A Life’s Soundtrack (In Progress): My Top 100 Albums

While knocking one of these lists out seems easy for the first 70-80 or so albums, there are hard choices to make once you near the 100 mark.

Do you include or exclude something based on it merely being one of the first albums that turned you on to music, whether or not you listen to it anymore?  Does the inclusion of a live album or compilation constitute cheating in some way?

With regard to the latter: To you, if a live album represents the definitive work of the artist, then why not?  Also, if your introduction to a band came via a compilation, I think that counts as it’s your “go to” album by them.  So, I’ve unapologetically added a few of those here.

With my list, it’s clear that my formative music-listening years were from around 1978 to 1988, but as a friend once told me, your years from 10 to 20 are when the bulk of your musical tastes are formed (might be up for debate, but not by me!).

The fun thing about these lists is that it’s not always about what’s on them, but what’s NOT on them. So, you’ll see that I wasn’t at all influenced by many of prog and/or hard rock bands that so many hold dear, such as Led Zeppelin, Pink Floyd or Genesis. On the flip side, my love for some bands is such that numerous albums of theirs are represented here.

No matter what, these 100 – and others beyond – are the soundtrack to my life, 1968-present:

  1. AC/DC, Back In Black
  2. Alcatrazz, Disturbing The Peace
  3. Animal Logic, II
  4. Asia, Asia
  5. Anderson Bruford Wakeman Howe, An Evening Of Yes Music
  6. The Beatles, Sgt. Pepper’s Lonely Hearts Club Band
  7. The Beatles, Abbey Road
  8. Big Big Train, The Underfall Yard
  9. Big Big Train, English Electric
  10. Bourgeois Tagg, s/t
  11. Bourgeois Tagg, Yoyo
  12. Crowded House, Recurring Dream
  13. Dada, Puzzle
  14. Dada, s/t
  15. Dave Matthews Band, Remember Two Things
  16. Dave Matthews Band, Under The Table And Dreaming
  17. Dave Matthews Band, Before These Crowded Streets
  18. The Doors, Best of The Doors
  19. Dream Theater, Images And Words
  20. Dream Theater, Awake
  21. Dream Theater, Six Degrees of Inner Turbulence
  22. Dream Theater, A Dramatic Turn of Events
  23. Dream Theater, s/t
  24. Emerson, Lake & Powell, s/t
  25. Frost*, Milliontown
  26. Halloween, Alaska – Champagne Downtown
  27. Peter Gabriel, Security
  28. Peter Gabriel, Us
  29. Iron Maiden, The Number Of The Beast
  30. Iron Maiden, Piece Of Mind
  31. It Bites, Once Around The World
  32. It Bites, The Tall Ships
  33. Jane’s Addiction, Nothing’s Shocking
  34. Jane’s Addiction, Ritual de lo Habitual
  35. Billy Joel, The Stranger
  36. King Crimson, Discipline
  37. King Crimson, Beat
  38. King’s X, Gretchen Goes To Nebraska
  39. King’s X, Ear Candy
  40. Kino, Picture
  41. Luce, Never Ending
  42. KISS, Alive
  43. KISS, Alive II
  44. Barry Manilow, Live (you heard right)
  45. Marillion, Clutching At Straws
  46. Bob Marley, Legend
  47. Wynton Marsalis, Hot House Flowers
  48. Mr. Mister, Welcome To The Real World
  49. Mr. Mister, Go On…
  50. Mr. Mister, Pull
  51. Trevor Rabin, Can’t Look Away
  52. Roxy Music, Avalon
  53. Rush, A Farewell to Kings
  54. Rush, Hemispheres
  55. Rush, Permanent Waves
  56. Rush, Moving Pictures
  57. Rush, Power Windows
  58. Rush, Roll The Bones
  59. Saga, Worlds Apart
  60. Saga, Heads Or Tales
  61. Saga, Behaviour
  62. Saga, The Security Of Illusion
  63. Seal, s/t (second album)
  64. Simple Minds, Street Fighting Years
  65. Frank Sinatra, Classic Sinatra
  66. Spock’s Beard, Beware Of Darkness
  67. Spock’s Beard, Day For Night
  68. Spock’s Beard, V
  69. Spymob, Sitting Around Keeping Score
  70. Steely Dan, A Decade of Steely Dan
  71. Steely Dan, Everything Must Go
  72. Sting, Bring On The Night
  73. Sting, The Soul Cages
  74. Sting, Ten Summoner’s Tales
  75. Swing Out Sister, It’s Better To Travel
  76. Swing Out Sister, Live At The Jazz Café’
  77. Talk Talk, Sprit Of Eden
  78. Tears For Fears, The Seeds Of Love
  79. Tears For Fears, Raoul And The Kings Of Spain
  80. Tears For Fears, Everybody Loves A Happy Ending
  81. Threshold, Critical Mass
  82. Toto, XIV
  83. Toy Matinee, s/t
  84. Transatlantic, Bridge Across Forever
  85. U2, The Unforgettable Fire
  86. UK, Danger Money
  87. UK, Night After Night
  88. Van Halen, Fair Warning
  89. Whitesnake, s/t
  90. Winger, s/t
  91. XTC, Skylarking
  92. XTC, Oranges And Lemons
  93. XTC, Nonsuch
  94. Yes, The Yes Album
  95. Yes, Close To The Edge
  96. Yes, Drama
  97. Yes, 90125
  98. Yes, Big Generator
  99. Frank Zappa, Sheik Yerbouti
  100. 3, To The Power Of Three

By the way, I reserve the right to sneak in here and swap out an album here and there – hey, like I said, it’s really hard to decide on those last few. 🙂

2113 Sampler: Kevin J. Anderson

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The sampler is now available.  Pre-order as soon as possible.

Kevin J. Anderson is a wonder.  When it comes to the mythology of Rush–whether it’s 2112 or CLOCKWORK ANGELS–Anderson might very well be the uncredited fourth member of the band.  In everything this Hugo-Nominated author does, he conquers and with absolute brilliance.

To preorder, go here: http://ecwpress.com/collections/science-fiction/products/2113

 

Interview: Pontus Gunve

Pontus Gunve 1

New York based composer Pontus Gunve has just put out his new release, an EP titled “IV.” This excellent, five track EP is available from Bandcamp. We talked with Pontus about the new music.

How do you usually describe your music?

Progressive Instrumental Rock – or Cinematic Rock.

What is your writing process like?

Sporadic and intense. I go through moments of 5 pieces in a week – and then nothing for a month. I have to be inspired at the right moment – or sometimes go through themes in my head and try to develop those in to full pieces.

Who or what is your inspiration, if you have any?

As a guitar player : I like Steve Vai for fluidity, Dave Gilmour for extra dimensional soul, Zappa for head expansion, Marty Friedman for interesting shred, Yngwie Malmsteen for outrageous shred and 16 notes runs, Angus Young for pure guitar tone and Fripp for brainy stuff.

Continue reading “Interview: Pontus Gunve”

Interview with The Crazy Juggler’s Prog Orchestra

TCJPO

Swiss progressive rock group The Crazy Juggler’s Prog Orchestra, besides having a great name, also makes great music what is probably best documented on their latest opus, a studio album titled “Planet Euphoria – Part I.”

The band is already working on the follow-up to the mentioned album, and here is what they had to tell us about their work.

Define the mission of The Crazy Juggler’s Prog Orchestra.

Our mission is to combine the two generations of progressive rock music (70’s prog and the modern one) in a very various and experimental way. The Crazy Juggler, a character from our story behind, conducts the Prog Orchestra – ourselves, the band – to tell the story of Utopia from album to album.

Tell me about the creative process that informed your album “Planet Euphoria – Part I” and the themes it captures.

It was clear for us very early to create a story about a paradise-like Planet, the first album our characters find together and experience adventures on the search of paradise. It was an interesting challenge to find the suitable melodies and themes to this beautiful landscapes. As the music itself the fantasy of the lyrics don’t have any limitations, and that’s the best motivation for us to write music.

What is the message you are trying to give with “Planet Euphoria”?

It’s the message of an amazing planet, a paradise-like place called Euphoria, on which people and other creatures can live together in peace and freedom and in harmony with the nature and its beautiful landscapes: The classical utopian story.

Continue reading “Interview with The Crazy Juggler’s Prog Orchestra”

My Top 100 Albums, 1966-2016

So, after posting my top 20, I thought I’d go for broke.  My top 100.

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Or, perhaps, 1966-2016.

Anathema, We’re Here Because We’re Here

Arjen Anthony Lucassen, Lost in the New Real

Aryeon, Universal Migrator

Aryreon, Into the Electric Castle

Beach Boys, Pet Sounds

Big Big Train, English Electric

Big Big Train, Gathering Speed

Big Big Train, The Difference Machine

Big Big Train, Underfall Yard

Continue reading “My Top 100 Albums, 1966-2016”

My Top 20 Albums of the Rock Era

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Jim Trainer’s cover for Big Big Train’s UNDERFALL YARD

For what it’s worth, I took a quick break from work this evening and forced myself to write down my twenty favorite rock albums.  I gave it almost no thought–I just brain stormed and listed my all-time favorite albums of the rock era.  [I intentionally left off all Rush albums.]

Despite my own restrictions, I discovered something very interesting.  At least to me.

For the last 29 years, I would have listed my favorite album of all time as Talk Talk’s The Colour of Spring.  My iTunes numbers tell me something different, and I must agree.

Big Big Train has finally replaced Talk Talk.

Here they are in alphabetical order:

  1. Aryeon, Universal Migrator
  2. Big Big Train, English Electric
  3. Big Big Train, Underfall Yar
  4. Cure, Disintegration
  5. Echo and the Bunnymen, Ocean Rain
  6. Flower Kings, Space Revolver
  7. Gazpacho, Night
  8. Genesis, Selling England by the Pound
  9. Glass Hammer, Lex Rex
  10. Kansas, Leftoverature
  11. Kate Bush, Hounds of Love
  12. Kevin McCormick, Squall
  13. Marillion, Afraid of Sunlight
  14. Neal Morse, Testimony
  15. Simple Minds, New Gold Dream
  16. Talk Talk, Colour of Spring
  17. Tangent, Le Sacre Du Travail
  18. Tears for Fears, Songs from the Big Chair
  19. XTC, Skylarking
  20. Yes, Close to the Edge

THREE WORDS by Newspaperflyhunting

Newspaperflyhunting, THREE WORDS EP (2015).

The band:

  • Michał Pawłowski: guitars, backing vocals
  • Jacek Bezubik: guitars, lead and backing vocals
  • Gosia Sutuła-Grabowska: basses, lead and backing vocals
  • Krzysztof Sarna: drums
  • Beata Grzegorczyk-Andrejczuk: Fender Rhodes piano
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THREE WORDS.

 

There’s something just so terribly infectious about the music of Newspaperflyhunting.

Granted, the name of the band is the weirdest thing since Annie Oakley shot three playing cards (ace of hearts, of course) at 100 yards while looking at the target through a mirror.  Yes, as with Oakley, Newspaperflyhunting brings a standard of excellence to every single thing it touches and produces.

The band’s latest EP, THE THREE WORDS, is a thing of wonder, beauty, and majesty.

Though the three-song EP has a familiar Newspaperflyhunting sound, THE THREE WORDS is different from their other releases and offers the long-time listener even new aural ecstasies.

As I’ve mentioned previously, the band’s music possesses much in common with the American and British neo-psychedelic wall-of-sound revival of the late 1980s which saw the rise and glory of such bands as Opal, Mazzy Star, the Cocteau Twins, and My Bloody Valentine.  Whatever the similarities, however, Newspaperflyhunting (as the name would suggest) is very much—maybe even absolutely—its own band.  Other than being from Poland and believing in the purity of art, Newspaperflyhunting evades any easy labeling or categorization.

At nearly 11 minutes in length, the opening track, “3 Words,” a song ostensibly about wisdom, tradition, and loss.  The song builds slowly but surely in the first two minutes, exploding at the 1:56 mark.  The voice drones (appropriately) as much as sings in a longing fashion, a plea for attention and contemplation.  The mood of the song changes numerous times through the 11 minutes, demanding the full immersion of the listener.

At just under 10 minutes, “Past Perfect (revisited),” track two, is a remake of an older Newspaperflyhunting song.  Never satisfied with the song, the band completely rebuilt it for the THREE WORDS EP.  The new version of the song is nothing short of stunning.  The female vocalist especially brings the song to life, drawing the listener into introspection as well as inspiration.

“Demolished Mansions” reflects the overall themes of the EP: the loss of tradition, replaced by heartless modernity.  There might also—though I speculate, nothing more—be something scriptural in the title, a loss and the death of God in our insane whirligig.

***

To order: http://newspaperflyhunting.bandcamp.com/album/the-three-words-ep

The band’s description of itself: “Formed in 2006 in Białystok, Poland. Prog/post/space rock. Longing, melancholy, and rays of light scattered throughout. Introspective music, disregarding trends or expectations.”  One of the most accurate self-evaluations I’ve encountered in my life.

So Much Left Unsaid – Piotr Grudziński, 1975-2016

Losing your musical heroes is never easy.   In the past year, we’ve lost a number of them. Piotr GrudzinskiAt least two of them, Chris Squire of Yes and Glenn Frey of the Eagles, were the subject of Progarchy posts upon their passing. Today we mourn the passing of possibly the best guitarist of the current prog scene, Riverside’s Piotr Grudziński.

The passing of Squire and later of Frey were one thing. Both of them were 67 when they died, and while they were taken from us too soon, losing them was easier to process emotionally. Both had decades long, successful careers. Both of them had peaked and were able to let their full abilities play out. On the other hand, Grudziński was a mere 40 years old and had many creative and productive years still to come. Losing him now, coming off Riverside’s most recent (and stunningly good) album, is the equivalent of what would have been had Squire or Frey been lost in 1975. I’m just shaking my head in disbelief that this has happened …

So much potential has been lost. Don’t take this the wrong way – it’s not that he hadn’t lived up to it. No, he was living up to his potential, spectacularly so. He was in his prime, continually evolving as a guitarist, and we are now denied seeing where that evolution would have taken him.

Continue reading “So Much Left Unsaid – Piotr Grudziński, 1975-2016”