Read my thoughts on the new album from Unified Past.
http://theprogmind.com/2015/11/05/unified-past-shifting-the-equilibrium/
Read my thoughts on the new album from Unified Past.
http://theprogmind.com/2015/11/05/unified-past-shifting-the-equilibrium/
Canadian rock legends RUSH will release their “R40 Live” concert film later this month. A performance clip of the song “Tom Sawyer”, taken from “R40 Live”, can be seen below. All roads have led to this. Forty-one years in the making, RUSH‘s “R40 Live” tour took a very real journey back through time. Beginning with the grand design: a state-of-the-art stage set that pivots,…
http://www.prog-sphere.com/news/rush-premiere-tom-sawyer-video-r40-live-film/
22nd January will see the release of a new Steven Wilson album “4 ½”, so titled because it forms an interim release between Steven’s recently released fourth album Hand. Cannot. Erase. and the next studio album. 4 ½ comprises 6 tracks with a total running time of 37 minutes. 4 of the songs originated during…
http://www.prog-sphere.com/news/new-steven-wilson-album-4-%C2%BD-released-january/
Leah, one of our favorite humans on this earth, ages ever so slightly today. Happy birthday, Leah, and thank you for such gorgeous music.


Ian Oakley posted this fascinating backstory on Facebook and very kindly gave me permission to repost here. Thank you, Ian!
Ok I may be totally biased as I tour managed the week and financed the CD – but this really is a remarkable live album – There was just something magic that night, it just seemed that for one reason or another that night everything came together at once and the band were firing on all cylinders. Then we had the enormous good fortune to have a venue sound engineer who was sympathetic to the music; because what you are hearing on that CD is basically a direct feed from the desk into a portable 4 track machine – which only really worked once on the whole tour – this night. No overdubs – just a raw live band doing only the 5th date of their entire career! Atmosphere wise there is only one other live ‘Prog’ album that I think captures a time and a place so well – Twelfth Night’s ‘Live and let Live’. So I totally agree with you Bradley, this is a real 3rd wave classic and I would go as so far to say it contains a far better performance of the material from ‘The World That We Drive Through’ than the studio album itself. . . . I would add that this was also recorded just a week after some members of the band had actually physically met for the very first time – let alone played together! (I remember having to introduce Andy to Jonas at a TFK gig after TMTDA was recorded: “Hi Jonas” – “Hi you are?” – “Ahh I’m Andy we just recorded an album together”…
There are few bands that perform as well live as they do in the studio. And, of course, there are some for which the opposite is true.
One band that only gets that much more interesting live is Andy Tillison’s ever-evolving The Tangent. This year, amazingly enough, is the tenth anniversary of the first live The Tangent release, PYRAMIDS AND STARS. Looking at the line up for that tour, one has to wonder if one is caught in some kind of heavenly time-loop or fantasy prog game. Andy Tillison, Roine Stolt, Jonas Reingold, Sam Baines, and Zoltan Csorsz. The lineup could be for a Flower Kings album or, perhaps, a Steven Wilson album.

The ever, endlessly talented Ed Unitsky painted the cover, and, of course, it’s gorgeous.
Only six songs make up this 77-minute feast: The World That We Drive Through; The Canterbury Sequence; The Winning Game; The Music That Died Alone; In Darkest Dreams; and the only song under six minutes in length, a cover version of (ELP) Lucky Man.
The songs—all of which come from the first two The Tangent albums—sound as gorgeous as Unitsky’s cover art would suggest. This is The Tangent, but it’s The Tangent fully alive. What happened in the studio is merely prologue. That the embryo, this the fine young man come of age.
Andy and Roine are especially playful and open to the spirit of the muses. Their love of this music is palatable.
Sadly, this live album is extremely hard to find, and I made it a point several years ago to dig deeply across and through the internet to find a copy. It was well worth the hunt, for I treasure this album like no other. It’s a precious thing to behold.
Read my thoughts on the concept behind “BE” from Pain of Salvation.
http://theprogmind.com/2015/11/02/album-spotlight-pain-of-salvation-be/

For Christians, today is the Feast of All Souls, a day dedicated to praying for those trapped in a purgatorial state, somewhere between this existence and the next.
Yesterday, I posted “Calling All Angels” for the Feast of All Saints.
Try as I might, however, I can’t for the life of me think of any prog songs directly related to purgatory? Am I missing some? The closest I can think of would be Glass Hammer’s album, PERILOUS. I don’t think Steve Babb, however, would see this album as purgatorial. Maybe Big Big Train’s THE DIFFERENCE ENGINE? Gazpacho’s NIGHT? Maybe LIGHTDARK by Nosound?
Maybe “Arriving Somewhere But Not Here” by Porcupine Tree comes the closest.
Or, possibly, Anathema’s “Dreaming Light”?
Thoughts?
Great news from Kinetic Element’s Mike Visaggio:
I guess we can let the cat out of the bag since Michel up in Quebec has posted on the website. We are the Church of Prog for next year at Terra Incognita! Our first festival on a main stage after doing the Prog Day Pre-Show twice. What else might happen between now and then!
http://www.terraincognita.quebec/english.html
Keep an eye on this because the lineup is pretty awesome.
For up to date information, go here: http://www.terraincognita.quebec/english.html
One, non-liturgical
The other, liturgical