Tag: Fruupp

Connor’s Best of the Obscure

On By Connor MullinIn progressive rock1 Comment

Much to my shame, I have listened little to the latest offerings from the eclectic world of prog. I am currently working on changing this bad habit of mine, but I confess it has been difficult, as I still have many obscure gems to unearth (and I will continue my list soon – I promise!). Anyway, in no particular order, here are my top ten obscure prog artists (out of an ongoing list currently standing at thirty-four):

  1. Cathedral – Stained Glass Stories: the first album review I ever wrote for Progarchy just so happened to concern one of the better obscure gems I have discovered thus far, a symphonic masterpiece evocative of Yes or Genesis.
  2. Universe – Universe: psychedelia mixed with a dash of Christianity makes for a rare but beautiful bird of an album in the rich world of 1970s music.
  3. Alloy Now – Twin Sister of the Milky Way: space prog at its finest. Major Tom would have been better off if he had this album on his final journey through the heavens.
  4. Jan Dukes de Grey – Mice and Rats in the Loft: Nursery Cryme‘s obscure cousin, an album both comical and horrifying at the same time. Also, Derek Noy shreds on twelve-string guitar. Shreds.
  5. Island – Pictures: a cover designed by Giger and music blending the darkness of Van der Graaf Generator with the dexterity of Gentle Giant? These chaps certainly offer one of the more complex obscurities out there.
  6. Hands – Hands: America’s answer to Gentle Giant. But these chaps are no copy cats: they are top notch musicians who gave to the world their own idiosyncratic sound.
  7. Lift – Caverns of Your Brain: a superb effort by a group of young American musicians. Aficionados of symphonic and space prog will love this gem.
  8. Fruupp – The Prince of Heaven’s Eyes: as a chap of Irish descent, I suppose I have a soft spot for young Mud Flanagan and his adventures. And if this band were talented enough to open for Queen and King Crimson back in the day, they’re probably worth a listen or two.
  9. Touch – Touch: one of those groups that could have been a contender: Jimi Hendrix and Mick Jagger were fans. Alas, it was not to be. But thanks to YouTube, you can listen for free to some incredible vocals and even more impressive work on the keyboards.
  10. Circus – Circus: Mel Collins in the days before he was cool (I joke of course; Mel Collins has always been cool). But it is Mel Collins in the days before King Crimson – and his band, although not entirely original, was really good.

The Best Prog Bands You’ve Never Heard Of (Part Twelve): Fruupp

On By Connor MullinIn progressive rock4 Comments

Well, perhaps you actually have heard of these chaps. Although they never made much of a name for themselves, Fruupp opened up for some of the biggest names in progressive rock, including Genesis, Queen, and King Crimson, in the early 1970s.

Founded in 1971 by Irish guitarist Vincent McClusker, Fruupp included classically trained Stephen Houston on keyboards and oboe; Peter Farrelly on lead vocals, bass guitar, and flute; and Martin Foye on drums. They recorded four albums in their five year tenure, but the sudden departure of Houston in 1975 (he became a clergyman) and poor record sales eventually forced the band to call it a day.

Fruupp’s third album, The Prince of Heaven’s Eyes, is considered their masterpiece. A concept album (based on a short story by Paul Charles), it tells the tale of a lad named Mud Flanagan, who, after the death of his parents, traverses the Irish countryside looking for the end of the rainbow. The influence of Genesis, especially in the songwriting, vocals, and keyboards, is evident throughout the album, but Fruupp are not mere copycats.

The album opens with a beautiful symphonic piece titled “It’s All Up Now”: Flanagan has made the decision to leave home and journey out into the wilds of the Emerald Isle. But shortly after his departure, “The Prince of Darkness” – a song that would fit nicely into the sinister world of Nursery Cryme – interrupts young Mud’s pleasant travels. Thankfully, our hero manages to avoid the road to hell and continues on his way, encountering a beautiful woman and experiencing several strange visions before reaching his journey’s end in the lengthy but uplifting “The Perfect Wish.”

Houston’s keyboards steal the show on this album, although McClusker and Foye are able to showcase their talents on guitar and drums, respectively, on the heavier “Annie Austere” and “Crystal Brook” (the latter also features some gorgeous flute courtesy of Farrelly).

It’s a shame Fruupp never enjoyed the success that other symphonic bands did, as this album certainly offers hints of bigger things that might have been. The Prince of Heaven’s Eyes may not reach the heights of Foxtrot or Selling England By the Pound, but it is certainly a worthy addition to the traditional symphonic prog canon.

Stay tuned for obscure prog band number thirteen!

Albums worth hearing at least once number 2

On By Dave BandanaIn progressive rockLeave a comment

Fruupp were an Irish band who recorded four albums in the early seventies. I remember this album being played on Radio Caroline, a pirate radio station broadcasting from the North Sea on AM. It inspired me to go out and buy the album. This was the third. They released one more, Modern Masquerades, before splitting, never to reform. I was lucky to see them in concert in 1975. This is the first track on The PrinceOf Heavens Eyes.

Annie Austere is the last track on side one and has a great Irish feel to it.

The Perfect Wish closes the album bringing the story to an end. Other tracks from the album can be found on you tube but these three are my favourites.

Fruupp were a band that many passed by as too whimsical but I think they play an important role in the development of Seventies prog and deserve a listen.