Concert Review: Heterotopia Live @schooltree

Lucky are the few to have seen the masterwork Heterotopia live!

Here’s an excerpt from an excellent review of Schooltree’s September 29th concert:

Ladies and gentlemen, I’m here to attest that Lainey Schooltree has chased that Holy Grail and brought it back to the land of the mortals in the form of [a] 100 minute epic called Heterotopia. She has kept her covenant with the ancient gods of progressive rock and delivered a work that deserves a place in the pantheon. After seeing Heterotopia in its embryonic state, I was especially excited to see how it translated in a proper live setting in its final form. Not only did it exceed my already high expectations, but I left having the sense that I had witnessed the launch of a significant work that demands to be judged on the global stage.

…

Decked out in goth chick glam, Schooltree herself seemed content to let Heterotopia speak for itself. And that’s exactly as it should be. While so many are eager to confer automatic legitimacy and priority to “womyn in rock” these days, Lainey Schooltree has simply thrown down a gauntlet of stone cold artistic achievement. Heterotopia is a musical monument that stands tall in the valley of its ancestors and demands to be judged alongside them. I may not have seen Yes, Pink Floyd and Genesis back in their heyday. But I did see Heterotopia at Oberon in 2017. As far as I’m concerned, that’s a perfectly comparable experience.

Meet Me at the Mead Hall

thejoyfulsurprise's avatarThe Joyful Surprise

Meet me at the mead hall in winter
(Set the world to right)
With songs, science and stories
(Hold back the fading light)
Artists and dreamers and thinkers
(Right here by your side)
Finding truth in those travellers’ tales
(On this brief flight of life)

Here with science and art
And beauty and music
And friendship and love
You will find us
The best of what we are
The poets and painters
And writers and dreamers

“A Mead Hall in Winter” from the CD “Grimspound”

Music by Rikard Sjöblom and David Longdon
Words by Greg Spawton

“A Mead Hall in Winter” is a song from Big Big Train’s “Grimspound” album released earlier this year.  A reference to St. Bede’s analogy of a man’s life to a sparrow’s brief flight through a feasting hall, the song pays tribute to the age of Enlightenment that the band fears we are losing sight of.  As…

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Heterotopia: Illustrated Libretto, 2nd edition CD @schooltree

The illustrated libretto book publication and the 2nd edition CD digipak are now both available for Schooltree’s incredible concept album, Heterotopia.

You can buy them online at schooltreemusic.com with Apple Pay (or pay by credit card). Don’t miss your chance to own this magnificent souvenir of one of 2017’s greatest artistic achievements!

Album Spotlight: Haken – “Affinity”

The Prog Mind's avatarThe PROG Mind

hakenaffinity

_____________________________

1. affinity.exe

Haken’s “Affinity” begins with a software boot sequence.  The command has been entered, and the program is about to launch.  Although this track isn’t really a song per se, it does give pause for us to consider what we are about to hear.  Yes, Haken’s music is amazing and the band never disappoints, but that isn’t really what I mean.

Haken’s lyrics have long been a favorite of mine, and I have been meaning to spotlight “Affinity” since 2016.  What has taken so much time is the fact that this album is generally a little more complex to interpret, as it isn’t a complete concept album by true definition.  Instead, according to my interview with Ross, “Affinity” is an album held together by a theme, but does not necessarily tell a story.

Ross, however, has always welcomed fan interpretations of his lyrics, and this album bears interpretation…

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ECHO US: New Arrival at Progarchy HQ

Just out of the mailbox–a beautifully packaged prog album from ECHO US.  Eager to dive into this one.

to wake a dream

A World Of Knives

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Eclectic prog funsters Knifeworld will be performing as part of Ginger Wildheart’s Halloween Hootenanny at the Slade Rooms in Wolverhampton, England, on Saturday 28th October.

Get your tickets here.

They’ll also be at London’s Lexington on Saturday January 20th 2018. In their own words…

A full-band Knifeworld acoustic show followed by an epic electric set. Both performances will feature long since played tunes and surprises.

Ooh!

Get your tickets here!

Once that’s all done and dusted the busy bees will be off over the pond to get on a boat or a ship or something floaty on February 3rd 2018.

As the Cadogan Crow flies..

 

Telescope and crow

It’s a Saturday afternoon in late September and we’re heading to London by train on the second leg of an epic journey that has been gathering speed for several years. The destination tonight is located within the traditional haunt of the once fêted Sloane Rangers, the well-heeled, young members of the Chelsea and Kensington jet set. But tonight, Sloane Square and its environs are the temporary haunts of another social group, better known as Passengers or, for two nights and one afternoon only, the Cadogan Crows.

The Passengers, sorry Crows, have flocked here from every corner of the globe, the furthest travellers coming from Australia and America, with a sizeable contingent winging its way from Europe – Norway, Switzerland, the Netherlands, France, Spain and Italy among the represented nations.

It’s not a global sporting occasion which has set their compasses and sat-navs to SW1 but the re-emergence on the live stage of one of the UK’s best known unknown bands, Big Big Train.

Since they graced the stage of Kings Place, London, in August 2015, the anticipation of more Big Big Train live dates has frequently reached fever pitch. However, the fans have had to make do with a double live album recorded at those London concerts plus three new studio albums that have significantly moved on the stories they are renowned for telling. Instead of the verdant beauty of Upton Heath, the ethereal loveliness of Curator of Butterflies and tales from the coalface in Worked Out, there have been freshly mined tales to explore.

Talisman

The talisman for these new tales is a crow, which, by custom, is a bird of omen and by a happy co-incidence, often enjoys the collective name of “a storytelling”. The flight starts with Folklore, released last year, which was joined this year by its companion piece Grimspound, the eponymous name of the crow, and finally by The Second Brightest Star, which acts as the coda to this particular musical chapter.

Also, maybe by design or perhaps another happy co-incidence, the Cadogan Hall, the venue which Big Big Train has chosen for this particular leg of the live journey, is just a short crow’s flight from the River Thames, which features so prominently on the recently released London Song EP.

The imposing Byzantine Revival-style hall has an interesting history, having originally been built as a Christian Science church, hence its impressive stained glass windows.  It nearly became the palatial home of former Harrods owner, Mohamed Fayed, until Cadogan Estates Ltd bought the building and turned it into a concert hall. In fact, its prog credentials include Marillion’s Live From Cadogan Hall DVD, which was recorded here in 2010.

As the hour approaches, there’s a sizeable crowd assembling outside in the intermittent drizzle. It’s one of those moments when you realise that around 75% of the fans there probably know each other personally or have spoken at some juncture on Facebook. At one point, I look up to see a Facebook friend, previously unmet, who regularly thrashes me at online Scrabble!

Handshakes, hugs, selfies – the sight of so many people of a certain age, some meeting for the very first time but conversing like old friends, is a significant part of what this evening is all about – and all united by one band. If any adjudicator for the Nobel Peace Prize is in the vicinity of SW1 this evening, they may find some worthy contenders for bringing together people in the spirit of peace, love and understanding.

The hall’s expansive foyer is soon consumed by the swelling tide of concert-goers, many of whom are immediately drawn to the expansive merch desk running along almost one side of it.

Mementos

The desk is in overdrive for most of the evening as thoughtfully-crafted mementos and souvenirs literally fly off the table. Umbrellas, car air fresheners in the shape of the last two albums, aprons, mugs, concert tee-shirts and of course, the ever growing collection of albums, available on CD and vinyl, all find new owners. My own personal choice is an exquisite hand-painted pendant depicting the cover of The Second Brightest Star. Alas, the pendants have all been snapped up within an hour on the Friday night. Continue reading “As the Cadogan Crow flies..” →

Album Review: Dave Kerzner, Static

Dave Kerzner is back! Static is his second full-length solo album. New World established his prog bona fides, with its sprawling sci-fi concept album deployment of Pink Floyd-esque music. On Static, Dave again deploys his uncanny ability to sound like David Gilmour, and there are even moments when he sounds like Roger Waters shrieking away.

But even though it’s easy to imagine if Pink Floyd were still making great albums today they would sound exactly like this, the amazing thing is that Dave is not a copycat. Although he has mastered vintage sounds — not just our favorite vocal stylings, but also the coolest keyboard sounds you will ever hear — he is not a purveyor of prog nostalgia.

The most remarkable thing about Kerzner’s impressive new album, Static, is Dave’s songwriting abilities. He has every detail perfected: melody, harmony, orchestration, developmental dynamics, and emotional impact. His excellent songs are truly a cut above the competition and they unmistakably show how true musical talent, shaped by all the best musical influences, can be put in the service of stunning original compositions. Above all, the song is the thing of note here.

Every track is outstanding, although the album really should be considered to be a ten-track opus. “Prelude” is nothing but a wispy introduction to the magnificent album-opening progfest, “Hypocrites,” which introduces a theme that will return at the end of the disc on the epic 16:52 finale, “The Carnival of Modern Life.” And “Quiet Storm” blends nicely into the rip-roaring “Dirty Soap Box,” where Steve Hackett and Nick D’Virgilio show up to set things ablaze. I also think that “Right Back to the Start” and “Statistic” are brief enough that they may be taken as two preludes joined to set up the superfunky “Millennium Man.” But however you do the math, whether ten or fourteen, the result is the same: the album is perfect prog pleasure, with incredible variety and richness.

Dave’s quieter piano ballads (like “Static” or “Trust”) best display the subtle charms of his sophisticated songwriting skills. And they don’t really deserve to be called “piano ballads,” because they never stay still in one genre for long, but rather slowly soar into another musical dimension. So much surprise and delight is offered by this album, I can’t recommend it highly enough. Trust me, you have many, many hours of listening pleasure ahead.

It’s hard to pick any track as a favorite, because they are all so good. But early loves of mine (in addition to the epic bookends of the album opener and closer) include “Reckless,” which has a jaw-dropping instrumental section that sounds like 1980s King Crimson, and “Chain Reaction,” which sounds to my ears like 100% Fun-era Matthew Sweet.

Dave Kerzner, Static
Progarchist Rating: A+   10/10   ★★★★★

Dave Kerzner – Lead & Backing Vocals, Keyboards, Guitar, Drums, Bass
Fernando Perdomo – Guitar, Bass, Drums, Backing Vocals
Derek Cintron – Drums
Randy McStine – Guitar & FX
Durga McBroom – Vocals
Lorelei McBroom – Vocals
Ruti Celli – Cello
Steve Hackett – Guitar on “Dirty Soap Box”
Nick D’Virgilio – Drums on “Dirty Soap Box”
Matt Dorsey – Bass on “Reckless”
Colin Edwin – Bass on “Static”
Ewa Karolina Lewowska – Vocals on “Static”
Alex Cromarty – Drums on “Chain Reaction”
Stuart Fletcher – Bass on “Chain Reaction”
Chris Johnson – Guitar on “Chain Reaction”

Produced by Dave Kerzner
Mixed by Dave Kerzner and Rob Aubrey
Mastered by Dave Kerzner

CD Cover and Booklet Artwork by Ed Unitsky
Artwork Concept by Dave Kerzner and Ed Unitsky
Graphic Design and Layout by Ed Unitsky

Nikki Stringfield, “Save Our Souls” @nikki_shreds

Nikki has released her second single of 2017. “Save Our Souls” can now be bought online from iTunes and Amazon. It is also available for viewing in its video version below. Rock on, Nikki!

Big Big Train in the London Times

Oh, wow.  Just, wow.  Congratulations to one of the best band’s in the world for making it into the second best paper in the English-speaking world!

Very proud of these folks!

https://www.thetimes.co.uk/article/pop-review-big-big-train-at-cadogan-hall-sw1-ccdf3hffb