Review: Perihelion Ship – To Paint a Bird of Fire

Perihelion Ship

I find “To Paint a Bird of Fire” to be a very special album. There is a sort of checklist you can go down when preparing to listen to this kind of modern extreme progressive metal, and Perihelion Ship basically hit everything on it… But they go a bit further than that.

What are some of the things on that checklist? You’ve got your combination of growled vocals and lighter ones, which we’ve seen the likes of Opeth and many others successfully employ. There are frantic passages driven by thundering double bass and softer, more atmospheric moments. Slick melodies abound in the guitar work, and there are hugely ambitious and lengthy tracks. It’s all there.

To Paint a Bird of Fire

The thing about “To Paint a Bird of Fire” is that it isn’t just all there, it’s all there for a reason. This is songwriting taken to the next level. Every time there needs to be a softer moment it comes, and every time there needs to be a burst of aggression to release a building of tension, it comes too. In addition (and this is important), despite the obvious massive amounts of instrumental talent of the musicians, there is no shying away from using simpler riffs and chord progressions as building blocks to move a song forward.

I try and find some criticism of any album when reviewing. It’s tough for this one. “To Paint a Bird of Fire” is an album I really didn’t find boring at all. Song for song, it’s put together masterfully and is a great example of how it’s often better to create a shorter, focused, and wholly structured album than have 15 songs for the sake of having lots of songs where only 3 or 4 are really good. And importantly, as mentioned above, it’s got all the items on the progressive checklist not just for the sake of being called progressive, but because when you do those things right, you can make some great music.

“To Paint a Bird of Fire” is out now and is available from Bandcamp.

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