Rick Wakeman interviews Mistheria on Vivaldi’s 2016 Album of the Year @VivaldiMetal

The Vivaldi Metal Project is arguably the Album of the Year for 2016.

Part of that argument involves adopting an historical perspective. To that end, here’s an extract from the interview that on January 2015 (at Blue Train’s studio, Venice) Mistheria gave to Sir RICK WAKEMAN.

Rick wants to test his theory that Vivaldi was the first rock star, and that the Four Seasons was the first concept album. The Croatian musician Mistheria, who is behind the Vivaldi Metal Project, confirms Rick’s thesis.

Rick Wakeman on Vivaldi’s Four Seasons

Antonio Vivaldi’s the Four Seasons is the most popular piece of classical music of all time. There have been over 1000 different recordings , selling tens of millions of copies.   It’s become so ubiquitous – in lifts, as phone ring tones or on call-centre answering machines – that it has been denounced as Muzak for the middle classes.

Rick Wakeman – platinum-selling prog rock keyboardist and television Grumpy Old Man – thinks the critics are wrong. He believes that the Four Seasons was so far ahead of its time that it was actually the first ever concept album – and that Vivaldi was the world’s first rock superstar.

But how could a sickly 18th century priest create the prototype for Rick’s very modern genre? And why did Vivaldi and the Four Seasons disappear into obscurity for more than 200 years after his death ?

Rick turns detective to solve the mystery: his journey takes him to Venice – in the 18th century the most debauched city on the planet – where he encounters some of those who have devoted their lives to studying and worshipping Vivaldi … and uncovers the whiff of a very modern rock star sex scandal which may have contributed to Vivaldi’s downfall.

Rick talks to Scottish virtuoso Nicola Benedetti and genre-hopping British composer Max Richter. In Venice he tracks down a Vivaldi super fan who relocated from France to pay homage every day; he meets Vivaldi scholar Susan Orlando and author Dr Virgilio Boccardi who writes about The Red Priest. And he learns about the composer’s involvement with Pieta, an institute for abandoned children to whom he taught music, from former Wimbledon photographer turned Venetian Micky White.

But the investigation also leads Rick to unexpected places and people.  He meets fellow prog rocker Mike Rutherford from Genesis and debates whose band Vivaldi would join; and he encounters the Croatian arranger and keyboard player whose multi-national assembly of musicians is turning the Four Seasons into heavy metal.

Along the way Rick also discovers the only existing original score for the Four Seasons – in just about the last place anyone would have thought to find it ….

Directed/Produced by Linda Brusasco/Tim Tate

Watch the whole documentary online if you can.

The Top 10 Metal Albums of 2016

Among the Progarchy editors, I happen to be the resident metalhead. So, on that basis, here is my list of the 10 best metal albums of the year. I have listened to them many times with the utmost enjoyment. They each have aspects that grab you right away, while other aspects must grow on you over time. In any event, they are all musical achievements of the highest quality, and I give them each my highest recommendation.

The albums below are listed in chronological order. As each month of the year went by, it was clear which album I was listening to the most and enjoying the most. So, on it went to my Top 10 Metal playlist. By November it was abundantly clear, simply from my daily listening habits, what my top 10 picks for the year are. So, here they are, but please note that I will also publish a supplementary “pure prog” Top 10 list later on this month. For now, here is the metal list.

The Top 10 Metal Albums of 2016

Megadeth — Dystopia

Holy Grail — Times of Pride and Peril

Haken — Affinity
★★★★★ Continue reading “The Top 10 Metal Albums of 2016”

Build a Classical Library Without Going Broke


If you were considering taking the plunge into classical music but were wary of the cost, you no longer have an excuse. The Bach Guild is releasing excellent collections of classical music on Amazon at incredibly low prices. For example, you can get more than 33 hours of very fine performances of baroque music for less than $3.00. Yes, that’s right – less than 3 bucks!

Unlike iTunes tracks, these are DRM-free mp3’s. You can stream them off the cloud, download them to listen to on any mp3 player, or burn them to CD.

The Big Baroque Box, Vol. 1 features the music of Vivaldi, Dowland, Torelli, Bach and many others. 305 tracks for $.99.

The Big Baroque Box, Vol. 2 is more of a “Baroque Greatest Hits”, with Handel, Albinoni, Pachelbel, Bach, etc. 214 tracks for a whopping $.99.

The Big Baroque Box, Vol. 3 continues high quality performances of interesting selections of Rameau, Gluck, Purcell, Vivaldi, etc. 129 tracks for – you guessed it – $.99.

The Bach Guild has also released huge collections devoted to individual composers, including Bach (surprise!), Handel, Vivaldi, Haydn, Purcell, Mozart, and Beethoven, among many others. Even if you decide that a particular composer isn’t your cup of tea, you aren’t out a large investment. Take the plunge!

The Red Priest Rides Again


I highly recommend this recording (available from DG) by Daniel Hope, an amazing reconception of the most famous work by “the red priest”:

Today the “Four Seasons,” with more than 1,000 available recordings, are not just rediscovered—they are being reimagined. Astor Piazzolla, Uri Caine, Philip Glass and others have all created their own versions. In Spring 2012, I received an enigmatic call from the British composer Max Richter, who said he wanted to “recompose” the “Four Seasons” for me. His problem, he explained, was not with the music, but how we have treated it. We are subjected to it in supermarkets, elevators or when a caller puts you on hold. Like many of us, he was deeply fond of the “Seasons” but felt a degree of irritation at the music’s ubiquity. He told me that because Vivaldi’s music is made up of regular patterns, it has affinities with the seriality of contemporary postminimalism, one style in which he composes. Therefore, he said, the moment seemed ideal to reimagine a new way of hearing it.

I had always shied away from recording Vivaldi’s original. There are simply too many other versions already out there. But Mr. Richter’s reworking meant listening again to what is constantly new in a piece we think we are hearing when, really, we just blank it out. The album, “Recomposed By Max Richter: Four Seasons,” was released late last year. With his old warhorse refitted for the 21st century, the inimitable red priest rides again.

Over at The Imaginative Conservative, you can also find more recommended recordings of “the red priest” for your listening pleasure.

Given what Richter and Hope have done, don’t you think it’s time for someone to do a prog presentation of music by “the red priest”?

It could be epic!