a hyper active UK music press, around the world in a pre internet, truly underground manner. Melody Maker, a British music weekly, was especially keen on the post Velvet Underground / New York Dolls / Alice Cooper / Iggy & The Stooges scene that was inspiring the most unusual creatures to want to be in bands.
The Max’s album was my go to album for months; finally, tracks from Wayne County, Cherry Vanilla, and The Fast… Not to mention Suicide and Pere Ubu. I got introduced to Harry Toledo and the John Collins band: I won’t go into all the details here, because I wrote extensive detailed liner notes for the Jungle Records UK re issue coming in May, with additional notes from Peter Crowley, which are worth the price of the album, not to mention all the added extra tracks, so I’ll simply say that if you think you know everything about the late 70’s downtown scene, some additional reading material and bonus tracks are headed your way.”
Complete details, hi-res cover art, specs, etc can be found HERE and additional assets HERE
This item can be pre-ordered via MVD Shop or on Amazon