Tag: guitarist

Rod Rodrigues

Album Review: Rod Rodrigues – Tales of a Changing Life Part 2

On By NickIn progressive rockLeave a comment

Brazilian guitarist and songwriter Rod Rodrigues returns with Tales of a Changing Life Part 2, the follow-up to his 2022 EP. Now based in Canada, Rodrigues explores the experimental realms of jazz fusion and progressive rock/metal, delivering a collection of seven tracks that showcase his musical evolution.

Rodrigues is a master of his craft, and this album is a testament to his exceptional musicianship. His guitar work is intricate and precise, while the drums, played with precision, often take the lead in guiding the songs through complex instrumental passages. One of the standout qualities of Tales of a Changing Life Part 2 is Rodrigues’ ability to maintain a strong melodic core amidst the experimental nature of the music, a challenge that he meets with ease.

A notable highlight of the album is the single “Inukshuk,” which features an all-star lineup including guitar virtuoso Angel Vivaldi, bassist Heitor Tenorio, keyboardist Orlan Charles, and renowned drummer John Macaluso, who has worked with ARK, Symphony X, and Yngwie Malmsteen. Speaking about this collaboration, Rodrigues shared his excitement: “It’s an immense pleasure and honor to work with such extraordinary talents. Collaborating with John Macaluso, one of my all-time favorite drummers, and Angel Vivaldi, an exceptional guitarist and individual, has been an incredible experience.”

The track “Inukshuk” stands out for its deep sense of dynamics and sonic depth. Macaluso’s snare hits with metallic precision, while Rodrigues’ guitar stretches across the stereo field, each note defined and clear. The keyboards, layered beneath the stratospheric guitar solos, add further dimension to the sound, while the bass grinds into the mix, grounding the composition. This track exemplifies the tight interplay between the musicians, all brought together under Rodrigues’ unique compositional vision.

The third track, “East Coast Memories,” exemplifies the album’s richness in high-resolution sound, offering an openness and lifelike transparency. The balance in this recording is striking, and while the album could be classified as fusion, its progressive elements extend far beyond that genre label. Rodrigues’ compositions tell stories, with each track taking the listener on a journey beyond the confines of typical instrumental music. His guitar voice is modern, melodic, and emotionally charged, making for a captivating listening experience.

Rodrigues reflects on Tales of a Changing Life Part 2, saying, “With this album, I feel I’ve reached a new pinnacle as a musician and composer. This album allows me to convey the profound personal transformation I’ve experienced over the last decade through my music. Additionally, I had the privilege of working with a stellar group of musicians who each brought their unique flair to the project.”

The album was produced by Rodrigues, mixed by Renato Osório, and mastered by Kris Crummett, known for his work with artists like Nick Johnston and Sleeping With Sirens. This high-caliber production enhances the listening experience, giving the album a polished yet dynamic feel.

Another standout track, “On the Road,” holds a special place in Rodrigues’ heart. Written in honor of his father, a taxi driver, the song exudes positive energy and is designed to accompany a high-speed journey. Featuring Heitor Tenorio on bass, Rodrigo Abelha on drums, and Orlan Charles on keys and piano, the track incorporates a Brazilian cultural element through the country guitar stylings of Rodrigo Sperandio. “In addition to the strong influences of Rush and Van Halen, I wanted to add something special from our culture with the Brazilian country guitar,” Rodrigues shares.

Rod Rodrigues’ career has been marked by collaborations with notable musicians, including Kiko Loureiro (Megadeth), Edu Ardanuy (Sinistra), and Rafael Bittencourt (Angra). A graduate of IG&T and Claretiano University, he has also been a prominent figure in music education since 1997, launching his successful online training program, Extreme Guitar Workout, in 2018. His discography includes his debut solo EP The First Step: Introduction (2010), which received acclaim from major guitar publications, and Tales of a Changing Life Part 1 (2022), the beginning of this conceptual series exploring stages of personal transformation.

In Tales of a Changing Life Part 2, Rodrigues not only showcases his technical virtuosity but also his ability to convey deep emotion and narrative through his compositions. His work stands as a shining example of how diverse musical influences can be melded into something both experimental and accessible. This is an album that takes listeners on a transformative journey, and in doing so, solidifies Rod Rodrigues as a unique voice in contemporary progressive music.

Stream, download and purchase Tales of a Changing Life Part 2 from Bandcamp here. Follow Rod on Instagram or Facebook.

Interview with KRISHNA PERI

On By NickIn progressive rockLeave a comment

Krishna Peri

Dallas based guitarist, producer and songwriter Krishna Peri is about to launch his debut album “Across the Horizon” on August 15th, a release where the musician explores different music styles and adapting them to his own experimental formula.

Peri spoke for Progarchy about the album, but also his influences, writing process, and more.

What made you decide to release “Across the Horizon” under your own name? Does it feel more personal that way?

I am like a musical sponge and I like to absorb different genres that I come across, whether it is metal or anything else. I felt like if I am playing in a band, I have to stick to one particular style, for example, if you play in a death metal band, you can only play that and can’t really add extra quirkiness to it. Of course, I do enjoy playing in a band like that too but as an independent artist, I felt like I can touch base on multiple sounds and it would still be acceptable.

How do you usually describe your music?

I try to do two things – play heavy, memorable riffs but at the same time, focus on the underlying melody. To me, melodic playing and attention to the notes goes a long way and I try to incorporate the same in my music.

Across the Horizon

What is your writing process like?

I usually have a bunch of demos recorded on my phone, whenever I am just in a relaxed leisure mood. I would go back and listen to these raw clips from time to time whenever I need some inspiration. Once I find the right one, I create a session in my DAW, program the drums and lay down the guitar parts. By this point, the song starts taking its shape. Once finished, I send the demos to my drummer and bassist, who listen to it with a fresh pair of ears and give their comments. Once we polish the whole thing, the final drums are recorded in a studio. And then, I lay down my guitar tracks in my home studio. Last step would be sending these stems to the bassist, who does his part. I look over certain things from a producer’s perspective like, if the song needs any additional layers, keys etc. Finally, the whole thing gets mixed and mastered.

Who or what is your inspiration, if you have any?

Joe Satriani, Marty Friedman, Dimebag Darrell, Plini, Nick Johnston and John Petrucci – these are my main influences when it comes to instrumental music and soloing.

What is your favourite piece on the upcoming album and why?

“Stained Glass Memory” is my most favorite song on this album because it has these ambient sections followed by crushing heavy parts. The entire song jumps back and forth from 7/4 to 15/8 to 6/8, which gives it this mystical feeling. We’re working on releasing a music video for this particular track with a concept behind it, so stay tuned for that!

What makes “Across the Horizon” different?

I would say, complex time signatures, intricate solos, solid drumming and bass work, and the exploration of different genres like Viking metal, black metal, death metal etc.

What should music lovers expect from the album?

They should expect some expressive melodic playing. If you are a fan of modern instrumental music like the Intervals or Plini then I guarantee that you would dig it!

What kind of emotions would you like your audience to feel when they listen to your music?

Instrumental music is a tricky market to break in, just because there’s no vocals to convey anything. Which is why, we have to be very diligent in coming up with phrases because the guitar itself is treated like a vocal part. I would want my audience to feel the same thing and enjoy the tension and release of some of the songs that I am trying to present to them.

Pick your three favourite albums that you would take on a desert island with you.

That’s such a difficult question because there’s so many! I’ll try my best – Rust in Peace by Megadeth, Shockwave Supernova by Joe Satriani and Remarkably Human by Nick Johnston.

 

“Across the Horizon” is available on Bandcamp. Follow Peri on Facebook and Instagram.