Some Neglected Music of 2017, Part I

By neglected, I don’t mean by the world.  I mean, by me.

In a few other posts, I have had the privilege of listing my top albums, in the order I loved them.  My 2017 list goes, from no. 10 to no. 1: Anathema, The Optimist; Bjorn Riis, Forever Comes to an End; My Tricksy Spirit; Ayreon, The Source; The Tangent, The Slow Rust of Forgotten Machinery; Cosmograf, Hay-Man Dreams; Glass Hammer, Untold Tales; Newspaperflyhunting, Wastelands; Dave Kerzner, Static; and Big Big Train, everything released in 2017!

There are, however, a number of great releases from the year that I simply did not have time to grasp fully or immerse myself in the way I think necessary to review properly.  None of this, however, should suggest–to my mind, at least–even a kind of lesser quality or second-hand citizenship in the world of Prog, or in the republican anarchy that is progarchy.

For what it’s worth, I thought each of the following extraordinary as well, and, I hope, when Kronos allows, time to embrace each in the way it deserves.

***

lifesigns cardingtonLifesigns, Cardington.  I think John Young is a treasure of a musician and composer, and I’m honored to travel this world at the same time as he.  Intelligence radiates from everything the man does, and, even better, it’s an intelligence utterly in the service of good things.  The first Lifesigns was a shock of joy to me.  This one as well, though I’ve just not had the time to dive into it.

When I listen to Lifesigns, I actually think of Young and the band as the anti-Radiohead guys.  Imagine the darkness of Radiohead and then do exactly the opposite, in terms of melody and lyrics.  And, you might arrive at Lifesigns. My favorite track on this new release is nine-plus minute “Different.”

Continue reading “Some Neglected Music of 2017, Part I”

Watson’s Best Prog Albums of 2017: Part 3 — TOP TWENTY # # 10 — 1

Having previously (in the last couple days) shared my 20 “Honorable Mentions” and the first half of my TOP TWENTY ( numbers 20 through 11) I come now to the pay-off.  The following ten albums are, obviously my favorite discs, but also I submit, The Best 10 Progressive Albums of 2017.  Making no apologies for my penchant of melody over rhythm, of consonance over dissonance, I have selected ten works that are heavily laden with beauty and harmony rather than experimentation and edginess (hey! while my friends were listening to the Rolling Stones I was chilling to The Moody Blues)

THE TOP TWENTY:  # # 10 through 1

10)  COMEDY OF ERRORS/House of the Mind

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After their great 2015 release SPIRIT, this Glasgow band returns with their crowning achievement.  HOUSE OF THE MIND surpasses their prior releases with a mixture of large-scale symphonic fervor and slower and delicate textured emotionalism. The band is tight and Joe Cairney’s vocals are a real highlight. My favorite tracks are the two longer songs ‘House of the Mind’ and ‘Wandering Jacomus.’  Some of the best new prog is coming from Scotland and Comedy of Errors is perhaps the best of the best.  A+

Continue reading “Watson’s Best Prog Albums of 2017: Part 3 — TOP TWENTY # # 10 — 1”

Nice Looking Arrivals at Progarchy HQ

Several new arrivals at Progarchy HQ in Michigan.  Thank you so much to the good companies and artists for sending these!  We’re honored you would trust us.  May we continue to earn that trust.

 

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From AFL (California): Yurki Volodarsky’s RTFact’s LIFE IS GOOD.
mts from bem
From the U.K. (Bad Elephant Music): My Tricksy Spirit’s MY TRICKSY SPIRIT.
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PROG Issue 80.