The Big 2019 Fall Prog (Plus) Preview!

What new music, live albums, reissues (regular, deluxe or super-deluxe) and tours are heading our way between now and All Hallows Eve?  Check out the exhaustive (and potentially exhausting) sampling of promised progressive goodies — along with other personal priorities — below.  Click on the titles for pre-order links — whenever possible, you’ll wind up at the online store that gets as much money as possible directly to the musicians.

 

  • August:
    • Dave Kerzner, Static Live Extended Edition: recorded at the 2017 Progstock festival.  Kerzner’s complete Static album in concert, plus selected live highlights & new studio tracks.  Pre-orders ship in late August.
  • August 30:
    • Sons of Apollo, Live with the Plovdiv Psychotic Symphony: recorded at Plovdiv, Bulgaria’s Roman amphitheatre in Plovdiv, Bulgaria (the site of previous live efforts from Anathema and Devin Townsend).  Available in Blu-Ray, 3 CD + Blu-Ray, and 3 CD + DVD + Blu Ray versions.
    • Tool, Fear Inoculum: Tool’s first album in 13 years.  Available via digital download, as well as “a deluxe, limited-edition CD version (which) features a 4” HD rechargeable screen with exclusive video footage, charging cable, 2 watt speaker, a 36-page booklet and a digital download card.”  Really. 

Continue reading “The Big 2019 Fall Prog (Plus) Preview!”

In Concert: Olé ELO!

Jeff Lynne’s ELO, Van Andel Arena, Grand Rapids Michigan, July 23, 2019.

Parsing this band’s name closely pays off.  This isn’t an Electric Light Orchestra reunion by any means; rather, it’s reclusive ELO main man Jeff Lynne, touring North America with the music that made his bones for the first time in nearly 40 years.

Armed with fistfuls of Top 20 hits and key album tracks, Live Nation’s deep pockets, a dozen top-notch hired guns — including progressive rock role players Milton McDonald (Anderson Bruford Wakeman & Howe) on guitar and Lee Pomeroy (Anderson Rabin & Wakeman, Steve Hackett, It Bites, Headspace) on bass — and visual production rivaling Pink Floyd, Lynne delivered the goods to a pumped-up, near-capacity crowd Tuesday night.  Sure, the show was polished and manicured (and doubtless click-tracked and auto-tuned) within inches of its life — but it was also irresistible to the ears and dazzling to the eyes, an unalloyed pleasure from start to finish.

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kruekutt’s 2018 Favorites: Reissues

Following the jump, the reissues and compilations from this past year that:

  • For one reason or another, I absolutely had to buy (whether I previously had a copy or not), and
  • That grabbed me on first listen and haven’t let go through repeated plays.  Except for my Top Favorite at the end of the post, I haven’t ranked them — in my opinion, they’re all worth your time.  But first, a graphic tease …

 

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If I Can Dream: Elvis Presley’s Golden Comeback

Fifty years ago today — December 3, 1968 — NBC aired Singer Presents … Elvis.  

At that point, Elvis Presley was generally considered a joke, a has-been.  His pioneering rock and roll days were long behind him, his singing and acting career and earning potential shriveled by a stultifying run of half-baked movies (Girl Happy, Harum Scarum, Clambake) and equally awful soundtracks (featuring horrid novelty songs like “There’s No Room to Rhumba in a Sports Car” and “He’s Your Uncle, Not Your Dad”).  Presley’s manager “Colonel” Tom Parker was pushing for a holiday special where Elvis would cavort with nominally famous guest stars and sing … wait for it … twenty Christmas carols.

But Singer’s execs had something else in mind: a show centered entirely on Presley, reminding the audience of his initial, explosive impact on pop music and propelling him forward, into a fresh phase of his career.  Elvis bought in, the Colonel signed off, and Steve Binder (director of the spectacular 1964 concert movie The T.A.M.I Show, featuring The Supremes, The Beach Boys, James Brown and The Rolling Stones in thrilling live performances) signed on.   Which is why, on that night fifty years ago, as 42 percent of the US television audience tuned in, they locked eyes with a man on a mission:

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A Deeper Shade of White: Notes on “The Beatles”

In the 1997 movie Men in Black, Agent K (aka Tommy Lee Jones) spoke truer than he knew:

This is a fascinating little gadget.  It’s gonna replace CDs soon.  Guess I’ll have to buy ‘The White Album’ again.

Fast forward to the 50th anniversary Super Deluxe edition of The Beatles — my copy is #0112672, if you’re interested — my fifth purchase of the 1968 album.  Following the first CD release in 1987, Agent K’s prophecy was swiftly fulfilled, with 1998’s “30th anniversary limited edition” (CD #0438243), then 2009’s mono and stereo remasters each promising better sound and a more complete listening experience.  So does this new box provide anything previous versions haven’t?  And does it shed any new light on the “White Album’s” ultimate stature, both in the Fabs’ catalog and in rock history ?

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Lightning Round Reviews: November 10-19, 2018

Capsule reviews of what I’ve listened to since the last installment follow the jump.  Albums are reviewed in descending order on my Personal Proggyness Perception (PPP) scale, scored from 0 to 10.

Continue reading “Lightning Round Reviews: November 10-19, 2018”

Lightning Round Reviews: November 1-9, 2018

In case you hadn’t noticed, the last quarter of 2018 has put paid to any perceived drought of new releases & reissues.  Capsule reviews of what I’ve been listening to since the first of this month follow the jump; albums are reviewed in descending order on my Personal Proggyness Perception (PPP) scale, scored from 0 to 10.

Continue reading “Lightning Round Reviews: November 1-9, 2018”