Oak Releases Live-in-Studio Version of “Silent Night”

Ok, so I’m a few days late on this one. Norwegian prog band Oak have released their own version of the classic Christmas carol, “Silent Night.” They’ve given it their own arrangement, and it is uniquely their own.

Also a list of my favorite albums of the year should be coming to Progarchy this weekend, so stay tuned for that. I recently moved states to start a new job (my first full-time job post grad school!), so things have been a little hectic as of late. There should also be several reviews forthcoming of physical CDs sent to Progarchy in 2019, so stay tuned for that as well. (And for the artists who sent us physical CDs – no we haven’t forgotten about you! It’s just been a very busy year for me, and I’m the official Progarchy physical address.)

Anyways, here’s Oak’s “Silent Night.” Enjoy.

Bryan’s Best of 2018

Earlier this year, I questioned whether or not 2018 was going to be a poor year for prog. It seemed like the the progressive rock community took a few months to stop and take a collective breath… but that was only the breath before the plunge. The second half of the year saw many excellent new releases. The following are some of my favorites from 2018, in no particular order (my top two at the bottom of this list are tied for first place).

Continue reading “Bryan’s Best of 2018”

Immersed in Memory: The Rising Brilliance of Oak

Oak, False Memory Archive, 2018

Tracks: We, The Drowned (5:24), Claire De Lune (7:16), False Memory Archive (4:56), Lost Causes (8:30), Intermezzo (1:42), The Lights (10:34), These Are The Stars We’re Aiming For (4:19), Transparent Eyes (4:59), Psalm 51 (7:26)

[Edit: The original version of this review included a track listing with the wrong track order. I offer my sincerest apologies to the band and to our readers for this mistake.]

Have you ever found yourself so utterly satisfied by something in life that you find yourself feeling guilty for enjoying it? For me, that is Oak’s music. Their two albums are flawless. Every note. Every theme. Every lyric. Every wash of sound. Perfection.

2016’s Lighthouse blew me away. I’m not sure how much attention the band has received in more popular press (i.e., Prog magazine), but beyond Progarchy, the Dutch Progressive Rock Page (where I and Andy Read have promoted the group), Prog Sphere, and the Prog Mind, I haven’t seen the band covered all that much. That is a downright shame because this band has reached into a completely new level of brilliance.

Oak is prog in the vein of Pink Floyd’s, Riverside’s, Porcupine Tree’s, and Steven Wilson’s atmospheric and contemplative moments. Unlike those bands, Oak never abandon that overarching theme. Their new album, False Memory Archive, may start with a pounding drum intro reminiscent of the heavier moments in rock history, but that does not take the band away from their overall sound. Instead, it grounds them in rock, and it allows them to explore broad soundscapes. The band goes from quiet contemplative moments to heavy guitar driven rock in places all over the album. Throughout the first track, the heavy drumming seemingly contradicts the warm vocals and soothing piano and synth sounds, but when taken together it really doesn’t. The end result is a layered effect that allows the music to build gradually.

Continue reading “Immersed in Memory: The Rising Brilliance of Oak”

Bryan’s Best of 2016

2016 has been a pretty horrible year: terrorism, deaths of way too many musical heroes, the recent loss of Prog magazine and the total screwing of all Team Rock employees, personal inability to find a job… Yeah, this year has sucked.

Thankfully, despite these trials, progressive rock has continued to be the most creative and innovative genre in the music business. I always enjoy writing a “best of” list, mainly because it gives me a chance to look over the best music of the year. We prog fans really are spoiled.

Like last year, my 2016 list will be pretty big, and the order is completely arbitrary. I have a numbered top 4, but my top 3 picks for this year are essentially tied for first place. Without further ado, my favorite albums of 2016:

Continue reading “Bryan’s Best of 2016”