LEPROUS – Announce “Aphelion” preview livestream – Album Out Next Week

Press release from Inside Out Music:

Norwegian Rock outfit LEPROUS are releasing their 7th studio album “Aphelion” next week, on August 27th, 2021 worldwide via InsideOutMusic.

In order to further promote “Aphelion”, LEPROUS have announced a special entire album preview concert livestream, which will take place on Wednesday 25th of August at Notodden Theater in Norway. LEPROUS will actually be performing two full “Aphelion” shows, suitable for different time zones: The 1st live stream starts at 7 PM CEST (EU Time Zone) and the 2nd live stream starts at 7 PM EDT (US Time Zone).

For further info details and ticket options, please check here: https://munin.live/x-event/aphelion/
Ticket bundles (With merch or album) are available here: https://www.omerch.com/shop/leprous

Feel free to check out the singles/videos for “Aphelion” so far:
“Running Low”: https://youtu.be/QKmaG5f9Zsg

 

“Castaway Angels”: https://youtu.be/85drl9-lqRU

“The Silent Revelation”: https://youtu.be/S7bOg3oercg

Following up on 2019’s highly acclaimed “Pitfalls” album, LEPROUS recorded “Aphelion” throughout the last year at three different studios: Ghost Ward Studios in Sweden, Ocean Sound Recordings in Norway and Cederberg Studios in Norway. The album was once again mixed by Adam Noble (Placebo, Biffy Clyro, Nothing But Thieves, etc.), mastered by Robin Schmidt (The 1975, Placebo, The Gaslight Anthem, etc.) and its front cover artwork was designed by Elena Sihida, based on photography by Øystein Aspelund.

The album’s track-listing reads as follows:

LEPROUS – “Aphelion”
1. Running Low
2. Out Of Here
3. Silhouette
4. All The Moments
5. Have You Ever?
6. The Silent Revelation
7. The Shadow Side
8. On Hold
9. Castaway Angels
10. Nighttime Disguise

You can pre-order “Aphelion” in its various formats here:
https://leprousband.lnk.to/Aphelion

Next to the Jewelcase CD and Digital Album versions, “Aphelion” will also be available as limited edition Mediabook CD (with expanded booklet) and as Gatefold 2LP+CD with two bonus tracks:
11. A Prophecy To Trust and 12. Acquired Taste (Live 2021).

The album’s 180g 2LP vinyl version, which comes in Gatefold packaging and with the entire album on CD as bonus, is available in the following variants and limited editions:

Black 2LP+CD – Unlimited
Ultra Clear 2LP+CD – 500x copies via IOM Webshop & CM Distro
Bright Gold 2LP+CD – 200x copies via JPC
Transparent Light Blue 2LP+CD – 200x copies via EMP
Creamy White 2LP+CD – 400x copies via O-Merch
Deep Blood Red 2LP+CD – 200x copies via Band

LEPROUS line-up:
Robin Ognedal – guitars
Tor Oddmund Suhrke – guitars
Baard Kolstad – drums
Einar Solberg – vocals/keys
Simen Børven – bass

A Hevy Devy Year: Devin Townsend’s “Galactic Quarantine”

Devin Townsend Galactic QuarantineDevin Townsend, Devolution Series #2 – Galactic QuarantineInside Out Music, 2021
Tracks: Velvet Kevorkian (02:28), All Hail The New Flesh (05:32), By Your Command (08:18), Almost Again (03:42), Juular (03:50), March Of The Poozers (05:25), Supercrush! (05:15), Hyperdrive (03:42), Stormbending (05:21), Deadhead (07:55), Aftermath (06:51,), Love? (05:21), Spirits Will Collide (04:35), Kingdom (05:05), Detox (06:20)

Just a few months ago I pontificated about the sheer brilliance of the mighty Devin Townsend. I’m happy to announce that Devin has since surpassed my already high expectations with the release of the second volume of his Quarantine Series, this one formally entitled Devolution Series #2 – Galactic Quarantine.

Over the last year many music artists turned to the Internet when their ability to tour was cut off. None did it better than Devin Townsend. I’m not sure when he started live streaming, but I know I saw him announce impromptu live streams on Twitter pretty frequently as he worked on mixing various things. With his tour cut short, he began working on several live stream concerts, many of which raised money for hospitals in the UK and Canada in the early days of the pandemic.

This particular show originally aired on September 5, 2020 with musicians contributing from around the US and Canada. How anyone could pull this off to the extremely high level that he did it is astounding. It’s one thing to live stream yourself performing music, but it is another thing entirely to incorporate musicians from around the world and merge them onto a single screen. 

The setlist is a what’s what of some of the best music from Devin’s career, be it solo music, Devin Townsend Project, or Strapping Young Lad. It’s all good, and it’s all really really heavy. Sure, there’s plenty of cursing, but that’s par for the course with Devin and his music – particularly the Strapping stuff. Less so in his other work after Strapping. Besides, those Strapping songs have a level of rage that befits the world we live in. It’s also nice to hear Devin play that music again, especially since it seemed for a while like he wasn’t going to be returning to those songs or that style of music. He’s been very open about how it took a very toxic mindset for him to write that music all those years ago, but hopefully playing it doesn’t bring up those same emotions. For me, listening to it is rather cathartic. 

“Deadhead” is always a favorite when it gets included in his live sets, with its Floydian atmospherics and the gut-tearing crunch of Devin’s vocals. The sweetness of the clean vocals mixed with the grittiness of his distorted vocals perfectly represents the struggles of love that he sings about in the lyrics. 

He may end the live album with one of SYL’s most intense songs (“Detox”), but he also gives us the beautiful “Spirits Will Collide” off of Empath near the end of the show. There’s so much hope in those lyrics – really in that entire record. In that regard, this live show has some very disparate lyrical themes, but our lives are full of conflicting emotions. Why shouldn’t our music be full of that too. It can’t or shouldn’t be happiness and sunshine all the time, and likewise it shouldn’t be doom and gloom all the time. Balance is key. 

Musically the whole show is perfect. Guitars, drums, wall of sound… the mixing is fantastic, and many of the songs sound better than the original album recordings. Townsend’s vocals seem to get better with age, which makes for a thoroughly enjoyable listening experience. He’s one of those few artist’s that I would almost rather listen to live, in part because of his voice but all because of his sense of humor. 

This is yet another great minor release from Devin Townsend that any fan will certainly want to check out. This particular release would also make a good entry point for Devin’s music, since the tracklist features songs from across the heavier side of his career. Highly recommended.

http://www.hevydevy.com
http://www.facebook.com/dvntownsend
http://www.omerch.com
https://www.instagram.com/dvntownsend/
https://www.youtube.com/user/poopynuggeteer/featured

https://youtu.be/4rOhiHLPT9Q

 

LEPROUS Drummer BAARD KOLSTAD Talks “Pitfalls,” Band’s Position on the Scene, Rendezvous Point & More

LEPROUS Drummer BAARD KOLSTAD Talks “Pitfalls,” Band’s Position on the Scene, Rendezvous Point & More

Leprous and Rendezvous Point drummer Baard Kolstad did an interview before the Leprous show in Istanbul on February 13th where he talks about the group’s latest effort Pitfalls, the Prog scene, the upcoming edition of the Prognosis Festival in Eindhoven, and more. The full video interview, as well as a few excerpts, can be seen below.

Asked to comment about the new Leprous album being arguably the most dynamic release the band put out to date, Baard said: “We’ve always been suckers for dynamic and whatever is making the right vibe; it that’s to play soft or if it’s to have everything soft but the drums extremely hard. It’s difficult to point out exactly what’s going on when we make very variated album as that, but of course there were some barriers or not barriers, but it was like new Leprous kind of stuff happening. For instance from my point of view as a drummer, when I heard demos for ‘By My Throne’—it’s just like, ‘okay, that’s a new kind of Leprous, let’s make this sound like us and try to put that into the Leprous setting.’”

About whether or not Leprous defy progressive rock and metal conventions with Pitfalls, Kolstad commented: “When I’m searching new music I’m not going only for progressive bands, I’m going for all kinds of music. It doesn’t really matter what it is, but of course we have a background we love, like Opeth and Tool and Dream Theater—not the others but I love Dream Theater—bands like that, Meshuggah. But that’s tools again—not the band Tool—but tools for us to use in composition and musicianship. We don’t try to care much about expectations, but I guess like the way we write or like Einar writes, the way we play will naturally be for people that only play stoner rock. We will always be a prog band, but for the proggers we will probably not be a prog band. And for a pop group we will definitely be proggy or weird or something like that. We kind of don’t belong anywhere.

During the interview Baard also talks about the expectations fans usually have from bands in terms of the sound and musical direction, Leprous’ 20th anniversary next year, the current Rendezvous Point tour with Anathema, drum clinics, his tips for aspiring drummers, and more. Watch the full interview below.

Insideout: 25th Year

Spock’s Beard & Roine Stolt’s The Flower King’s celebrate InsideOutMusic’s 25thanniversary on tour

InsideOutMusic, the leading light in today’s progressive rock scene, celebrate their 25th anniversary of being a label in 2018, in what will be one of their biggest and busiest yet. To coincide with this, two of their longest serving artists, Spock’s Beard & Roine Stolt’s The Flower King’s, will head out on a European co-headline tour in Winter 2018.

Spock’s Beard comment: “Spock’s Beard is excited to announce an upcoming Winter tour!  It will be a co-bill with Roine Stolt’s THE FLOWER KING’s revisited band, so each show promises to be a great evening of music.  We’ve been getting a lot of questions about who will be playing drums on this tour, so at this time let me introduce our new touring drummer, Mr. Mike Thorne, from SAGA!  We are really excited to have him on board and are looking forward to seeing you on tour.”

Roine Stolt adds: “Asked to put together a band  to go on the road, celebrate our label Inside Out’s 25 year anniversary – I was thinking of the ‘treasure’ that is the music I wrote for The Flower Kings during that same period. I felt compelled to bring out this music for yet another round – and in the process bring in some old friends and some new.
The music is universal – some songs timeless – and by November I hope to have an exciting set-list – to not only celebrate my 1st album and the origin of all things  “The Flower King” – but to cover the rest of TFK’s history – and eventually a new tune & a few new faces. Tune up the engine – Time to prog!”

You can find the full list of dates below:
30th November – Cosmopolite, Oslo, Norway
1st December – Kulturhuset Studion, Stockholm, Sweden
2nd December – KB, Malmo, Sweden
4th December – Zeche, Bochum, Germany
5th December – Z7, Pratteln, Switzerland
6th December – La Machine, Paris, France
7th December – De Boerderij, Zoetermeer, Netherlands
8th December – Hedon, Zwolle, Netherlands
9th December – Islington Assembly Hall, London, UK
10th December – Academy Club, Manchester, UK

Formed back in 1993 in Kleve, Germany, the label made their name with acts such as Enchant, Spock’s Beard, Symphony X & The Flower Kings, many of whom they still work with now – a rarity in this day and age. Since that time, the label has played a key & continued role in the survival and resurgence of progressive rock in recent years, and has always prided itself on shining a light on leftfield music. Now the band count some of the biggest & most exciting bands amongst their roster, including Dream Theater, Steve Hackett, Devin Townsend, Sons of Apollo, Kansas, Haken, Riverside, Leprous & more. On the label’s 20th anniversary back in 2013, one of the labels founders, and current label-head Thomas Waber was given the Guiding Light award at the Progressive Music Awards, praising his aforementioned role in the continued celebration of progressive rock.

Many of InsideOut’s longest running relationships will see new albums released in the labels 25th year, including Spock’s Beard’s 13th album ‘Noise Floor’, a new collaborative project called The Sea Within that features Roine Stolt, Daniel Gildenlow & Jonas Reingold (all veterans of the label), a landmark live album from Devin Townsend filmed at a special performance at a Roman Theatre in Bulgaria, a new studio album from Riverside & much more.

This year will also see InsideOut release a whole host of lavish catalogue releases throughout 2018, including the second part of The Flower Kings ‘A Kingdom of Colours’ CD boxsets, a series of Devin Townsend high-end vinyl boxes, a CD collection covering the whole of Enchant’s illustrious career, & much more yet to be announced.

The Progressive Music Awards 2018 recently announced their nominations, with InsideOutMusic seeing 10 nominations in total, including Spock’s Beard for best international artist, as well as nods for Perfect Beings, Toundra, PFM, Sons of Apollo, Kino, Leprous & Caligula’s Horse. Find more details here: https://www.loudersound.com/features/vote-now-in-the-2018-progressive-music-awards

Watch out for more news throughout 2018!

Highest Prog Fantasy: Unfold The Future by the Flower Kings

A review The Flower Kings, UNFOLD THE FUTURE (2002; remastered and reissued, 2017). Tracks: The Truth Will Set You Free; Monkey Business; Black and White; Christianopel; Silent Inferno; The Navigator; Vox Humana; Genie in a Bottle; Fast Lane; Grand Old World; Soul Vortex; Rollin’ the Dice; The Devil’s Schooldance; Man Overboard; Solitary Shell; Devil’s Playground; and Too Late for Tomatos

Grade: A+.  Glorious.  Full.  Enchanting.  Mesmerizing.

tfk unfold the future
UNFOLD THE FUTURE, 2002–remastered in 2017.  InsideOut Music.

As noted last week on progarchy.com, the Flower Kings released its first boxset, A KINGDOM OF COLOURS (Insideout Music), in very late 2017.  Granted, we’re more than a bit late coming to the news, and I (Brad) only realized that the boxset had come out when seeing an advertisement for the forthcoming second boxset.

This set—a gorgeously packaged one at that—is part 1 of 2, re-releasing the band’s first official seven studio albums.  Missing are any b-sides, extra tracks, live releases, and the album that started it all, Stolt’s 1994 solo album, THE FLOWER KING.  But, these absences are certainly fine, as the boxset is what it is.  The next set, according to Insideout, will have three full disks of new or previously unreleased material.  Additionally and spectacularly, of those original albums re-released for A KINGDOM OF COLOURS, the final one, 2002’s UNFOLD THE FUTURE, has been completely remastered by the Flower King himself, Mr. Roine Stolt.

Continue reading “Highest Prog Fantasy: Unfold The Future by the Flower Kings”

Hierophantic Hackett

Hwaet!  The Genesis in days gone by

and the guitarist who ruled them had courage and greatness.

We have heard of that guitarist’s heroic campaigns.

 

A comfort sent by God to the peoples of the world.

He knew what they had tholed,

the long times and troubles they’d come through

without a leader; so the Lord of Life,

the glorious Almighty, made this Hackett renowned.

–With apologies to the Beowulf poet.

 

Steve Hackett - Wuthering Nights_ Live in Birmingham
InsideOut Music.  Released today in the United States.

Hackett is back, and, of course, he’s greater than before.  He has already conquered Grendel and Grendel’s mother.  Now, he returns to fulfill the prophecy of the Hierophant.

If you’ve not guessed, my copy of Hackett’s latest live offering, WUTHERING NIGHTS: LIVE IN BIRMINGHAM, arrived in my post box today.  And, oh, what a joy it is.  I’ve listened through it all, and, now, I’m rather stuck on this version of “Shadow of the Hierophant.”

As I listen and watch it repeatedly, I am reminded what first brought me to prog rock, oh so many years ago.  It is this, most certainly, this.  The build, the lingering, the apex, the mystery, and the certainty.

I’ve always considered VOYAGE OF THE ACOLYTE the lost Genesis album of 1975, much like Squire’s FISH OUT OF WATER is the lost Yes album of the same year.  “Shadow of the Hierophant” was stunning in 1975.  It’s even better in 2018.

Hackett’s recent outings and return to the beloved prog of the 1970s only makes me realize how alive this music remains. Watching Hackett, King, O’Toole, Townsend, Beggs, and Lehmann perform “Shadow of the Hierophant” reminds me that even in this world of sorrows, heroes arise, called forth by the God to remind us of what beauty still remains.

 

A Highly Rewarding Outing: SLOW RUST from The Tangent

The Tangent, SLOW RUST OF FORGOTTEN MACHINERY (Insideout Music, 2017).  Tracks: Two Swings; Doctor Livingstone; Slow Rust; The Story of Lead and Astatine; A Few Steps Down the Wrong Road; and Basildonxit.

tangent slow rust
The antithesis.

Andy Tillison is not a happy man.

From the art work, to the vocal work, to the lyrics of this latest The Tangent album, SLOW RUST, Tillison has embraced a critical response to the rapidly growing and evolving fascistic, fascist-lite, and insular movements of the western world over the last several years.  As artist, as man, and as thinker, Tillison hopes to stay the dark trajectory of the West or even, God willing, reverse it.  While the great red-headed man of prog mischief has never backed away from controversial viewpoints, he’s rarely been this explicit.

Even the album cover makes one pause.  Previously, Tillison has joked that he represents the dark side of prog, the antithesis, in particular, to Big Big Train, and the cover seems to project this rather profoundly, as a (presumably) single Muslim mother walks along dilapidated railroad tracks, holding the hands of her two daughters.  The once majestic train has derailed, and the crossing sign (the closest thing to the viewer of the album) reads “go.”  Clearly, several things have gone very, very wrong.  There’s no hedgerow in the distance, only a ruined, collapsed, and spent civilization.  There’s some blue sky showing, but it’s obscured by the ruddy reds of smoke and grit floating all too freely in a broken and war-torn world.

Continue reading “A Highly Rewarding Outing: SLOW RUST from The Tangent”

The Tangent: SLOW RUST OF FORGOTTEN MACHINERY–Album information

tangent slow rust

FROM INSIDEOUT music MAY 9 2017

The Tangent, the progressive rock group led by Andy Tillison, have announced the release of the first new music since 2015. Their new ninth studio album ‘The Slow Rust of Forgotten Machinery’ is set for release on 21st July 2017. The line-up for this album once again features Tillison on keyboards, vocals (and for the first time on a Tangent record – drums), Jonas Reingold on bass, Luke Machin on guitars and vocals, and Theo Travis on sax and flutes plus new member Marie-Eve de Gaultier on keys and vocals. There are also guest appearances from author/playwright and Chumbawamba founder Boff Whalley on vocals, and upcoming DJ/producer Matt Farrow.

Band leader Andy Tillison had this to say: “Roger Waters did prove the ability of Progressive Music to act as a vehicle to communicate ideas about the current world scene. In both Pink Floyd’s “The Final Cut” and his “Amused To Death” albums, Waters set a challenge to others in the genre. A challenge which has not been frequently accepted.”

The album sees The Tangent in political commentary mode once again – this time often focussing on the horrendous plight of refugees from war torn parts of the world – and the way in which they are treated by the West, and in particular by the tabloid press. The album laments the new trend in building walls and defending borders across the world yet takes time to look at the breakup of friendships and other more personal issues – along with a song about the fate of wildlife in the modern consumer world.

And it’s a Progressive Rock Record. Full of intricacies, long developed pieces, challenging arrangements and virtuoso playing from all members. New sounds and styles (the band have brought a DJ on board for some sections) – new voices and techniques (first female vocals in The Tangent since the “Not As Good As The Book” album 10 years ago). A new producer in the form of Luke Machin whose open and deep/clear sound is a major factor of this album, a new drummer in the form of Andy Tillison who decided at long last (after drumming for 30 years) to let his own performances guide the rest of the band rather than adding another musician later. And after 13 years of asking, Jonas finally agreed to play some double bass in a song where Luke also plays some Scat guitar and Andy does a full on drum solo.

“The Slow Rust Of Forgotten Machinery” also features stellar artwork from Marvel / DC Comics artist Mark Buckingham. The sleeve of the album is totally based on the music it contains and was especially created for this project.

The album will be available on limited digipak CD, gatefold 2LP + CD, and digital download, and you can find the full track-listing below:

Two Rope Swings
Doctor Livingstone (I Presume)
Slow Rust
The Sad Story of Lead and Astatine
A Few Steps Down the Wrong Road
Basildonxit

The band will head out on tour in support of the new record, once again joining forces with Sweden’s Karmakanic to present albums by both bands. The full list of dates is as follows:
Aug 26th 2017 – Bierkeller, Reichenbach, DE
Sept 1st 2017 – 2 days of Prog +1 Festival, Veruno, Italy
Sept 9th 2017 – The Boerderij, Zoetermeer
Oct 8th 2017 – SUMMERS END Festival, Chepstow, UK
Oct 21st 2017 – Progtoberfest, Chicago, USA
Oct 22nd 2017 – Shank Hall, Milwaukee WI, USA
Oct 24th 2017 – Token Lounge, Westland MI, USA
Oct 26th 2017 – Roxy & Dukes, Dunellen NJ, USA
Oct 27th 2017 – The Regent Theatre, Arlington MA, USA

Look out for more information in the coming weeks!
The Tangent online:
www.thetangent.org
https://www.facebook.com/groups/alltangentmembers/

INSIDEOUTMUSIC ONLINE:
www.insideoutmusic.com
www.youtube.com/InsideOutMusicTV
www.facebook.com/InsideOutMusic
www.twitter.com/insideouteu
www.myspace.com/insideoutlabel

Visit the new Insideout Shop:
www.insideoutshop.de

No Luggage Allowed–Andy Tillison/The Tangent

The Tangent no 7
The Tangent’s masterpiece, THE RITE OF WORK (2013)

Though perhaps not totally polite, I will admit my shock that this album isn’t discussed more among serious proggers.  To my mind, prog really doesn’t get any better or more innovative than this.  Though The Tangent is always extraordinary, this is The Tangent at its absolute best: weird; twisty; intelligent; cutting; affirming; angular; and organic.

My favorite part of the album, part VII of the third movement, “Afternoon Malaise”:

I shear the bolt, he turns the screw
We all have our part, and there’s one for you
And we’re all alone, yet surrounded by peers
Try to make our mark as we work off the years … crawling, marching

And we keep our homes if we pay our tax
I ask myself, “Just who struck that deal and just how far back?”
And some work for fortunes, some work for a dime
And some work for pensions, and some just do their time
And some of ’em build empires and some bring them down
Some work for recognition, ain’t we all just the clowns?

‘Cos you can’t take it with you
There’s no luggage allowed
No you can’t take it with you
No matter how rich or proud
Your kids will sell it off on Ebay
For God’s sake don’t waste their time
‘Cos you can’t take it with you
You can leave just a little bit behind

Progarchy Radio, Episode 14

tftd-part-i
Part I, 2010.

Our first show since Halloween!  Lots of great music on this one.  Four thirty-minute sets with only minimal talking on my part.  A restrained DJ am I!  Promise.

Set I

  • The Fierce and the Dead, Parts I-III

Continue reading “Progarchy Radio, Episode 14”