Progressive rock + Mussorgsky = symphonic prog epic. That equation has appeared to work out well at least twice in prog rock history. Like Emerson, Lake, and Palmer before them, Fireballet, an American band inspired by their talented cousins across the pond, gifted to the music world a progressive spin on one of the Russian master’s classic compositions. But there’s more here than Mussorgsky! So, without further ado, here’s my brief take on each of the songs:

“Les Cathedrales”, a ten-minute piece reminiscent of a medieval fairy tale (thanks in part to some spoken word lyrics), opens with a beautiful symphonic flourish of keys and synth (courtesy of Brian Hough and Frank Petto). There is a clear Genesis/Happy the Man vibe throughout the song, but also a fun twist: Ian McDonald (who also produced the album), makes a brief guest appearance on saxophone.

The next two pieces – “Centurion” and “The Fireballet” – feature more superb work by the two keyboardists and from guitarist Ryche Chlanda. Despite their shorter lengths, both songs manage to fit complex melodies and fun counterpoint into (relatively) smaller packages.

“Atmospheres” is the shortest and gentlest piece on the album, reminiscent of the soft opening to Genesis’s “The Musical Box.” It is a welcome break from some of the more frenetic moments of the previous three songs.

The title track nearly lives up to its grand namesake. Opening with the same melody as Mussorgsky’s masterpiece, the band then add some interesting percussive and synth touches for a more progressive spin on the original. Furthermore, this version of the classic piece includes vocals, and lead singer Jim Cuomo is at his best here, ranging from a soft Jon Anderson to a screaming David Byron or even Ian Gillan. Each musician shines on this one, however, and overall it is a solid tribute to one of “The Five.”

One would like to believe an album produced by Ian McDonald with an epic title track would certainly be destined for success. But, alas, it was not to be. Fireballet may not be as renowned as Modest Mussorgsky, but Night on Bald Mountain would certainly be a worthy addition to any prog lover’s collection.