Lucid Planet

Metal Mondays: Lucid Planet’s “II”

Lucid Planet, II, November 2020
Tracks:
Anamnesis (12:25), Entrancement (5:33), Organic Hard Drive (9:39), Offer (4:15), On The Way (9:38), Digital Ritual (4:57), Face The Sun (11:49), Zenith (9:56)

Perhaps I’m going out on a limb in calling Lucid Planet’s new album “metal,” but I’ve always had a pretty broad understanding of what metal can include. For instance I’ve long considered much of Rush’s output to be metal. But be not deceived. Lucid Planet’s sophomore album, II, released five years after their debut, is not Dream Theater progressive metal. Rather they remind me of Tool in many ways, especially in the rhythm sections on “Anamnesis,” “Organic Hard Drive,” and “Zenith.” 

Maybe “heavy prog” is a better term. The Melbourne, Australia-based band uses the terms “progressive,” “tribal,” and “psychedelic” on their website, and those are all good descriptors for what they do. They travel in and out of various styles and influences seamlessly. No one track limits itself to any particular style. The primal elements are particularly strong on “Entrancement,” which creates a psychedelic atmosphere through droning vocals and simple acoustic instrumentation. The song is a bit unexpected after the first track, but it works well in expanding the horizon of what the band does. Right away we know that this group plans to cover a lot of ground. The female vocals in parts of that track add a pleasant touch to what would otherwise be a rather dark song. The primal elements mesh well with their album artwork as well. 

Continue reading “Metal Mondays: Lucid Planet’s “II””

Review: Meliorist – ii.

Meliorist - ii

As if Progressive Metal met Metalcore and Djent for lunch and the three later casually partook in rough coitus, Brisbane-based Meliorist make some heavy, heavy music. Call it progressive metal or even an incredibly atmospheric derivative of death metal, the band’s sophomore EP, ii. is an oppressive sea of fury, and it resonates with me in a way few bands of its style manage to do. The songwriting may be solid and the production some of the best I’ve seen in metal, but it’s the ubiquitous atmosphere that has this album screaming ‘masterpiece’.

Too many bands in metal ultimately sound indistinguishable from one another, and it is a bleak statement. True enough, Meliorist’s resistance from this heavy metal clone complex pays off. Although their dark brand of tech metal can still find itself associated with a number of prescribed genres, ii. feels like a natural collision of influences from across the spectrum, from black and doom metal to modern and extreme variant of prog.

Meliorist

As a whole ii. relies on a sickening atmosphere of rage and fear. Although Meliorist sticks exclusively to their vocals, guitars, drums, and bass, the music sounds vast. “New Chapter” introduces the tech-sinister mood that pervades the majority of the release. By the cornerstone “My Reflection,” Meliorist have developed their riff energy into a dense fury complete with burstfire picking. All the while, Brisbanites layer their music with atonal atmospheric guitars. The band’s style will certainly draw a number of comparisons with other bands (Between the Buried and Me, in particular), but Meliorist combine the elements and make the sound truly their own.

Although it’s not the biggest reason why ii. has stood out to me so much, it’s worth mentioning that Meliorist enjoy some of the richest, most organic production I have heard on a metal record for quite some time. Perhaps it’s the heavy presence of the bass guitar, but Meliorist find an incredible balance between a live ‘raw’ energy, and a clear mix between instruments. It certainly doesn’t hurt that Meliorist channel their atmosphere-laden heaviness through such an organic studio execution. Those willing to set the time aside to fairly digest the atmosphere will find an incredible world to explore with ii., one governed by beauty and chaos. I give my highest recommendation.

Get ii. from Bandcamp here.

Interview: Meliorist

Meliorist is a progressive metal quintet from Brisbane in Australia who recently released their second EP “ii.” Guitarist Andrew Apte did a brief interview for Progarchy, letting us know how the band came up with the name, songwriting, inspiration, and more.

Meliorist

What made you go for the name Meliorist?

Read it as a word for the day, sounded good.

How do you usually describe your music?

I would say modern metal, trying to do new things in every songs. Mixing clean and heavy sections.

What is your writing process like?

Just searching for interesting and cool things on my guitar, then fleshing them out into full songs, trying to listen to everything as a whole as much as possible.

Who or what is your inspiration, if you have any?

All sort of music and artists, lots of Jazz music these days.

What is your favourite piece on the new EP “ii.” and why?

For me I would say My Reflection. I think that it is the best overall song, I think it’s well balanced. For most of the fans though it is What You’ve Lost.

Meliorist - ii

What makes “ii.” different?

Well I have tried very hard to develop and work on a unique style for many years now so I hope that it is not quite like anything else on the market.

What should music lovers expect from “ii.”?

Lots of heavy sections designed for headbanging, mixed with clean sections to even everything out.

What kind of emotions would you like your audience to feel when they listen to your music?

Inspired and happy 🙂

Which do you like most, life in the studio or on tour?

We have not done any touring yet really. I would say it feels great to play a show where everyone is rocking out for sure. But it’s also a great feeling when you just write something you really love, it’s very exciting.

Pick your three favourite albums that you would take on a desert island with you.

Gilad Hekselman – SplitLife
Gregory Porter – Liquid Spirit
Antonio Forcione – Tears of Joy

“ii.” is available from Bandcamp here.