Beyond Prog: GRIMSPOUND by Big Big Train

Grimspound
Artwork by Sarah Ewing.

Big Big Train, GRIMSPOUND (Giant Electric Pea, 2017).  Tracks: Brave Captain; On the Racing Line; Experimental Gentleman; Meadowland; Grimspound; The Ivy Gate; A Mead Hall in Winter; and As the Crow Flies.

The band: Greg Spawton; Andy Poole; David Longdon; Nick D’Virgilio; Rachel Hall; Danny Manners; Dave Gregory; and Rikard Sjöblom.

The Rating: Perfect.  Beyond prog.

Go, go, go said the bird: human kind

Cannot bear very much reality.

Time past and time future

What might have been and what has been

Point to one end, which is always present.

–T.S. Eliot, “Burnt Norton.”

There can be no doubt that Big Big Train is not just one of the best bands of third-wave prog, but also one of the best bands of the rock era.  I suspected this when I first heard THE UNDERFALL YARD back in 2009 and was moved at every good level of my being.  Subsequent releases from the band have only confirmed this for me.  Every note, every lyric, and every brushstroke matter for the band.  They take their music seriously, and they take us—their followers—seriously.  Aside from the music (if there is, in any reality, such an “aside”), it’s clear that the two founders and mainstays of the band, Greg Spawton and Andy Poole, know how to form and leaven communities.

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Without Compare: FOLKLORE by Big Big Train

Big Big Train, FOLKLORE (Giant Electric Pea, 2016). 

The band: Greg Spawton; Andy Poole; Danny Manners; David Longdon; Dave Gregory; Rachel Hall; Nick D’Virgilio; and Rikard Sjöblom.  Engineered by Rob Aubrey.

Tracks: Folklore; London Plane; Along the Ridgeway; Salisbury Giant; The Transit of Venus Across the Sun; Wassail; Winkie; Brooklands; and Telling the Bees.

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By chance, the new issue of PROG arrived at the same time as FOLKLORE.  A glorious day.

The centerpiece of third-wave prog, Big Big Train, matters.  How they write music matters; how they write lyrics matters; how often they perform live matters; how they package their music matters; and how they market what they do matters.  They are a band that has evolved significantly over twenty-plus years of existence, a restless band that never quite settles on this or that, but rather keeps moving forward even as they never stop looking back.  In their art, they move forward; in their ideas, they move backward.  All to the good.

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Big Big Train’s FOLKLORE Arrives in Michigan

It’s not everyday that a Big Big Train album appears in my mailbox.  An immense thanks to Kathy Spawton and Greg Spawton for sending it, and to the band for signing it!

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Veronica Rose celebrates with SONGS FROM THE BIG CHAIR, BBT style.

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The Incomparable Gift of Excellence: Big Big Train’s STONE AND STEEL

Big Big Train, STONE AND STEEL (GEP, 2016), blu-ray; and Big Big Train, FROM STONE AND STEEL (GEP, 2016), download.

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The band’s first blu-ray.

Twelve stones from the water. . . .

Yesterday, thanks to the fine folks at Burning Shed, the first blu-ray release from Big Big Train, STONE AND STEEL, arrived safely on American soil.  Then, today, thanks to the crazy miracle of the internet, Bandcamp allowed me to download FROM STONE AND STEEL.

In a span of twenty-four hours, my musical world has been thrown into a bit of majestic ecstasy.

2016 might yet be the best year yet to be a fan/devotee/admirer/fanatic (oh, yeah: fan) of the band, Big Big Train.  I’ve proudly been a Passenger since Carl Olson first introduced me to the band’s music around 2009.  And, admittedly, not just A fan, but, here’s hoping, THE American fan.  At least that’s what I wanted to be moments after hearing THE UNDERFALL YARD for the first time.

Continue reading “The Incomparable Gift of Excellence: Big Big Train’s STONE AND STEEL”