No matter their level of activity, all’s right in the prog world when the on again/off again ensemble known as Frost* is in “On” mode. Many of us have closely – and happily – followed the twists and turns of writer/keyboardist/vocalist Jem Godfrey’s group since they released the landmark album “Milliontown” back in 2006.
For those who may not have been exposed to the band back then, “Milliontown” was something altogether new, or at least sounded altogether new – an accessible, expertly-produced, keyboard-heavy, dense, dynamic, and at times industrial-sounding blend of prog rock not for the faint of speaker cones. It was not to be mistaken for yet another prog band channeling the 70’s with all the cliches that go with that era (band names withheld to protect the guilty). As a fan of modern prog, “Milliontown” easily became one of two of my favorite albums of the last 15 years – the other being It Bites’ “The Tall Ships” – and not a week has gone by in the last decade when I haven’t given at least some of “Milliontown” a listen (no, really).