Bryan’s Best of 2017

Here we are again, folks. We find ourselves at the end of another great year for prog. Sadly, we’ve had to say goodbye to some amazing artists this year, including John Wetton, but we at least have their music by which to remember them.

I know I’ve been a bit quiet here at Progarchy lately due to beginning graduate school this fall. Hopefully things settle down going forward, and I’ll be able to contribute more. For now, here are my favorite albums from 2017 in vaguely ascending order.

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2017: The Year of Big Big Train

Hello Progarchists!  I’m back. . . though a little later than I had meant to be.

For those two of you (ha) who you have been waiting eagerly to know my favorite album of 2017, I give you not one album.  Oh no, not one. . . but two albums and two EPs: Grimspound; Second Brightest Star; London Song; and the Merry Christmas EP.

All by one band, of course.  And not just any band, but an extraordinary band.  The best prog band in the world (tied with Glass Hammer, at least to my ears and soul), the band that reveals every.single.thing.that.is.good.in.prog, Big Big Train.

Grimspound 2017
Best album of 2017, 1.1, Grimspound.  Art by Sarah Ewing.

Greg, David, Dave, Nick, Rachel, Rikard, Andy, Danny, and, that 9th BBTer, Rob—congratulations.  Whatever other hells happened in the world in 2017, 2017 will always be, to me, the “Year of Big Big Train.”  You overwhelmed us not with quantity, but with quality.  And, dare I say it: with love.

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