Princess Eadgyth (Edith), the “Kingmaker” by Big Big Train

 

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Track 1: “Kingmaker”

Musically, an homage to Peter Gabriel-era Genesis, “Kingmaker” tells the story of  a powerful and devout medieval woman, Eadgyth, the granddaughter of King Alfred the Great, and often remembered in the Roman Catholic and Anglican traditions as “St. Edith” (one of a few St. Ediths, this Edith might have been known as “St. Edith of Polesworth; not surprisingly, many of the traditions are vague).

The sister of King Athelstan, she married King Otto of Germany in 929.  Wildly popular, she promoted a devotion to St. Oswald, one of the most romantic figures of the high middle ages.

Only relatively recently, English scholars discovered her bones.

http://www.guardian.co.uk/science/2010/jun/17/archaeology-forensicscience

Continue reading “Princess Eadgyth (Edith), the “Kingmaker” by Big Big Train”

FOUR Major Awards for Big Big Train Last Night

cropped-a0770580005_10.jpgSo, from checking social media this morning, it seems that some big things happened in England last night for our great friends, the eight members of Big Big Train (nine if you count Rob!).

[First post listed only THREE awards–corrected.  FOUR.  Apologies for the error.]

This is from David Longdon:

Continue reading “FOUR Major Awards for Big Big Train Last Night”

Pre-Order GRIMSPOUND by Big Big Train

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Greg Spawton posted this minutes ago:

The new Big Big Train album, Grimspound, will be released on April 28th 2017. Pre-orders of the album are now available at our official stores at Burning Shed (for vinyl and CD’s)

https://www.burningshed.com/store/bigbigtrain/

and the Merch Desk (for merchandise and CD’s)

http://www.themerchdesk.com.

Pre-orders of hi-resolution downloads are available at Bandcamp

https://bigbigtrain.bandcamp.com/

All LP versions feature double, 180g vinyl with a gatefold cover and 4 page booklet featuring lyrics and the stories behind the songs. A complimentary code for a high-resolution download version of the album is provided with each vinyl order. There is a limited edition clear vinyl version alongside the standard black vinyl version and orders of this limited edition version will include a postcard signed by all band members.

The CD version comes in a gloss laminated softpack and features a 24 page booklet with lyrics and the stories behind the songs.

The hi-res download version includes a PDF of the CD booklet.

A limited edition blue vinyl version of the Folklore is also available at Burning Shed (orders will be shipped with a complimentary hi-resolution download code).

Big Big Train are playing three shows at Cadogan Hall, London, in the autumn. The first two shows are sold out and only a few tickets remain for the third show (a Sunday matinee performance.) http://www.cadoganhall.com/event/big-big-train-2016/

Chestertonian Spawtonious


          Out of the mouth of the Mother of God,
          More than the doors of doom,
          I call the muster of Wessex men
          From grassy hamlet or ditch or den,
          To break and be broken, God knows when,
          But I have seen for whom.

          Out of the mouth of the Mother of God
          Like a little word come I;
          For I go gathering Christian men
          From sunken paving and ford and fen,
          To die in a battle, God knows when,
          By God, but I know why.

          And this is the word of Mary,
          The word of the world's desire
          'No more of comfort shall ye get,
          Save that the sky grows darker yet
          And the sea rises higher.'

          Then silence sank. And slowly
          Arose the sea-land lord,
          Like some vast beast for mystery,
          He filled the room and porch and sky,
          And from a cobwebbed nail on high
          Unhooked his heavy sword.

          Up on the shrill sea-downs and up
          Went Alfred all alone,
          Turning but once e'er the door was shut,
          Shouting to Eldred over his butt,
          That he bring all spears to the woodman's hut
          Hewn under Egbert's Stone.

          And he turned his back and broke the fern,
          And fought the moths of dusk,
          And went on his way for other friends
          Friends fallen of all the wide world's ends,
          From Rome that wrath and pardon sends
          And the grey tribes on Usk.--G.K. Chesterton






PROG Magazine Issue 74

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For better or worse, the latest issue of PROG is just slightly too big for my scanner to handle it all.  Ian would be proud, I’m sure.

I suppose it seems a bit silly for me to state the following.  After all, who I am–a goofy, middle-aged American professor and historian?

Still, when PROG issue 74 showed up in my post box today, I was both thrilled and proud.  Yes, the proud part is the silliness.  Does Jerry Ewing need me to be proud of him?  Well, I am.

After everything PROG has gone through over the past three months, how great is it that I get issue 74 only days after it’s released.  Under the previous company, it took about a month for each issue to get here (in the states).  In fact, issue 73 just showed up this past weekend.  Now, 74 is already here.

Amazing.

And, it looks gorgeous.  Jethro Tull, Tim Bowness, The Mute Gods, ARW, Dream Theater, and Blackfield are all covered.  And, best of all, Greg Spawton shows up on page 10 and Andy Tillison and Matt Cohen on page 11.  Call me a very happy fanboy.

Congratulations, Jerry!  You are our leader.  No question.

Best Live Release of 2016: Big Big Train’s STONE AND STEEL

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Retro-re-review of Big Big Train, STONE AND STEEL (EERBR001; English Electric, 2016).

Way back on the first day of April, 2016, I posted this:

https://progarchy.com/2016/04/01/the-incomparable-gift-of-excellence-big-big-trains-stone-and-steel/#more-19100

For the most part, the live studio versions performed on STONE AND STEEL are similar, but not identical to the original album versions.  It’s clear that the band encourages spontaneity in each musician.  Watching the band, I was happily surprised to see how many duties Manners and Poole (even Longdon plays keys briefly) share when it comes to the keyboards and just how much Gregory (my all-time favorite guitarist, along with Alex Lifeson) shares with Sjöblom.  Such sharing, of course, is nothing if not a sign of wisdom and charity, yet another example of why so many of us love this band.  Individual ego diminishes in proportion to the excellence manifested by the entire band.

Spawton, it must be noted, is clearly the sturdy pillar around which all revolves.  Though he’s off to the side and not in the limelight, his bass is strong, innovative, and warm.

My review was glowing, and there’s nothing in it I would change, even 9 months later.  When it comes to live releases in 2016, there have been a fair number of simply excellent ones.  Steve Hackett’s TOTAL EXPERIENCE, Aryeon’s THE THEATER EQUATION, Morse’s ALIVE AGAIN, and even BBT’s second live release of the year, A STONE’S THROW FROM THE LINE, each captured something unique about the musicians and the time period.

Continue reading “Best Live Release of 2016: Big Big Train’s STONE AND STEEL”

PROG Features Greg Spawton of Big Big Train

prog-share-logoThe brand new issue of PROG magazine, no. 72, features an insightful interview with the incredibly talented Greg Spawton, co-founder and bassist of Big Big Train.  Spawton reveals his favorite songs, novels, and a variety of other things.  Well worth reading.

Two of Big Big Train’s Greatest Epics

I know, I know.  There are so many songs to chose from when thinking about the greatness that is Big Big Train.  I’m hoping to give a little more time to analyzing each of these majestic tracks, but for now. . . simply enjoy.  The first is by Greg Spawton, the second by David Longdon.

One quick point, however, these two tracks strike me as necesssary twins.  Obviously, they each deal with the sea.  But, they also deal with love.

More to come.  Again. . . enjoy.

 

Congratulations to Big Big Train

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From ProgMaster Jerry Ewing

We at progarchy are thrilled to know that BBT has been awarded Band of the Year and Best Live Performance by Prog Magazine.  Excellent choices, all around!

And, we’ve been loving BBT for years and years!  Feel free to explore our past reflections on the band.

Big Big Train – English Boy Wonders – 1997/2008 – Review by Brad Birzer

Big Big Train – English Electric: Full Power – 2013 – Review by Brad Birzer

Big Big Train – English Electric: Full Power – 2013 – Review by Bryan Morey

Big Big Train – English Electric: Full Power – 2013 – Video Review by Brad Birzer

Big Big Train – English Electric Pt. 2 – 2013 – Review by Alison Henderson

Big Big Train – English Electric Pt. 2 – 2013 – Review by Brad Birzer

Big Big Train – English Electric Pt. 2 – 2013 – Review by Craig Breaden 

Big Big Train – English Electric Pt. 2 – 2013 – Review by Craig Farham

Big Big Train – English Electric Pt. 2 – 2013 – Review by Erik Heter

Big Big Train – English Electric Pt. 2 – 2013 – Review by Frank Urbaniak

Big Big Train – English Electric Pt. 2 – 2013 – Review by Ian Greatorex

Big Big Train – English Electric Pt. 2 – 2013 – Review by John Deasey

Big Big Train – English Electric Pt. 2 – 2013 – Review by Nick “Dr. Nick” Efford

Big Big Train – English Electric Pt. 2 – 2013 – Review/Open Letter to BBT by Pete Blum

Big Big Train – English Electric Pt.2 – 2013 – Review by Tad Wert

Big Big Train – Folklore – 2016 – Review by Brad Birzer

Big Big Train – Folklore (hi-res audio tracklist version) – 2016 – Review by Bryan Morey

Big Big Train – Stone and Steel – 2016 – Review by Brad Birzer

Big Big Train – The Difference Machine – 2007/2010 – Review by Brad Birzer

Big Big Train – The Underfall Yard – 2009 – Review by Brad Birzer

Big Big Train – Wassail EP – 2015 – Review by Brad Birzer

A Beginner’s Guide to Big Big Train (2012) – By Brad Birzer

Bryan Morey reviews Folklore

 

The Gatefold Vinyl Glory of Big Big Train: Folklore ★★★★★

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In terms of perfectly integrated, fully coherent masterpieces, I thought BBT might have peaked with The Underfall Yard. The Far Skies and Wassail EPs, and the multiple versions of English Electric (with no definitive track order), all contained fantastic music, but evinced an unmistakable prog version of ADD, as BBT and their fans were fiendishly enabled by the latest technology to “build your own” concept album, with your own favorite track order: S, M, L, XL, XXL, Full Power, whatever.

But now with Folklore, we have a stunningly coherent concept album that has absolutely perfect flow. And here’s the best part: the perfect flow is found not on the CD version (because “London Plane” works best not coming after “Folklore” but after “Salisbury Giant”) but on the glorious vinyl gatefold edition that has the definitive order for the tracks.

Continue reading “The Gatefold Vinyl Glory of Big Big Train: Folklore ★★★★★”