Keep Your Politics Out of My Prog

[This post is not an official Progarchy position on this topic. I speak only for myself, not for the writers of this great website – Bryan]

Musicians being vocal about their political leanings is nothing new, but it is still obnoxious. Rarely does much good come from a famous musician sharing their opinion about some political person, government, or law. Instead, it pisses people off. I don’t know why many continue to do it, because you are bound to anger or alienate somebody, especially when you have a lot of fans.

I’ve noticed that some of the worst in the prog world are British artists responding to American politics. The British people are great. I loved my time in England, and, honestly, if it weren’t for their politics, I would consider moving there permanently. However, as an American, I can truthfully say that I don’t want the musicians I listen to from other countries commenting on my country’s government, political system, elections, or traditions. We have guns here. Get over it. We aren’t socialist. Get over it. We might elect Donald Trump. GET OVER IT. And certainly don’t share on your social media about how stupid you think Americans are because of the way we do things. If you aren’t an American, then you likely have not made any effort to truly understand the reasoning behind our laws. All you’re doing by sharing your anti-American opinion is alienating some of your US fans. Maybe we will think twice before paying for your albums or buying a ticket to one of your shows.

Mike Portnoy understands the idea of keeping politics to yourself very well. I follow his social media fairly closely, and not once have I seen him moan about some political issue. He is a musician and an artist with a lot of fans, and he knows that whatever he says will likely upset some of them. By keeping his mouth shut altogether on those issues, everybody stays happy. Look at the flack Neil Peart got after that awful Rolling Stone interview. I know my opinion of the great drummer certainly went down (temporarily) after hearing him bash an ideology that I am favorable to. I’ve never had that happen with Mike Portnoy, because he keeps his political opinions private.

In summation, a word of advice to non-American prog musicians: many of your American fans are actually quite conservative and do not appreciate you bashing their beliefs or insulting them because they believe it. It is better to keep your mouth shut then it is to open it and tick people off. Prog already has a hard enough time gaining traction – please don’t make it worse. Thank you to all of the artists (a majority, likely) that follow this general rule. We love your music and your art. Thank you for not confusing it with divisive political garbage.

 

iamthemorning’s Lighthouse: Neoclassical Beauty

lighthouse_cover

Imagine, if you will, a world where Aerial-era Kate Bush, Dumbarton Oaks-era Igor Stravinsky, and Sketches of Spain-era Miles Davis got together to compose a song cycle. They might come up with something to rival iamthemorning’s new album, Lighthouse, but it’s doubtful.

A work of astonishing beauty, Lighthouse is also deeply moving. The songs chronicle a young woman’s struggle to overcome mental illness, and her ultimate surrender to it. Heavy stuff, but fortunately the gorgeous musical arrangements make Lighthouse a work worth returning to again and again. iamthemorning takes the listener on this journey through the use of neoclassical music, prog, and classic jazz. Most of the songs feature a full chamber orchestra, while others are buttressed by the talents of Gavin Harrison and Colin Edwin – Porcupine Tree’s rhythm section. Mariusz Duda, of Riverside and Lunatic Soul fame, lends his distinctive vocals to the album’s centerpiece, “Lighthouse”.

Of course, the true stars of Lighthouse are the members of iamthemorning, vocalist Marjana Semkina, and pianist Gleb Kolyadin. Semkina’s vocals are heartbreakingly beautiful, moving from peak to peak as the songs unfold. Kolyadin’s piano work is perfectly simpatico with Semkina’s singing, providing graceful accompaniment. On “Harmony”, he takes center stage, leading a sextet through a swinging instrumental.

The mood of the album flows from the somber overture of “I Came Before the Water, Pt. 1” through the melodic “Clear Clearer”, to the relatively upbeat “Harmony” and “Matches”, before descending again with “Belighted”. “Chalk and Coal”, in the words of Semkina, “represents the final twist of the album story-line, the final breakdown”. The first half of “Chalk and Coal” features the most straight-ahead rock of the album before the band seamlessly shifts into chamber jazz for the second half. “I Came Before the Water” returns, with Semkina, unaccompanied, singing of accepting defeat while a gradually swelling string chorus provides solace. The tender and brief “Post Scriptum” is a final elegy, and Lighthouse is over.

Even though the album is almost entirely acoustic, it packs an enormous punch. It is a work that is best experienced by listening to it in its entirety. Everything, from the cover art to the extraordinarily high level of musicianship, combine to create a tasteful and sophisticated work. This is music that transcends categorization; it is music that is timeless and evocative. iamthemorning have come up with an album that is destined to be a classic of modern music, regardless of the genre.

 

Jerry Ewing: Correct as Usual

12239561_10153217332371406_6657368983617619405_n
Our fearless leader, Jerry the Viking.

A fascinating opinion piece by the editor of PROG, our friend and ally, Jerry Ewing.

The whole scenario raises one or two interesting points which – the most obvious of which is does Robert John Godfrey have a point? And if he does, were his points of reference correct in relation to that. And ultimately, does it really matter? On this latter point my personal feeling is not really. The history of rock music is littered with verbal spats between artists, most adding a soupçon of enjoyment to the crazy world of rock’n’roll for a short while, but few, if any, leaving any lasting effects on the careers of the protagonists or remaining embedded in the memory of all but the most zealous fan.

http://www.teamrock.com/features/2016-03-08/oh-robert-you-ve-gone-and-done-it-now

Andrew Craske and the Big Big Train

A personal note of thanks to one of my favorite English-humans, Andrew Craske, for his incredibly kind gift.  I now own one of the single best t-shirts in all of North America.  Perhaps in all of the new world.

Photo on 3-9-16 at 12.31 PM
Folklore’s album cover?

STONE AND STEEL: July 4, 2016 (North and South America)

STONE & STEEL RELEASE DATES:
IMPORTANT ANNOUNCEMENT

After lengthy consideration, we have made a difficult decision to amend the release dates for the Stone & Steel Blu-ray and download film.

NEW RELEASE DATES:

Monday 21st March 2016 – UK, Europe, Middle East, Africa, India, China, Australia and New Zealand.

Monday 4th July 2016 – Rest of the world.

We have been carrying out tests of the pre-production pressing of the Blu-ray and have been liaising with industry consultants. We have a concern that the Blu-ray may not play correctly on a small number of Blu-ray players in the rest of the world (as defined above). It is impossible to identify exactly how many players may be affected (it is more likely to be older players) and so we have decided to produce a second pressing for the markets which may be affected. This pressing will meet all of the technical requirements of those markets and will be released in those countries on 4th July. The download version will also be released on that day.

We believe that the initial pressing meets all technical requirements in all other countries. However, we have delayed the release in these areas by a week due to the prolonged nature of the testing process.

We do apologise for the inconvenience and for any disappointment. We have developed considerable expertise in audio releases in recent years. However, Stone & Steel is our first video release and it has proven to be a steep learning curve for us. Unfortunately, the technical aspects of producing a video release for different worldwide markets are extremely complicated.

Customers in the rest of the world who have purchased Stone & Steel directly from us will receive an email this week and will be offered a full refund if they do not wish to wait until July. Customers who have purchased from other retailers will be contacted directly by those retailers if their order is affected.

Andy Poole's photo.

Neal Morse’s INNER CIRCLE

Do you want to be one of the first to get your [Morse]fest 2016 VIP Package and Tickets? If so keep reading how you can have access
to early ticket sales…..
If you join Neal Morse’s Inner Circle by March 10th, you will have access to purchasing your [Morse]fest 2016 VIP Packages and Tickets on March 11th, before the General Public on March 12th. If you want to experience this LIMITED, “once in a lifetime” VIP with ALL past and present Spock’s Beard band members and guests, then sign up today for the Inner Circle membership here.
If you are still not sure you should become an
Inner Circle member, check out all the amazing perks you get as a member –
 From behind the scenes footage and never heard before recordings, to exclusive insights on upcoming projects and past performances, INNER CIRCLE members get to see and hear everything Neal Morse! From Spock’s Beard to Transatlantic, Flying Colors to NMB, new projects and solo plans, INNER CIRCLE members are the 1st to know…
INNER CIRCLE membership entitles you to a personal newsletter from Neal EVERY month, an exclusive CD or DVD, EVERY OTHER month, plus offers and giveaways available to the INNER CIRCLE! Members also have access to all previous releases that are available NOWHERE else!
You can join here!

And, if you join the
Inner Circle this week, you will also receive the new
March Inner Circle release
‘The Grand Experiment Demos’
 
Check out what Neal has to say about this months release –

“I have concluded that a cool release for you guys in March will be an audio disk of many of the demos and bits that went into The Grand Experiment album.  I’ve been going through the demos and listening and making notes and making edits and it’s really very interesting and cool to hear.  You’ll be surprised to hear little bits of “Waterfall” right next to little bits of “The Call” and “Doomsday Destiny”… there’s a real hodgepodge of stuff.  I had forgotten that the music was all mixed up before we got with Mike and began to dissect it and really take the best bits and fit them together in the way that we ultimately did. So that will your be your fabulous Inner Circle release for March.  I hope you love it.”
I know that you are ready to join now!
Go here to become the next
family member of the
INNER CIRCLE!

Peace and Blessings,
Heather Thompson

RochaNews: Katatonia, FALL OF HEARTS

KATATONIA ANNOUNCES DETAILS OF HIGHLY ANTICIPATED NEW STUDIO ALBUM, REVEALS NEW LINE-UP
 10th studio album “The Fall of Hearts” out May 20 on Peaceville
SWEDEN – Katatonia, the Swedish purveyor of dark progressive rock/metal, has revealed details of its eagerly awaited 10th studio album, The Fall of Hearts, set for release on the May 20, 2016 through the band’s long-time home of Peaceville Records. A teaser video can be seen on YouTube at: https://youtu.be/IRabnXZi7OI and Vimeo at: https://vimeo.com/158019681.
The band commented: “This album is probably everything we unknowingly ever dreamed of to release. It’s a bleak but adventurous journey through our elements, we haven’t held back, we have pushed to get forward and backward in the ever spiraling night of our musical legacy.”
The official follow-up to 2012’s acclaimed Dead End Kings was recorded at Stockholm’s Studio Gröndahl & Tri-lamb Studio, and was self-produced by Anders Nyström and Jonas Renkse. Mixing and mastering duties were carried out by Jens Bogren (Opeth, Ihsahn, Devin Townsend) at Fascination Street Studios, with Karl Daniel Lidén (Switchblade, The Ocean, Greenleaf) brought in as engineer.
The dramatic yet desolate artwork was created by long time Katatonia designer and illustrator Travis Smith.
Katatonia has spent the past four years since the release of Dead End Kings touring the world, as well as expanding its fan base through two special albums on Kscope, the sister label of Peaceville. 2013 saw the release of Dethroned & Uncrowned which exploded the core of the songs on Dead End Kings creating new moods and textures. In 2015, the band released the live acoustic album and concert film, Sanctitude. Both releases illustrate the band’s journey toward this, its current more progressive sound.
The Fall of Hearts is the first record to feature new drummer Daniel ‘Mojjo’ Moilanen along with the addition of recently recruited guitarist Roger Öjersson (Tiamat), who came in just in time to sprinkle some blistering solos on the album. With its new lineup, Katatonia will continue to push its musical boundaries beyond its roots in the metal scene while drawing in new fans from across the musical spectrum like peers such as Opeth and Anathema have also done, cementing Katatonia’s place as one of the most revered and cherished of all bands in the world of modern heavy music.
More details of The Fall of Hearts will be released shortly. Stay tuned for more information on Katatonia.
-###-
Katatonia live:
3/12 – Gothenburg, Sweden @ Metal Town Festival
4/29 – Kopervik, Norway @ Karmoygeddon Festival
6/19 – Clisson, France @ Hellfest
7/03 – Helsinki, Finland @ Tuska Festival
7/09 – Bouckenborgh, Belgium @ Anterwerp Metal Festival
7/10 – Bouckenborgh, Belgium @ Anterwerp Metal Festival
8/05 – Corroios, Portugal @ Vagos Open Air Festival
8/17 – Dinkelsbühl, Germany @ Summer Breeze Festival
8/18 – Dinkelsbühl, Germany @ Summer Breeze Festival
8/19 – Dinkelsbühl, Germany @ Summer Breeze Festival
8/20 – Dinkelsbühl, Germany @ Summer Breeze Festival
Katatonia is:
Jonas Renkse – Vocals
Anders Nyström – Guitar
Roger Öjersson – Guitar
Niklas Sandin – Bass
Daniel Moilanen – Drums
 
Katatonia online:

The MAKING of SNOW

[Morse]fest 2016 VIP packages and tickets go on sale this weekend!!!

To celebrate this KILLER event,
‘The Making of Snow’ DVD, will be on sale
this week ONLY for $14.99!

Here’s what Neal Morse said about it: “….this contains the footage of the making of the Snow album and two acoustic performances, my last with the band. I’m sorry that it’s not of higher quality; although, in the video department, we never did have a really first rate one. But, here we are…here’s what we have…here’s how it was. I think this shows some but regrettably not all of the making of ‘Snow’, there’s much that was never filmed because who wants a guy with a camcorder in your face all the time? But, what there is shows the band in all it’s quirky creativity and humor and sheer brilliance…” THE MAKING OF SNOW Filmed by Neal Morse and Jim Harrel Produced & Edited Philip J. Satterley Plus: 2 COMPLETE ACOUSTIC CONCERTS! The Good Don’t Last * Thoughts II * Stranger In A Strange Land Open Wide The Flood Gates * In The Name of Love * Carie * June Looking For Answers * Solitary Soul * Wind At My Back * The Doorway DOLBY DIGITAL SOUND Running time is Approx. 4 hours!! (240 min) REGION FREE NTSC COLOR
Make sure and get your copy this week here.

You can find more information on
 [Morse]fest 2016 here.

$350. Not a Cheap Book.

Andy Partridge and Todd Bernhardt – Complicated Game – Inside The Songs Of XTC – One-Off Hardback Edition (book preorder)

large5854
Andy Partridge’s new book is rather pricey.  Are WWII paper restrictions still in effect?

A truly unique hardback edition of Complicated Game – Inside The Songs Of XTC.

Covers will have a one-off dust jacket depicting a song title from XTC’s career hand-painted by Andy Partridge himself. Additionally, there will be a bookplate signed by Andy inside the book.

The book is presented as a black clothbound hardback with muted green endpapers and lilac page edging.

Limited to one copy per customer. Only 50 copies are available.

Shipping from 31st March onwards (as paintings are completed).

Tom Woods Promotes Steven Wilson!

logo
A great show by a great man.

Famed American commentator, historian, economist, and man of letters, Tom Woods, is promoting Steven Wilson’s latest album, HAND.CANNOT.ERASE.  What a great thing for the prog world to be given this kind of place of prominence!  Woods has had such greats as Ian Anderson and Steve Hogarth on his show.  Let’s hope he gets Wilson next!

The Woman Who Erased Herself

When Joyce Carol Vincent died in December 2003, no one noticed for over two years.

Was she a lonely old lady nobody knew? Not even close. She was an attractive young woman with friends and family. And slowly but surely, she simply melted away in the anonymity of the city (London, in this case).

Steven Wilson, a musician I like very much (and who has worked closely with Tom Woods Show guests Ian Anderson and Steve Hogarth), was struck by her, and based his 2015 release Hand. Cannot. Erase. loosely around her life.

When I first listened to it, I didn’t like it at all. I didn’t think there was anything there.

Was I ever wrong.

I can’t stop listening to it now. It’s beautiful, brilliant, and emotionally captivating. I’m listening to it as I write this.

The character in Wilson’s story makes the deliberate decision to disappear from society by moving to London. Sounds strange: you’re going to move to a big city to disappear? But as Wilson notes, the strategy makes sense. You could never accomplish this in a small town, where everyone knows you and someone would check in on you.

On the other hand, with masses of people all around, you can simply…disappear.

If you’re intrigued, grab yourself a copy.

Be warned: you’ll need to devote some time to this. These aren’t pop songs you hear on the radio. At first you just won’t see it — well, if you’re like me, anyway. But suddenly you’ll become aware of the beautiful melodies, the evocative turns of phrase, the emotional intensity, all of it.

In the past I’ve given out free CDs of music I like. As a surprise, I told my supporting listeners they could have an album of Tom-approved music if they just asked for it. I sent a $20 double album out last year.

Wilson’s album is selling for just under $10 on Amazon as an mp3 download. If you’re a Tom Woods Show supporting listener at the Silver, Gold, or Platinum levels, just use my contact form to send me your mailing address if you’d like one.

This offer expires March 15, 2016.

If you become a supporting listener at one of those levels between now and then, you’re eligible, too. Just send me your address.

The way forward:

http://www.SupportingListeners.com