Now available via Bandcamp!
Dave Kerzner’s In Continuum has unveiled “Crash Landing,” which features Steve Hackett of Genesis fame, and also Jon Davison of Yes, who sings on it with Kerzner.
It’s a prog dream come true! The excitement builds for the Acceleration Theory release…
What new music, live albums, and reissues (deluxe and otherwise) are heading our way between now and Black Friday? Check out the exhaustive (and possibly exhausting) sampling of promised progressive goodies — along with a few other personal priorities — below. Pre-order links are for CDs or combo packages; vinyl editions are frequently available from the same website.
- September 21:
- Marillion, Happiness is Cologne and Popular Music. Limited edition live reissues from Racket Records and earMusic. Pre-order at Amazon or other online retailers.
- Nosound, Allow Yourself. Pre-order from Burning Shed.
- September 28:
- October 5:
- October 12:
- October 19:
- Greta Van Fleet, Anthem of the Peaceful Army. The first full-length album from Frankenmuth, Michigan’s young Zepheads. Pre-order at GvF’s webstore.
- iamthemorning, Ocean Sounds. Live in the studio; audio/video bundle. Pre-order at Burning Shed.
- In Continuum, Acceleration Theory. With Dave Kerzner and an all-star line-up. Pre-order bundles from Bandcamp. Pre-order deadline for special bundles: September 30.
- Frank Sinatra, Only the Lonely: 60th Anniversary Edition. Yes, really. The greatest concept album of the pre-rock era, with Sinatra and arranger Nelson Riddle at their most gorgeous and devastating. “Make it one for my baby … and one more for the road.” More info at Super Deluxe Edition.
- October 26:
- November 2:
- November 9:
- November 16:
- Marillion, Brave Live and Live in Glasgow. Limited edition live reissues from Racket Records and earMusic. Pre-order at Amazon or other online retailers.
- The Tangent, Proxy. Pre-order special bundles from The Tangent webstore.
- November 23:
- The Beatles, White Album 50th Anniversary Edition?
- Big Big Train, Merchants of Light Blu-Ray
- King Crimson, The ReConstruKction of Light (40th Anniversary reissue) and Heaven and Earth (Crimson ProjeKcts box set)
— Rick Krueger
Received this excellent news from Dave today. Very excited for Dave and all involved. He’s on fire. Run, Dave, run!–BB
Dave Kerzner Announces New Progressive Rock Supergroup, “In Continuum”
Monday, March 19th, 2018, Miami, Florida: American musician, songwriter, producer, sound designer, co-founder of the band Sound of Contact and lauded progressive-rock artist Dave Kerzner, has announced the birth of a new progressive rock super-group named “In Continuum”. The band consists of Kerzner at the helm as the main songwriter and keyboardist, sharing lead vocal duties with Gabriel Agudo (Steve Rothery Band / Bad Dreams).
Joining Kerzner and Agudo on the debut album – set for release later in 2018 – are top multi-instrumentalists Matt Dorsey (Sound of Contact) and Randy McStine (Sound of Contact, The Fringe), former Porcupine Tree and Sound of Contact touring guitarist John Wesley, drummers Nick D’Virgilio (Big Big Train, Spock’s Beard) and Derek Cintron along with guitarist Fernando Perdomo from the Dave Kerzner Band. Special guests on the album will include singer Jon Davison (Yes) and guitarist Steve Rothery (Marillion).
One look at his online presence and you know this: Fernando Perdomo lives, breathes and loves music. His Facebook feed is chock full of great stuff he’s heard or created (including his vibrant contributions to Dave Kerzner’s work), and the discography on his Bandcamp page offers a musical feast ranging from power pop to abstract experiments.
But as Perdomo writes in the liner notes of his one-man instrumental album Out to Sea, “I discovered the magical sounds of Progressive Rock in 6th grade and became obsessed … This record is a tribute to the sounds that made me the musician and person I am today.” It’s quite a journey, and a stellar tribute indeed.
Opening track “The Architect (Tribute to Peter Banks)” sets Perdomo’s course: a funky vamp, tasty octave licks and harmonized lines, rhythmic breakdowns a la early Yes and chunky, endlessly inventive leads. Wide open vistas loom on the horizon, with one nifty moment leading straight into the next. You can’t tell what’s coming, but soon you just relax and enjoy — because you’re sure it’ll be great.
Yesterday I had the immense pleasure and privilege of talking by phone with Steve Hackett as he prepares for his 2018 Tour de Force. Over the course of 30 minutes, Steve was genial, gracious and forthcoming. He talked about life on a prog rock cruise, his busy agenda for this year, the musicians he works with, his take on where progressive music might be heading, and much more. Steve’s words (slightly edited for clarity and organized by topic) follow!
About this year’s Cruise to the Edge:
“Absolutely marvelous. I think this was our fourth Cruise, as was the case for many of the acts, and I think everyone said this time they felt that it was the best of the lot, because so many people knew each other, familiar faces. They have a boatload of about 3,000 people. In the end, when you’ve done this thing before, people just keep coming back, and saying, ‘Oh, hi, Steve.’ ‘Hi, Fred.’ All that is just wonderful, it’s mind-boggling, it’s like a sort of brotherhood on the briny, on the high seas. It’s wonderful that these cruises have become such a success. I get to hook up with all sorts of extraordinary pals, such as the guys from Marillion and all the Yes guys, of course, and Martin Barre of Jethro Tull, and so many. So there’s a great camaraderie amongst everybody, so we all got time to hang out together, see each other’s shows, and it’s become a great tradition.”
About sitting in and collaborations:
“I sat in with Dave Kerzner on the Cruise, I’ve played on a couple of albums of his. In a way, I think there’s this thing about helping each other out, as I say, this brotherhood feeling. And he’s tremendously hard working, he’s done so many things recently, and it’s great. He often says, ‘Ooh, I’ve got such and such, do you feel like using that?’ in his studio. Between all of us, we’ve got a ton of contacts and we help each other. It’s a great time in rock & roll, it’s very much everyone’s feeding everyone else, it’s really very good.”
“We played a version of this thing called ‘Stranded,’ which was on his first album. It was a poolside thing where we did that at night, but it really took off. I’m hoping we see a film of it at some point.” [Here’s Steve’s solo from the end of ‘Stranded,” as played on Cruise to the Edge 2018. Thanks to Dave Kerzner, guitarist extraordinaire Fernando Perdomo, and Fernando’s friend Cyndi for supplying the video!]
“I think perhaps it’s a case of having been in the industry for a certain amount of time, where the people remember me via Genesis or GTR or solo stuff, or whatever it happens to be. Over and above that, I’ve worked with a tremendous amount of artists, showing up, doing the solos. Not always guitar – sometimes it’s harmonica or other strange things that I get asked to do, and if I can fit it into the schedule, I like doing it. I’ve worked with all sorts of artists. It hasn’t always been rock; sometimes it’s been other stuff – Evelyn Glennie, which is avant-garde stuff, a Hungarian band called Djabe. I do stuff with them and meet musicians all over the world.”