Three Colours Dark, Love’s Lost Property

Collaborating as Three Colours Dark, vocalist Rachel Cohen and keyboardist/guitarist Jonathan Edwards made one of my favorite albums of last year. The Science of Goodbye remains a subtle, broodingly elegant debut, spinning a harrowing narrative of escape from both a toxic relationship and inner captivity. TCD’s welcome follow-up, Love’s Lost Property, doesn’t hesitate to ask the obvious questions: what now? How to deal with lingering pain? How to move forward? And in what direction?

The opener/title track sets up the premise. Standing with a ex-lover in the rubble of their broken relationship, Cohen wonders whether things could be different: “Versions of us/Love’s lost property is now in safer hands/Laws of motion proved/Let the light in, let the light in.” Kicking off with bittersweet lines from violinist Kate Ronconi and featuring stinging guitar solos from Tim Hammill and Dave Gregory, “Love’s Lost Property” looks back on the road taken and the damage done in a deliberate, leisurely unrolling musical arc.

“Dark Before Dawn” kicks into an uptempo, acoustic-driven shuffle, complete with countrified Gregory solo work and supple vocal harmonies, as Cohen encourages herself to move on, though the way is still uncertain. Pulled up short by the bitter memories of “Requiem” (beautifully cradled in a soundscape featuring Edwards on piano, Catherine Tanner-Williams on oboe and Andrew Coughlan on double bass), Cohen elegizes love lost in the soaring chorus of “Last Day on Earth” — then pivots to the reluctant but adamant kiss-offs “Wish I Wished You Well” (with more standout violin work) and “The Circus” (a masterclass in the art of the endless Floydian build-up).

As on The Science of Goodbye, it’s a cover that snaps Love’s Lost Property into sharp focus — in this instance, Duran Duran’s “Ordinary World.” Resplendent with Gregory’s 12-string and Ronconi’s lead work, it’s elevated by Cohen’s steely determination as she bites into the chorus (“But I won’t cry for yesterday/There’s an ordinary world somehow I have to find/And as I try to make my way to the ordinary world/I will learn to survive”) then soars into vocalese over violin licks. Then Gregory takes the whole thing even higher, and Edwards caps it off with a lyrical synth solo as the track fades. Whew!

Her journey’s path set, Cohen can move on at last in the emotional tour de force “Eye for An Eye.” Accepting herself, her former partner, the pain given and caused, and all the consequences, her vocals constantly grow in power and focus, feeding off and setting up Steve Simmons’ emotive saxophone work, Edwards’ cinematic synths backing and a wrenching Hammill solo. The whole thing builds to a shattering climax — then gracefully collapses into a “Reprise” of the title track, a perfect bookend to the album.

The shock of the new may have worn off for fans of Three Colours Dark, but the deep emotional content and musical gravity of this second effort are more than adequate compensation; Love’s Lost Property is another marvelously coherent song cycle that gets stronger as it unfolds. Cohen, Edwards and friends get full marks for their vivid, heartfelt portrayal of the comforting, wounding, uniting, dividing magnificence and terror of fallible love in a fallen world.

Love’s Lost Property is exclusively available on CD from Burning Shed or as a digital download from Bandcamp.

— Rick Krueger

The Big Prog (Plus) Preview for Fall 2021!

What new music and archival finds are heading our way in the next couple of months? Check out the representative sampling of promised progressive goodies — along with a few other personal priorities — below. (Box sets based on reissues will follow in a separate article!) Pre-order links are embedded in the artist/title listings below.

Out now:

Amanda Lehmann, Innocence and Illusion: “a fusion of prog, rock, ballads, and elements of jazz-blues” from the British guitarist/vocalist best known as Steve Hackett’s recurring sidekick. Available direct from Lehmann’s webstore as CD or digital download.

Terence Blanchard featuring the E-Collective and the Turtle Island Quartet, Absence: trumpeter/film composer Blanchard dives into music both written and inspired by jazz legend Wayne Shorter. His E-Collective supplies cutting edge fusion grooves, and the Turtle Island String Quartet adds orchestral depth to the heady sonic concoctions. Available from Blue Note Records as CD or digital download.

The Neal Morse Band, Innocence and Danger: another double album from Neal, Mike Portnoy, Randy George, Bill Hubauer and Eric Gillette. No overarching concept this time — just everything and the kitchen sink, ranging from a cover of Simon and Garfunkel’s “Bridge Over Troubled Water” to brand-new half-hour epics. Available from Inside Out as 2CD, 2CD/DVD or 3 LPs/2 CDs

Trifecta, Fragments: what happens when Steven Wilson’s rhythm section turns his pre-show sound checks into “jazz club”? Short, sharp tracks that mix the undeniable chops and musicality of Adam Holzman on keys, Nick Beggs on Stick and Craig Blundell on drums with droll unpredictability and loopy titles like “Clean Up on Aisle Five” and “Pavlov’s Dog Killed Schrodinger’s Cat”. Available from Burning Shed as CD or LP (black or neon orange).

Upcoming releases after the jump!

Continue reading “The Big Prog (Plus) Preview for Fall 2021!”