So, from checking social media this morning, it seems that some big things happened in England last night for our great friends, the eight members of Big Big Train (nine if you count Rob!).
[First post listed only THREE awards–corrected. FOUR. Apologies for the error.]
It’s 1975 and I’m nine years old. I’m lying on my back in Reservoir Park, a small city block of grass and oaks next to the University of Utah. In my head is a song that trips and travels as I run and play with friends. It’s a vision of sound, a strong impression of bright sun and moving clouds, a feeling on my skin, a growing chill in the air. Is it October? The song is a constant rhythm of consciousness and motion, a life in itself but also within me, as if I’m one of its many, many tributaries.
For some things there is no accounting or quantifying: How much beauty? How much devotion? How wide the smile of god?
There are many details about the conditions under which Keith Jarrett performed his concert in Köln in January 1975, from the context of his blossoming solo and collaborative career on the heels of his epic work with Miles Davis, to the third-rate piano he was given on which to perform the show, to the fact he was exhausted and in a significant amount of physical pain for his hour-plus improvisation in front of a sold-out Opera House crowd.
Ultimately none of these details matter. The Köln Concert is a river, and, if there are miracles in my life, it’s that such depths continue to transport me.
soundstreamsunday presents one song or live set by an artist each week, and in theory wants to be an infinite linear mix tape where the songs relate and progress as a whole. For the complete playlist, go here: soundstreamsunday archive and playlist, or check related articles by clicking on”soundstreamsunday” in the tags section above.
A little over twenty years ago, Arjen Anthony Lucassen anonymously released an album named, STRANGE HOBBY. The artist spot on the CD was left as a “?” A love letter to the psychedelic-pop era of music, 1965-1970, STRANGE HOBBY was recorded in Abbey Road studio and contained a total of eighteen covers.
It came out at roughly the same time that his ACTUAL FANTASY did. A totally different style, though, one that allows the perfectionist to let loose.
“Fronting up a band as a bass player and vocalist is a tough gig – one with which I’ve had some experience. Geddy shows how it should be done. In a power trio, every little helps and additional duties on bass pedals, double-neck guitar and synths made for a fulsome sound in his stadium filling band Rush.”
2. JACO PASTORIUS
“Also often cited as the most influential player ever, his approach to Jazz and the fretless instrument was ground breaking. It’s hard to find someone Jaco didn’t influence. The 80s music charts were populated with hits featuring many Jaco clones – and for good reason.”
1. CHRIS SQUIRE
“My biggest musical influence ever. His sound and tone inspired a legion of players. Chris’ own inspirations were Paul McCartney and John Entwistle, two players who probably influenced more than most. But for me, Chris will always be top of the list. Sorely missed.”
The new Big Big Train album, Grimspound, will be released on April 28th 2017. Pre-orders of the album are now available at our official stores at Burning Shed (for vinyl and CD’s)
All LP versions feature double, 180g vinyl with a gatefold cover and 4 page booklet featuring lyrics and the stories behind the songs. A complimentary code for a high-resolution download version of the album is provided with each vinyl order. There is a limited edition clear vinyl version alongside the standard black vinyl version and orders of this limited edition version will include a postcard signed by all band members.
The CD version comes in a gloss laminated softpack and features a 24 page booklet with lyrics and the stories behind the songs.
The hi-res download version includes a PDF of the CD booklet.
A limited edition blue vinyl version of the Folklore is also available at Burning Shed (orders will be shipped with a complimentary hi-resolution download code).
Big Big Train are playing three shows at Cadogan Hall, London, in the autumn. The first two shows are sold out and only a few tickets remain for the third show (a Sunday matinee performance.) http://www.cadoganhall.com/event/big-big-train-2016/
Out of the mouth of the Mother of God,
More than the doors of doom,
I call the muster of Wessex men
From grassy hamlet or ditch or den,
To break and be broken, God knows when,
But I have seen for whom.
Out of the mouth of the Mother of God
Like a little word come I;
For I go gathering Christian men
From sunken paving and ford and fen,
To die in a battle, God knows when,
By God, but I know why.
And this is the word of Mary,
The word of the world's desire
'No more of comfort shall ye get,
Save that the sky grows darker yet
And the sea rises higher.'
Then silence sank. And slowly
Arose the sea-land lord,
Like some vast beast for mystery,
He filled the room and porch and sky,
And from a cobwebbed nail on high
Unhooked his heavy sword.
Up on the shrill sea-downs and up
Went Alfred all alone,
Turning but once e'er the door was shut,
Shouting to Eldred over his butt,
That he bring all spears to the woodman's hut
Hewn under Egbert's Stone.
And he turned his back and broke the fern,
And fought the moths of dusk,
And went on his way for other friends
Friends fallen of all the wide world's ends,
From Rome that wrath and pardon sends
And the grey tribes on Usk.--G.K. Chesterton
Only through the Grace of the Word Incarnate, sacrificed on the Hill of Skulls on a Friday afternoon, three hours past noon, to be precise. . . .
Oh, Thomas, what would the world of modern and post-modern slime be without you? Impoverished, to be sure, to be sure, to be sure.
May you bring comfort to as many in the twenty-first century as you did in the twentieth century. May your white leopards continue to confound us and your words turn us—convert us—to Truth, Beauty, and Goodness and especially to the One through whom all good things come.
Delectus: A book of passages from Greek or Latin authors used for study.
When you hear the name Vangelis, depending on your age and musical affinity, you think of different things.
You think of the keyboard player of Aphrodite’s Child whose astonishing album 666 has to be heard to be believed, you think of the pioneer of electronic music whose albums were all groundbreaking in their own way, you think of the soundtrack king, in particular the unforgettable Chariots of Fire, or you think of the fact he was once invited to join Yes, and then produced three fantastic albums with Jon Anderson.