As Apollo’s Fire artistic director, conductor, and harpsichordist Jeannette Sorrell aptly pointed out in the program for last night’s concert at Ravinia, Antonia Vivaldi was the rock and roll composer of the eighteenth century. While that statement might seem odd for one of the greatest composers of the Baroque period, his melodies and use of instrumental solos share much in common with contemporary progressive rock. Indeed, I don’t believe it would be too much of a stretch to compare Vivaldi’s music with that of Dream Theater.

Apollo’s Fire was founded by Jeannette Sorrell in 1992 as an ensemble dedicated to Baroque music. Having taken their stage debut only recently in 2010, this Cleveland-based troupe are beginning to turn heads worldwide. Sorrell is well educated in music and conducting, having studied the latter under Leonard Bernstein and other great conductors. As a harpsichordist, she is masterful. Considering Vivaldi was often called “the Redhead Priest,” it is fitting that Sorrell has bright red hair.

Continue reading “Apollo’s Fire Play Vivaldi – Live at Ravinia, 7/27/17” →