Today (June 4th, 1990) Entombed released their debut, ‘Left Hand Path’. Descending from Venom and Hellhammer — that perfect ensemble of atmosphere, aggression and blues like melody. The hardcore punk cross over to metal was complete — “And you better prepare yourself for an equaling death”.
“This is so hardcore”, responded one of my colleagues at work. At that time, ‘Left Hand Path’ CD was running in my Jeep stereo. So, along with the engine, ignition turned on some Swedish death metal also. My usual reflex is to adeptly switch the channel, but he insisted on listening. Perception is really an evolutionary product; going headlong into the margins of a genre might just inspire bewilderment, not fascination. So, without that musical context, he was also quite puzzled about the incoherent riffs and that defiant buzz saw guitar sound.
Early death metal is a blend of punk like structures with melodic guitar. But, 90s Swedish scene exhibits significantly more punk influences. Someone evolving from hardcore punk to metal would certainly find Entombed and Dismember more familiar than Obituary. One of the main hurdles to grasping Entombed is also that punk like dissonance. It’s that same dissonance which…
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