The number “50” is off—an 18-year-old Van the Man actually joined Them in April 1964 (thus, 51 years on)—but it’s fitting, as playing with time is something Morrison mastered early and continues to do very well, as singer, songwriter, and player. In 1966, Morrison and Them performed a series of shows at the Whisky a Go Go; the opening band was The Doors, and the two Morrisons—Jim and Van—performed together. On his new release (his 35th studio album), Duets: Re-working the Catalogue, the Belfast Cowboy performs with several singers who were born after the Sixties: Joss Stone, Michael Bublé, Clare Teal, Gregory Porter, Morrison’s daughter, Shana. Many of the other guests have been there and done that, including Bobby Womack (who died last summer), Mavis Staples, George Benson, Steve Winwood, PJ Proby, Taj Mahal, Mick Hucknall, Natalie Cole, Georgie Fame, and Chris Farlowe.
Those sixteen duet partners encompass blues, jazz, blue-eyed soul, rock, R&B, gospel, and pop, all of which are genres that Morrison mastered long ago, in addition to Celtic, country, and skiffle. No, there’s not a lick of prog on this or any other Morrison album, but there is, I suggest, a certain spiritual connection with certain forms of progressive rock, especially in the mystical journeying of Astral Weeks, the joyful, ecstatic visions of Moondance, and the epic, spiritual wanderlust of Avalon Sunset and Hymns to the Silence. Part of the genius of Van Morrison is that he largely ignores prevailing musical trends, yet is able to connect to a wide range of listeners because of a certain timeless quality to his songs, which are consistently melodic and memorable. My first real initiation into Morrison’s music was in the summer of 1991, when a friend played Avalon Sunset for me; I was instantly hooked, and quickly began acquiring all of Morrison’s music. In my 2002 essay, “The Incarnational Art of Van Morrison,” I reflect on the various spiritual and mystical themes in Morrison’s music. Continue reading “50 years after Them, Van Morrison cuts one of Those “Duets” Albums”