One indication of the absolute glut of recorded music available today: more of what I’ve whimsically labelled “DIY (for Do It Yourself, a la Peter Gabriel) Britprog” is available than ever. With Prog Magazine providing a megaphone and Big Big Train’s international impact paving the way, countless musicians from England have brushed up their chops, dusted off their home recording setups, and churned out self-released albums by the bushel in the past decade. Even as the chances of market penetration narrow in the age of Spotify and live lockdowns, an astonishing number of artists seem compelled to keep plowing the furrows first tilled by Pink Floyd, King Crimson, Yes, Genesis and their sundry heirs. The sheer amount of “meh” music that’s resulted notwithstanding, three recent releases (and a teaser of more to come) indicate there’s still enough fertile soil in that ground to keep yielding fresh harvests.
First up: Tiger Moth Tales’ The Whispering of the World from late 2020, for which TMT mainman Peter Jones stripped down both his writing and his usual instrumentation. Working with producers Robert Reed and Andrew Lawson, Jones eschewed multi-sectional tunesmithery and one-man-bandship in favor of a song cycle for voice, piano and string quartet. The result works like gangbusters! From the vigorous, propulsive opener “Taking the Dawn” through melancholy mini-epics like the title track, “Quiet Night” and “Waving, Drowning” to the grave, sweeping pop of “Blackbird” (no, not THAT one, but arguably as affecting) and the closer “Lost to the Years”, every track feels unpretentious, fresh and heartfelt. The semi-classical sonics mesh effortlessly with the compelling songcraft; Jones’ sensitive singing and lush piano playing weaves in and around the light and shade of the strings. Even better, the music proves the right medium for the lyrical message, as Jones narrates a cathartic passage through (in his words) “special or significant moments . . . coming to terms with both losing those close to us and our own mortality and place in the universe.” Sound a bit heavy? Well, yeah — but paired with Jones’ solo Quiet Room Session, The Whispering of the World is a sentimental journey well worth taking. Sample it for yourself, then order it on Bandcamp.Continue reading “Weekend Roundup 2: DIY Britprog”