My 1980s.

On By bradbirzerIn progressive rock music

One of the things that drives me a little wonky—as well as cracks me up—is seeing my students attempt to have a 1980s theme party.  They always wear too much makeup, put on bizarre leg warmers, and tease their hair.

Yes, some folks in the 1980s did that, but not many.  If students really want to understand what it was like to come of age in the 1980s, at least in the United States, they could do no better than watch THE BREAKFAST CLUB, the definitive artistic statement of my generation.

Even worse though, they pick just simply terrible music for their parties.  Madonna, Cyndi Lauper, the Go-Gos, Culture Club, Wham, Wang Chung, and Michael Jackson.  Ugh.  Sorry if I offend, but I despise these bands as much now as I did then.

I grew up in central (mostly rural) Kansas, and I still knew this music was nothing but the stuff that cattle leave all over the plains.  Not to be too graphic, but we referred to such cattle refuse as “prairie pizzas.”

Yet, I want to be somewhat fair as I look back on my junior high, high school, and college years (graduated college in 1990).  When I think of MY 1980s (beyond straight prog, that is), I think of U2, Thomas Dolby, XTC, Echo and the Bunnymen, Ultravox, Kate Bush, Depeche Mode, Suzanne Vega, General Public, English Beat, Talk Talk, Tears for Fears, The Cure, Psychedelic Furs, Big Country, Eurythmics, New Order, Midnight Oil, REM, ABC, Modern English, Oingo Boingo, Level 42, and Icehouse.

Let me bloviate a bit about my thoughts on some of this music now, late August 2015.  As I do, I’ll intentionally skip Talk Talk, XTC, The Cure, Kate Bush, Tears for Fears, The Smiths, and U2, as I still listen to their music all of the time.  Constant rotation for these bands on my stereo system.

One of the most interesting and innovative albums of the 1980s. Full of intensity and whimsy.
One of the most interesting and innovative albums of the 1980s. Full of intensity and whimsy.

Thomas Dolby.  His first two albums are nothing short of brilliant.  While most people remember Dolby for his novelty song, “She Blinded Me With Science,” the entirety of the first album is a vast exploration of soundscapes and weird rhythms.  In terms of musical innovation, his second album, THE FLAT EARTH, is even better with some of the best bass work I’ve ever heard.

Don't dismiss her because of her one pop hit. This artist knows her art and she know art.
Don’t dismiss her because of her one pop hit. This artist knows her art and she knows art.

Suzanne Vega.  Her first two albums are well worth owning.  She brings a power of conviction to her alternative-folk-pop that rivals any artist of the time.  Her lyrics are strange, yet meaningful, touching on the deepest things though seemingly in pedestrian ways.

For whatever reason, I just can't stomach REM anymore. Pretension for the sake of pretension.
For whatever reason, I just can’t stomach REM anymore. Pretension for the sake of pretension.

REM.  I used to love this band.  For some reason, the band means less than nothing to me now.  A few notes make me want to melt all of my disks.  Not rational, but to be sure, but heartfelt.  For some reason, all of their songs feel as though they were written by clever juvenile pretenders.

Even the title is ideological. Blah.
Even the title is ideological. Blah.

Depeche Mode.  Just horrible.  I have no idea what once attracted me to them.  Effete superficiality masquerading as legitimate angst.

Admittedly, there are worse album covers, but not many.
Admittedly, there are worse album covers, but not many.

Icehouse.  Great song writing, but the production is wretched.  I could, however, easily see a remaking of Measure for Measure with a serious engineer and producer such as Rob Aubrey.

Some extraordinary guitar rock from these Scots.
Some extraordinary guitar rock from these Scots.

Big Country.  Uneven feelings on my part toward them, but, overall, I love the first two albums.  Songs such as “In a Big Country” do nothing for me anymore, but others such as “The Storm” and “Steeltown” are as fresh now as they were then.  The third album starts to fall apart, but few songs of the 1980s could rival “The Seer” featuring Kate Bush.

Tight production that makes it sound interesting rather than flat.
Tight production that makes it sound interesting rather than flat.

Modern English.  I know little about this band beyond AFTER THE SNOW.  But, this album is a fine one.  Claustrophobic to be sure, but captivating and interesting.

Clever, but ultimately superficial.
Clever, but ultimately superficial.

Oingo Boingo.  While I was never obsessed with the band as I was, say, with Talk Talk or Tears for Fears, I did really like them, despite their questionable and vulgar lyrics.  Now, listening to them is just embarrassing.  There are still some great moments, such as “Just Another Day,” but, overall, it’s good that Elfman quit pop and went into Hollywood soundtracks.

I worry with the title of the band that they're fascists. Let's hope not. Regardless, they make some fine music when they're not pursuing the top 40.
I worry with the title of the band that they’re fascists. Let’s hope not. Regardless, they make some fine music when they’re not pursuing the top 40.

New Order.  Ok, so I never—even at the time—liked their pop/dance music.  But, one album is genius: LOW LIFE.  Again, claustrophobic, but so utterly earnest.  As with Dolby’s THE FLAT EARTH, some truly astounding bass playing.

The single best unknown prog album of the 1980s.
The single best unknown prog album of the 1980s.

Wang Chung.  Ha.  You weren’t expecting this one.  It’s very difficult to find now, but Wang Chung, strangely enough, did the soundtrack for the nefarious TO LIVE AND DIE IN L.A.  It’s probably the single best unknown prog album of the 1980s.  Not a pop note to taint the thing.  Intense and nerve-wracking.

Trevor Horn at his best.
Trevor Horn at his best.

ABC.  Almost everyone remembers ABC for their nasty “How to be a Zillionaire.”  Before this, however, ABC made two exceptional albums.  Pop, but progressive pop in the line of Kate Bush and XTC.  If you can, get their first two albums.  Clever and catchy.  The second album especially  has some biting lyrics that could have come from Pink Floyd’s THE FINAL CUT.

Enticing left wing anger.
Enticing left wing anger.

Midnight Oil.  I never knew this band well, but I always loved the anger and conviction in the lyrics.  Not something I could listen to often, but I do respect the band quite a bit.

Richard Butler deserves many more accolades than ever offered to him. This is rock at its best.
Richard Butler deserves many more accolades than ever offered to him. This is rock at its best.

The Psychedelic Furs.  I probably shouldn’t even be commenting on this band, as I listen to them constantly to this day.  Really, they should go up in my excluded list.  Still, I list them here because most Americans remember them only for their mid to late 1980s hit, “Heartbreak Beat.”  Prior to this, however, the PFs produced really clever rock.  The lyrics were intelligent and the music well crafted, always presented with conviction.  In the 1990s, the band reformed as LOVE SPIT LOVE (and their first album is a top fifty all time album for me).

A rare album without a flaw.
A rare album without a flaw.

Finally, The Fixx.  Another mixed bag for me.  The first album was mediocre.  But, then, you get to REACH THE BEACH and PHANTOMS, each of which defined the very best of what was called new wave.  REACH THE BEACH, in particular, is without flaw.  PHANTOMS now sounds a bit dated, but not REACH THE BEACH.  The fourth album, WALKABOUT, is good, but it feels like The Fixx was just trying to replicate the previous two albums.

Ok, that’s enough, Birzer.  Shut up.  Let the readers go enjoy some music. . . .

Just to set the record straight. This is how we looked in the 80s. Yours truly.
Just to set the record straight. This is how we looked in the 80s. Yours truly.

24 thoughts on “My 1980s.”

      1. Stuart Dickon's avatar Stuart Dickon

        You made me turn Thomas Dolby on in my Apple Music ! I had a whole range of 12″ singles by him from my university days (79-83). Now then – who played the too-brief, searing guitar break in the middle eight ? XTC’s Andy Partridge played the harmonica on the intro, but no mention of the guitarist . . . ?

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    2. Erik Heter's avatar Erik Heter

      Ditto with what Chris said. Irrespective of the rest of Wang Chung’s output, that particular album was fantastic.

      Now you’ve got me thinking about that decade from my vantage point!

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  2. LOL. Brad………………..FIRST-OFF………………to SHOW your “80’s” hipster/Prog. look with your dated photo at the end of this review,was JUST the sweetest-icing on an already DELICIOUS CAKE here!!! HAHA………..My admiration goes OUT to You for that one!!! NOW,onto business………………….Such a WELL-WRITTEN piece here Sir-Brad!!! (as I think ALL your written-work is!!!) Concise,dramatically-detailed and totally devoid of ANY Malevolence……….(okay,besides taking humorous literal-“jabs” at whom your speaking of,but I don’t count those,cuz it’s TRUE for the most-part!!! LOL.)

    I ALSO totally and 100% AGREE with how You talk about these teens and 20-somethings,in how they hold their “80’s” party’s!!! I mean,C’MON people………….give us a LIL CREDIT here!!! MOST OF US (as Brad said here) Did NOT dress,talk or ACT that ridiculously “pop-culturish”!!! Lol. Anyhoo………….EXCELLET READ here Brad and as a FELLOW Teen growing up in the 80’s……………….”Like………THIS POST is like……….SO “80’s”…….an GNARLY an if You say ANY DIFFERENT……………….CHA…………….”NOT-EVEN”!!! ”

    ~Peace~

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    1. Thanks, man! I still love that photo, I must admit. So many great memories with that. My great friend, Ron Strayer, took that photo–we were about ten miles north of my hometown in a place called “the Sand Hills.” Incredible place to hang out, listen to music, and watch the heat lightning.

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      1. Haha,your MORE than welcome My Friend!!! The Jean-jacket and jeans WAS “THE” Look for the 80’s for me as WELL!!! So we have something in common with THAT one!!! Lol. (and prolly WHY I laughed and smiled when I saw that pic!!! Cuz I was like “DUUUUUUUUDE,I SOOOOOOO LOVE THIS PIC!!!) Lol. Btw…….I STILL HAVE my jean-jacket FROM the 80’s I wore in high-school!!! 🙂

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      1. YAAAY!!! Woot-Woot!!! I’ll be wearing mine,this fall TOO!!! Haha,of course mine doesn’t have any flannel-lining in it though. Despite it sometimes reaching FRIGID TEMPS. here in Ohio……….for the most part,it’ll keep ya warm without it!!! But,being Kansas………..I definitely SEE the need for a lining!!! Lol. 😉

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  3. Hans van Wee's avatar Hans van Wee

    Hi Brad,
    It amazes me how much we have in common regarding eighties music. Almost all these names are part of my musical DNA. I would love to read your thoughts on pop/prog composer Rupert Hine, especially The Wildest Wish To Fly.
    Greet from Holland,
    Hans

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    1. Hans, when I lived in Austria (July 1987-July 1988), Europeans always thought I was Dutch! I have no idea why. Maybe my German sounded more Dutch than English. Anyway, I’m still proud of that. So, maybe we do have some common DNA. As to Hine–I only know his work with The FIXX and RUSH. I didn’t realize he’d done his own music. I’ll check it out. Thanks!

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  5. Quote: “Even worse though, they pick just simply terrible music for their parties. Madonna, Cyndi Lauper, the Go-Gos, Culture Club, Wham, Wang Chung, and Michael Jackson”

    I lived through the eighties, and that is what kids listened to. If you went to a high school dance, you were not going to hear Kate Bush, the Smiths, or New Order. You would get heavy doses of Michael Jackson, Duran Duran, Madonna, and Cydi Lauper.

    I had disdain for a lot of those groups at the time, as well – but I can’t pretend people danced to side two of Kate Bush’s Hounds of Love at the prom, either.

    That said, maybe it’s nostalgia as I get older, but I don’t mind the pop bands that DID play at those dances nearly as much now as I did then. Or maybe it’s the sheer awfulness of modern pop that makes me appreciate them more.

    Either way, you note several good bands in your column The eighties were not nearly as bad as most people make out. In fact, music in the eighties was pretty awesom..

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  6. Like you, I once loved REM, but I can barely listen to them now. Their first producer Mitch Easter’s band, Let’s Active, is still one of my favorites, though. I have to disagree with you about Depeche Mode – “Never Let Me Down Again” is one the greatest songs of the ’80s, and 101 is one of the best rock documentaries of all time. It really captures mid-80s America like no other film. And where are Cocteau Twins?

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    1. Just reread my comment, and it came out snarky – didn’t intend that! I should have mentioned that I am in complete agreement with your assessment of Low Life, the Furs, Wang Chung, ABC, and Dolby. I unloaded all of my Midnight Oil and Oingo Boingo cds this summer at the local used media store. REM is probably next!

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    2. Not snarky in the least, Tad. If anything, I was the snark one. And, just to clarify, I actually still really like DM’s SONGS OF FAITH AND DEVOTION and ULTRA (both released in the 1990s). But, stuff like “People are People” drive me a bit mad.

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  7. There was also a huge blues renaissance in the 80s, now often forgotten, and the “pre-grunge” bands like Husker Du and Pixies were innovative, incredible, vital. I still like R.E.M. and will always appreciate their southern-ness. They’re not often thought of as a southern rock band, but they really were. I may have despised some stuff then, but as I get older I don’t really associate that word with music. As to the venerable jeans jacket, you know where I stand (but I’ll disagree with you that there weren’t a ton of legwarmers around!).

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Thoughts?