Tag: rock

BillyNews: Eric Clapton’s JOURNEYMAN

On By bradbirzerIn progressive rock musicLeave a comment
Eric Clapton’s ‘Journeyman’ Album Feat. George Harrison, Chaka Khan, Daryl Hall, Robert Cray, Phil Collins and others Now Available On Hybrid SACD
 
“…one of the greatest rock/blues guitarists on the planet!”
 
Camarillo, CA – Much to the elation of Eric Clapton fans across the globe, Marshall Blonstein’s Audio Fidelity has released Clapton’s ‘Journeyman’ album as a limited numbered edition Hybrid SACD! Eric Clapton is a true legend. ‘Journeyman’ reached #16 on the Billboard album chart and became Clapton’s first solo studio album to go double platinum. Like any of his best albums, there is no grandstanding to be found on ‘Journeyman’…it’s simply a laid-back and thoroughly engaging display of his virtuosity. The album was heralded as a return to form for Clapton, much of it has an electronic sound, mostly influenced by the 1980s rock scene, but it also includes blues songs like “Before You Accuse Me,” “Running on Faith,” and “Hard Times.”
 
“At the center of it all is Clapton’s guitar work…stinging blues and soaring pop.”
 
There is an all-star assembly of guests: Dire Straits keyboardist Alan Clark, George Harrison, Chaka Khan, Daryl Hall, Robert Cray, Cecil and Linda Womack, Phil Collins and Gary Burton. Among the highlights are several cuts that feature slide-versus-slowhand guitar dueling with Cray. George Harrison is particularly impressive on his little masterpiece “Run So Far,” playing guitar and singing harmony vocals.
 
A couple of tracks rank among Clapton’s best from any decade.The strongest commercial single is “Bad Love,” which won the 1990 Best Male Rock Vocal Performance Grammy Award, and reached the No. 1 position on the Album Rock Chart. “Pretending” is a firm mid-tempo rocker that also reached the No. 1 position on the Album Rock Chart and and includes one of his most assured vocal performances ever.
 
Clapton sounds more convincing than he had since the early ’70s. Not only is his guitar playing muscular and forceful, his singing is soulful and gritty – he seems to have struck the perfect balance between the fiery blues of his youth with the pop flavorings of his later years.
 
TRACKS:
Pretending
Anything for Your Love
Bad Love
Running on Faith
Hard Times
Hound Dog
No Alibis
Run So Far
Old Love
Breaking Point
Lead Me On
Before You Accuse Me
 
Produced By Jill Dell’Abate & Russ Titelman
 
Mastered by Steve Hoffman
at Stephen Marsh Mastering
 
 
Press inquires: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com
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Is This The End of Rock? Maybe, Maybe Not. An Editorial.

On By bradbirzerIn progressive rock musicLeave a comment

classic rock march 2014Classic Rock Magazine’s most recent issue (March 2014) has a fascinating article/editorial asking, “Is This the End of Rock”?  The website has reposted it as well–http://www.classicrockmagazine.com/blog/is-this-the-end-of-rock/.

Well written, Scott Rowley’s article laments the decline of the popularity of rock—as there seems to be little new talent, few companies, and even fewer cd shelves promoting and selling rock music.  In particular, with the decline of genre-radio, there’s no precise way to get a “mass movement” behind a band, a song, or an album.

Such laments, of course, can be heard in the book publishing and movie-making industries as well, as the author of the piece readily admits.

In some ways, I can sympathize with the article’s author, but only in a a very few ways.

I grew up with an amazing radio station, KICT-95FM, out of Wichita, Kansas.  I started listening to T95 sometime in 1978 or so.  I was 10.   As a teenager, I would rather listen to it or to my albums than watch TV, any day.  I even had the great privilege of having roughly six years of working for classical, rock, and news radio as a DJ and as a news reporter.

KICT95 and my albums were the soundtrack and the background of my life.  For a long time in my life, radio was everything.

Whether I was delivering pizzas or writing debate briefs (I was a high school debater–yes, I’m sure you’re shocked!), I always had music playing.  Though I now teach professionally, little has changed.  I would still rather listen to good music and write than watch TV, though I’m, admittedly, a big fan of science fiction.  Our house and my home and work offices always have music playing.  And, of course, I edit this website, dedicated to music.

Technology and a vastly expanding digital market has changed everything over the last two decades.  Steve Jobs, in particular, decentralized the world of media.  We no longer have to look to Arista or to CBS or to MGM to provide entertainment, all based on a corporate profit model.

As with all decentralization, it means harder work at all levels.  Bands will have to find time to write, to record, to tour, and to promote.  Fans have harder work as well, making choices about what to buy, how to search it out, and how much time to promote it.

In other words, in music, we’ve gone from from the equivalent of a world of Walmarts and Targets back to the “ma and pa dime stores”, the local soda fountains, and the corner groceries and drug stores.

Rock, as a genre, consequently, could follow two paths.  It could follow jazz in the late 1980s and basically die out or become so specialized as to become, sadly, merely obscure.

The other path is to follow prog, and the ways paved, in the mid 1990s, by Marillion, Spock’s Beard, and the Flower Kings.

The loss of CDs, centralized, corporate music making, and genre radio has been a huge boon to the creativity of prog as a genre.  We proggers—fans and musicians—have formed small but highly inclusive communities, using the internet as a means of communicating, sharing, discussing, debating, and promoting our favorite bands.  I know how frustrating it is for such great groups as Big Big Train, The Tangent, Cosmograf, TFATD, Leah, and others to get a market.  I would give much—and have, especially given my own limited financial resources and time—to promote progressive rock wherever and whenever possible.  I would love Greg Spawton or Andy Tillison to do nothing all day but write music, never having to worry about a 9 to 5 job.  If I had the financial means, I would gladly serve as a Patron, allowing them to do nothing but write and produce.

But, objectively, we also have to admit, as a genre, we proggers (fans and musicians) have done really, really well over the last twenty years.  If we want art as expression and not as market campaigns—forgive me, Mr. Peart—we’ve succeeded.  Rather than a Walmart or Target (is it Tesco in Britain?) of prog rock, we have lots and lots of wonderful, small-town stores and boutiques, intimately connected to their customers.  Rather than a Coors or a Budweiser, we have in the prog world, neighborhood after neighborhood of locally-produced, finely honed craft beers.  Rather than a General Motors or Ford, we have folks making model cars in their garages.  Well, you get the idea.

And, those prog labels that have done beautifully–such as Insideout, Radiant, Kscope, Bad Elephant–have done so precisely because they have allowed for the flourishing of creativity and have promoted it, rightfully, as the creativity that it is.

As with all changes in the market and technology, there are those who will adapt, create, and succeed, finding a place.  There will also be those who—out of failure to understand or sheer bad luck—fail.  If mainstream rock wants to succeed as a genre, it needs to look to prog, not jazz, as a model.  It needs to accept decentralization and intimate relationships with the fan base.

As proggers, we have almost everything to praise.  Rather than lamentation, we should be celebrating.  The old taskmasters are gone, and we’re–the small labels, the musicians, and the fans–now in charge.

Yet Another Top Albums List

On By Erik HeterIn Uncategorized10 Comments

Image

Brad’s post below on his Top 101 albums of the rock era got me thinking about my favorite albums of the same era.  And given his hopes that we all do a similar post, I’m only too happy to oblige now given a few free hours and an overwhelming urge to write something (that’s not job related, which I get enough of Monday-Friday and often times on weekends). 

 

I’ve discussed elsewhere that coming up with a list of five or ten desert island discs would be nearly impossible for me.  If I was a secret agent under interrogation, a knowledgeable interrogator could easily get actionable intelligence from me by simply trying to force me to come up with such a list.  Thus, I’m not going to restrict this list to any particular number of albums.

 

On the other hand, I am going to put one restriction on this list – I’m not going to list anything I’ve first heard in 2013.  For me, it takes time to fully digest great works of art, and thus all of these albums here will be ones that have stood the test of time for me.  This will eliminate some great albums from the list, such as English Electric 2 by Big Big Train, Riverside’s spectacular Shrine of New Generation Slaves, and other great releases from a year that is shaping up to be one of incredible abundance for excellent prog rock.  It will also eliminate albums such as Spirt of Eden by Talk Talk and Tick Tock by Gazpacho, neither of which I had actually heard until a few months ago.  Nevertheless, all of the releases mentioned in this paragraph are extremely likely to end up on a future edition of this list. 

 

Finally, here and there, I will add a few notes about some of the albums on the list.  Maybe to give some insight as to why I like them, maybe an interesting fact about them … who knows.  The reasons will hopefully be self-evident. 

 

Genre-wise, the list will cover a lot more than just prog, but generally will stay within the realm of rock.  This will eliminate some other favorite albums, such as two excellent releases of instrumental flamenco guitar by the late Italian guitarist Gino D’ Auri.  It will also eliminate some classical guitar oriented albums by Steve Hackett that I otherwise like very much.

 

Anwyay, without further adieu, my list:

 

AC/DC – Back in Black

Aerosmith – Toys in the Attic

Aerosmith – Rocks

Aerosmith – Rock in a Hard Place (this is a *very* underrated album among Aerosmith fans, in my opinion, probably since it was the only one without Joe Perry.  But Jimmy Crespo did a bang-up job in his role, and this album flat out rocks.  As an Amazon reviewer noted, it’s “criminally underrated.”)

Arena – The Visitor

The Beatles – Sergeant Pepper’s Lonely Hearts Club Band

Big Big Train – English Electric, Part 1

Big Big Train – The Underfall Yard

Black Sabbath – Paranoid

Black Sabbath – Sabotage

Black Sabbath – The Mob Rules

The Cult – Electric

The Cult – Sonic Temple

Days of the New I (sometimes referred to as ‘Yellow’)

Days of the New II (sometimes referred to as ‘Green’.  This album came out in autumn, 1999, around the time I was going through a divorce from my first wife. As you can imagine, I was a whirlwind of emotions.  This album both resonated with me and grounded me during that time.  It’s also spectacularly good).

Drive By Truckers – Southern Rock Opera

Drive By Trucker – The Dirty South (If you’ve ever lived south of the Mason-Dixon line for any extended length of time and like raw, gritty music, then these two albums are for you).

Emerson, Lake, and Palmer – Trilogy

Emerson, Lake, and Palmer – Brain Salad Surgery

Fleetwood Mac – Rumours (one of the best pop albums ever.  It showed that ‘pop’ and ‘quality’ need not be mutually exclusive.  I swear my opinion here is in no way swayed by the fact that Stevie Nicks was a strong celebrity crush of mine in the late ’70’s … no, really … ok, maybe a little)

The Flower Kings – Space Revolver

Gazpacho – Night

Genesis – Selling England by the Pound

Genesis – A Trick of the Tail

Genesis – Wind and Wuthering

Glass Hammer – Perilous

Grateful Dead, Charlotte, 3-23-1995 (This isn’t officially an album, but rather a bootleg recording of the only Grateful Dead show I ever attended.  While I was nothing close to being a Deadhead, it was a great show, and I can certainly understand why The Dead had so many dedicated fans.  One additional note – Bruce Hornsby sat in on piano that night).

Heart – Little Queen

Iron Maiden – Piece of Mind

Iron Maiden – Powerslave

Jane’s Addiction – Ritual de lo Habitual

Jefferson Airplane – The Worst of Jefferson Airplane (yes, a greatest hits album, but what a great collection of songs here).

Jethro Tull – Thick as a Brick

Jethro Tull – Warchild

Jethro Tull – Minstrel in the Gallery

Jethro Tull – Songs from the Wood

John Cougar Mellencamp – Scarecrow

Jon and Vangelis – Short Stories

Jon Anderson – Olias of Sunhillow

Jon Anderson – Song of Seven

Jon Anderson – Change We Must

Judas Priest – British Steel

Kansas – Leftoverture

Kansas – Point of Know Return

Kerry Livegren – Seeds of Change

King Crimson – In The Court of the Crimson King

Led Zeppelin – III

Led Zeppelin – IV

Led Zeppelin – Houses of the Holy

Led Zeppelin – Physical Graffiti

Led Zeppelin – Presence (It would seem strange to call a band as lauded as Led Zeppelin ‘underrated’, but I think the label applies.  They did music that falls into so many different genres, from bluesy music such as ‘When The Levee Breaks’, to prog-tinted stuff such as ‘Stairway to Heaven’, ‘Kashmir’ and ‘In The Light’, to folky stuff such as ‘The Battle of Evermore’ and ‘Gallows Pole’ to flat out rockers such as ‘Rock and Roll’ and ‘Out on the Tiles’ … and they did them all extremely well).

Lone Justice – their self-titled debut.  (Their cowpunk sound was a little bit ahead of it’s time, and if they had debuted in the mid-90’s or later when the alt-country wave hit, they might still be around.  Also, it’s entirely possible my opinion here is swayed a bit again by the celebrity crush thing, the object of which being lead singer Maria McKee)

Marillion – Script for a Jester’s Tear

Marillion – Clutching at Straws

Marillion – Brave (this was an album that didn’t click with me on the first few listens, and I set it aside.  Years later I picked it up again, gave it a good listen, and was blown away, wondering how I missed it the first time around.  A true masterpiece).

Montrose – their self-titled debut.

The Moody Blues – Days of Future Passed

Mother Love Bone – a self-titled album.  (One really wonders how music history would have been different if the lead singer of this Seattle-based band, the flamboyant Andrew Wood, hadn’t succumbed to his demons and died of a heroin overdose on the verge of releasing their debut album in 1990.  There almost certainly would have been no Pearl Jam, and I wonder if the grunge thing would have ever taken off, given that Mother Love Bone’s sound was nothing like that of the other bands of the same time and place).

Neil Young and Crazy Horse – Live Rust

Neil Young and Crazy Horse – Weld (both live albums, and thus compilations, but both are very good.  In fact, I think most of the songs on these albums sound better live than in the studio).

Paul Simon – Graceland

Pearl Jam – Vitalogy

Pete Townshend – Empty Glass

Pete Townshend – White City (a ridiculously underrated album)

Pink Floyd – Meddle

Pink Floyd – Dark Side of the Moon

Pink Floyd – Wish You Were Here

The Police – Syncrhonicity 

Porcupine Tree – Fear of a Blank Planet

Queen – News of the World

R.E.M. – Life’s Rich Pageant

Renaissance – Novella

Renaissance – Turn of the Cards

Riverside – Rapid Eye Movement (I thought of this album as pretty good when I first listened.  I’ve re-assessed lately, and now realize it’s great, the best of the ‘Reality Dream’ trilogy in my opinion).

Riverside – Anno Domini High Definition

The Rolling Stones – Some Girls

Rush – 2112

Rush – A Farewell to Kings

Rush – Hemispheres

Rush – Permanent Waves

Rush – Moving Pictures

Rush – Grace Under Pressure

Rush – Power Windows

Rush – Clockwork Angels

Rush – Exit Stage Left (a great live album)

Saga – World’s Apart

Simple Minds – Once Upon A Time (Another album that proved ‘pop’ and ‘quality’ need not be mutually exclusive.  This album had some exceptionally strong melodies).

Soundgarden – Badmotorfinger

Steve Hackett – Voyage of the Acolyte

Steve Hackett – Spectral Mornings

Tool – Lateralus

Tool – 10,000 Days

Trevor Rabin – Can’t Look Away

U2 – War

Van Halen – Fair Warning (another very underrated album)

Wang Chung – To Live and Die in LA Soundtrack

The Who – Tommy

The Who – Who’s Next

The Who – Quadrophenia

The Who – Who Are You

Yes – The Yes Album

Yes – Fragile

Yes – Close to the Edge

Yes – Going for the One

Yes – Drama

My (Brad’s) Top 101 Albums of the Rock Era

On By bradbirzerIn Uncategorized14 Comments

IMG_1425On Facebook, Chris McGarel posted his favorite albums of all time.  It’s an excellent list.  I’d like to do the same, and I’m hoping all of the Progarchists will as well at some point.  But, I’m not quite ready to be so definitive yet.  So, instead of a “best of,” I offer a list of 101 favorites, subject to change over time. Two weeks before turning 46. . . with a bit of humility and more than a bit of awe, I offer the following 100 in (according to group name) alphabetic order.

ABC, Lexicon of Love

Advent, Cantus Firmus

Arjen A. Lucasen, Lost in the New Real

Ayreon, Human Equation

Ayreon, Timeline

Beatles, Magical Mystery Tour

Big Big Train, English Electric (vols 1 and 2)

Big Big Train, The Difference Machine

Big Big Train, Far Skies, Deep Time

Big Big Train, Underfall Yard

Big Country, Steeltown

Blancmange, Happy Families

Bryan Ferry, Boys and Girls

Catherine Wheel, Chrome

Chris Squire, Fish Out of Water

Cocteau Twins, Heaven or Las Vegas

Cosmograf, When Age Has Done Its Duty

Cosmograf, The Man Left in Space

Echo and the Bunnymen, Heaven Up Here

Echo and the Bunnymen, Porcupine

Flower Kings, Paradox Hotel

Flower Kings, Space Revolver

Gazpacho, Night

Gazpacho, Tick Tock

Genesis, A Trick of the Tail

Genesis, Seconds Out

Genesis, Selling England by the Pound

Glass Hammer, Lex Rex

Glass Hammer, Perilous

IZZ, Darkened Room

Jethro Tull, Songs from the Wood

Kate Bush, The Hounds of Love

Kevin McCormick, Squall

Kevin McCormick, With the Coming of Evening

Kingbathmat, Overcoming the Monster

Love Spit Love (self titled)

Kansas, Leftoverture

Marillion, Brave

Marillion, Marbles

Moody Blues, Days of Future Past

My Bloody Valentine, Loveless

New Order, Low Life

Nosound, Lightdark

Oceansize, Effloresce

Peter Gabriel, Security

Peter Gabriel, So

Phish, Rift

Pink Floyd, Animals

Pink Floyd, The Final Cut

Porcupine Tree, Signify

Porcupine Tree, Lightbulb Sun

Porcupine Tree, Fear of a Blank Planet

Psychedelic Furs, Talk, Talk, Talk

Pure Reason Revolution, The Dark Third

Queen, A Night at the Opera

Radiohead, Kid A

Riverside, Out of Myself

Rush 2112

Rush, A Farewell to Kings

Rush, Grace Under Pressure

Rush, Snakes and Arrows

Sarah McLachlan, Fumbling Toward Ecstacy

Simple Minds, New Gold Dream

Sixpence None the Richer (self titled)

Spock’s Beard, The Light

Spock’s Beard, Snow

Steven Wilson, Insurgentes

Talk Talk, The Colour of Spring

Talk Talk, The Spirit of Eden

Talk Talk, Laughing Stock

Tears for Fears, Songs from the Big Chair

The Cure, Disintegration

The Cure, Pornography

The Cure, Head on the Door

The Cure, Bloodflowers

The Doors (self titled)

The Fierce and the Dead, Part I

The Reasoning, Dark Angel

The Reasoning, Adventures in Neverland

The Smiths, Queen is Dead

The Stone Roses (self titled)

3RDegree, The Long Division

The Tangent, Le Sacre Du Travail

The Tangent, Not as Good as the Book

The Tangent, The Music That Died Alone

The The, Dusk

Thomas Dolby, Golden Age of Wireless

Thomas Dolby, The Flat Earth

Tin Spirits, Wired to the Earth

Tori Amos, Under the Pink

Traffic, John Barleycorn Must Die

Traffic, Mr. Fantasy

Transatlantic, SMPT: e

U2, The Joshua Tree

Ultravox, Lament

World Party, Goodbye Jumbo

XTC, Skylarking

XTC, Nonesuch

Yes, Close to the Edge

Yes, Drama

Yes, Fragile

More BillyNews: The Dutch Woodstock, 1970

On By bradbirzerIn UncategorizedLeave a comment

0146 CD Front Inlay.inddFeaturing performances by Pink Floyd, Santana, T.Rex, The Byrds, Canned Heat, Jefferson Airplane, Soft Machine, It’s A Beautiful Day, Family, Country Joe, Dr. John & the Night Trippers, Flock and Al Stewart

London, UK – One of the most historic concert events of the early ’70s, the Dutch Woodstock, also called the ‘Holland Pop Festival’, has now been released on a double CD/DVD set by UK’s Gonzo MultiMedia. Featuring rare and exciting performances by Pink Floyd, Santana, T.Rex, The Byrds, Canned Heat, Jefferson Airplane, Soft Machine, It’s A Beautiful Day, Family, Country Joe, Dr. John & The Night Trippers, Flock and Al Stewart, makes this extraordinary release a must for fans of music everywhere! The three-day festival was held in August 1970 at the Kralingse Bos (Kralingse Forest) in Rotterdam, and despite the rain, an estimated 100,000 people attended the astounding event!

 

Featuring…

Pink Floyd – Set The Controls For The Heart Of The Sun, A Saucerful Of Secrets

Santana – Gumbo, Savor, Jingo

The Byrds – Old Blue

Canned Heat – Human Condition, So Sad

T-Rex – Pavillions Of Sun

Jefferson Airplane – Saturday Afternoon, White Rabbit, Ballad Of You & Me & Pooneil plus interviews with Paul Kanter & Grace Slick

Soft Machine – Esther’s Nose Job

It’s A Beautiful Day – Wasted Union Blues, Open Up Your Hearts

Family – Drowned In Wine

Country Joe – Freedom Is A Constant

Dr. John & The Night Trippers – Mardi Gras Day

Flock – Big Bird

Al Stewart – Zero She Flies

 

The Dutch Woodstock double CD/DVD set will be released by GONZO MultiMedia UK on March 22, 2013

To Purchase The Dutch Woodstock double CD/DVD set: http://www.gonzomultimedia.co.uk/product_details/15545

Press inquiries: Glass Onyon PR, glassonyonpr@gmail.com

Send us your music!

On By bradbirzerIn UncategorizedLeave a comment

Dear Artists, Groups, Record Labels, Engineers, Producers, Managers, and assorted Fellow Humans,

We the Progarchists absolutely love music.  Indeed, we consider it one of the finest things in the world.  Please let us review your work.  We’re dropbox, email, and mail friendly.  If you send us something, I promise we’ll consider your trust in us a sacred one.  We will treat your work with all due respect.

Though we specialize in progressive and art rock, we feel qualified to review anything classical, rock, jazz, or blues related.  Sacred music is fine as well.

For email notices, inquiries, news, etc., please contact us at bradbirzer@gmail.com.

For actual, physical, tangible mail (yes, we still love CDs and vinyl), please use the following:

Brad Birzer/editor

Progarchy

6 West Montgomery

Hillsdale MI 49242 USA

We also love interviews.

 

Yours,

The ProgarchistsProg7 - Version 2

Rainbow re-release

On By bradbirzerIn UncategorizedLeave a comment

Got a really nice email and press release today from James Parrish.  Thanks much, James

*****

LONG AWAITED DELUXE REISSUES OF RAINBOW SET FOR RELEASE THIS NOVEMBER

Rainbow are set to release Deluxe Reissues of On Stage and Long Live Rock N’ Roll this November.

Rainbow, lead by the guitarist, Ritchie Blackmore, became synonymous with some of the most well regarded and popular charting Rock songs of the seventies and eighties. From ‘Stargazer’ and ‘Man On A Silver Mountain’ to ‘All Night Long’, ‘Long Live Rock And Roll’ and ‘Since You Been Gone’, each year in the decade of Rainbow was marked by some of the best songs and performances captured both on record and in concert.

Passing through the band were some of the best the genre had to offer. Vocalists Ronnie James Dio and Graham Bonnet, bass player and producer Roger Glover and drummer Cozy Powell, each brought their individual talent to the table to record some of Rock’s best loved hard rock on those albums and singles.

On Stage is a live album originally released in 1977. The album was recorded live over several German and Japanese dates in late 1976 during the Rising world tour. Producer Martin Birch spliced many of the tracks together from different dates. The recording features the customary introduction to a Rainbow show – the classic quote from The Wizard of Oz,”Toto: I have a feeling we’re not in Kansas anymore. We must be over the rainbow!” with the last word repeated as an echo, then the actual band plays a musical phrase from the song ‘Somewhere over the Rainbow’ before breaking into ‘Kill the King’.

Long Live Rock ‘n’ Roll is the third studio album released in 1978. This was Rainbow’s last album to feature Ronnie James Dio on vocals.

 

Disc 1

Over The Rainbow

Kill The King

Medley: Man On The Silver Mountain

Blues

Starstruck

Catch The Rainbow

Mistreated

Sixteenth Century Greensleeves

Still I’m Sad

 

Disc 2 (bonus tracks) – Live Osaka 9/12/1976

Kill The King

Mistreated

Sixteenth Century Greensleeves

Catch The Rainbow

Medley: Man On The Silver Mountain

Stargazer

Still I’m Sad

Do You Close Your Eyes

 

 

(Previously unreleased)

Long Live Rock N’ Roll

Disc 1

Long Live Rock ‘n’ Roll

Lady Of The Lake

LA Connection

Gates Of Babylon

Kill The King

The Shed (subtle)

Sensitive To Light

Rainbow Eyes

 

Disc 2 Rough Mix’s 02/07/1977:

Lady Of The Lake

Sensitive To Light

LA Connection

Kill The King

The Shed (subtle)

Long Live Rock N Roll

Kill The King

 

Shepperton Studio Rehearsals:

Long Live Rock ‘n’ Roll

Rainbow Eyes Don

 

Don Kirschner Show with Alt Vocals:

Long Live Rock ‘n’ Roll

Kill The King

Long Live Rock ‘n’ Roll

LA Connection

Gates Of Babylon

 

For more information please contact James Parrish at Prescription PR at james@prescriptionpr.co.uk