Avantasia (Rockin’ Chair)

After sold-out shows in Europe, Asia and America, the tremendous success of Avantasia‘s ‘Ghostlights World Tour 2016/2017’ culminated in a headline show at Wacken Open Air, which was broadcast live on German national TV. Next year, Tobias Sammet‘s Avantasia is getting back on the road to present their new album MOONGLOW, due to be released in January 2019. Their unique […]

via AVANTASIA announce 2019 world tour + new studio album Moonglow — The Rockin’ Chair

Heavy Metal Overload: New Releases

Happy Star Trek Day! I’m a doctor not an escalator! …Let’s see what new releases are out on this glorious day. Ihsahn – Ámr New releases from the prog/black metal wizard are always big news. But I’ve grown a bit wary. I really enjoyed 2010’s After and subsequent releases have been good but I’ve rarely […]

via New Releases – 4th May 2018 — HEAVY METAL OVERLOAD

Streaming Music (Editorial)

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Prog art at its finest–Jim Trainer’s Winchester Diver for Big Big Train.

A great DJ is just a step below a great producer and sound engineer.

From time to time, I’ve considered joining a streaming service permanently.  I’ve toyed around with Spotify, Pandora, and iTUNES.

I just can’t understand the attraction.

There was a time in my life, I really loved radio.  From the years between late grade school and the end of high school (class of 1986), I listened faithfully to Wichita’s KICT-95.  The station introduced me–rather gloriously–to album rock radio, back when radio actually played entire sides of albums.  I got to know the DJs, the music, and their various programs.  I knew when to expect a full album side, and when to expect the latest news in the rock world.  I knew when T-95 broadcast concerts, and I knew when the radio station sponsored bands to play live in Wichita.  It was a golden age of rock.  I was always far more taken with prog than I was with acid or hard rock, but T-95 presented all as a rather cohesive whole, thanks to the quality of the DJs.

But, streaming?  I just don’t get it.  It’s bland.  It’s tapioca.  There’s no personality, no matter how great the music is.

Continue reading “Streaming Music (Editorial)”

Neal Morse Considers Streaming Service

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Now, first of all, I’m not against streaming. I think it’s wonderful! I love to sit in my recliner and choose whatever songs or whatever albums I want to listen to from my chair and be able to adjust the volume without having to get up. I’ve recently gotten into vinyl again, but, man, every 20 minutes you have to actually get up and WALK ACROSS THE ROOM to change the record! Unthinkable! This is much too difficult. So, I love streaming as well as anyone. It’s tremendously convenient and sounds good as well.
   Of course, streaming is great for the listener but doesn’t compensate the artists much, if at all.
   Just for an example, here’s a screen shot of a recent royalty statement I received.
Notice the $0.0004. I can’t even figure out how to SAY how small of an amount that is. Is that one fourth of one thousandth of a penny? Who decides these things? Crazy. Anyway…As an artist who is not Metallica or Taylor Swift this doesn’t really make any sense…or to quote a song, it makes…”zero sense”. Or “zero cents,” haha.
   So, like everyone in the entertainment business, I have been wondering, what do we do now? How do we survive? How can we pay the tremendous costs of making quality albums and live? Mega-skilled artists such as Steve Hackett and Rich Mouser don’t come cheap. And they shouldn’t.
  Answer: create my own streaming service. My objective is simple: to provide a great streaming experience that is complete, super high quality and easy to use on multiple formats. Not to compete with the big streaming services, but to give fans of my music a similar experience, anywhere in the world.
My current plan is to build my own thing, then use Spotify, Apple Music, Amazon etc. as a kind of advertising tool and put a smattering of material there so people can become aware and hopefully sign up for the streaming service. Or get the actual albums. Whatever they prefer.
    What we want to give people is the supreme experience of being able to listen to any of the music from my catalog, including classic Spock’s Beard, Transatlantic and the Neal Morse Band, anytime from anywhere and not have to get out of their recliner. This is the great goal of modern life!
I NEED YOUR HELP:
I’m taking a poll! Please let me know if you would be interested in subscribing to the proposed music app at a cost of, let’s say, $5.99 a month. (Of course, there will be a special discount for Inner Circle members. No obligation of course!)

New EUROPEAN PERSPECTIVE Out

Always a treat.  From the grand David Elliott.

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http://www.theeuropeanperspective.com/?p=2973

New FIRE GARDEN Video

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Far and Near

Everyone’s beloved Zee Baig–master of all things prog in Chicago–has released a new video.  Enjoy!

New Metal Releases (Heavy Metal Overload)

Not a huge amount out today, compared to last week’s madness anyway, but there are a couple of important new releases at least! Voices – Frightened This is the one I’ve been waiting for. Comprised mostly of ex and current Akercocke members (with links to other great bands like Shrines and The Antichrist Imperium), Voices’ […]

via New Releases – 27th April 2018 — HEAVY METAL OVERLOAD

It’s Alive!!!! Jerry Ewing’s WONDEROUS STORIES has Landed

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Arrival.

Third time’s charm. . . or, so says the wisdom of old wives.  Just moments ago–after two shipping mishaps–my personal copy of Jerry Ewing’s WONDEROUS STORIES arrived safe and sound at progarchy HQ.  I’m just about to take the cellophane off and enjoy some true beauty.

Thank you, Jerry, master of all that is prog.

To check out the official progarchist review of Ewing’s masterpiece, go here (thank you, Rick!).

To order Ewing’s masterpiece in the U.S., click here.

Gustav Mahler and the Curse of the Ninth Symphony — The Imaginative Conservative

Back in the late-nineteenth and early-twentieth centuries, a superstition developed in the classical music world that prophesied the Ninth would be a composer’s last symphony. Arnold Schoenberg summed it up in an eloquent fashion, stating that “he who wants to go beyond it must pass away. 825 more words

via Gustav Mahler and the Curse of the Ninth Symphony — The Imaginative Conservative

Exclusive: DEVILDOM Launch Music Video for “No One” — Prog Sphere

Back in January, Ukrainian female-fronted atmospheric black metal act Devildom released their debut album Curse of Flesh, which since then has been receiving rave reviews from the media. Launching today is a music video for the song titled “No One” taken from the album. Watch it below, exclusively premiered by Prog Sphere. “No One” was…

via Exclusive: DEVILDOM Launch Music Video for “No One” — Prog Sphere