Hot on the heels of his Live Momentum Tour, Neal Morse has released a 5-disc set (3 CDs, 2 DVDs) that is a worthy alternative for those of us who didn’t get a chance to see this band live. You always get your money’s worth when Neal is involved, and this release is no exception. The DVDs (available in Blu-ray, as well) and CDs document the entire 3-hour set, and what a performance it is!
Recorded and filmed in HD on October 11, 2012, at the Highline Ballroom in New York City, Neal and the band turn in an incredibly tight, high-energy set for an enthusiastic audience. Neal’s long-time collaborators Mike Portnoy (drums) and Randy George (bass) are joined by Bill Hubauer (keyboards, violin, sax, vocals), Eric Gillette (guitar, keyboards, vocals), and Adson Sodré (guitar & vocals).
I’ve been a fan of Neal Morse since his days in Spock’s Beard – keeping up with Transatlantic and his solo efforts. He is an amazingly prolific songwriter, but of late his work seemed to be suffering from a “sameness”. Then came last year’s Flying Colors and Momentum albums, where it was clear something lit a roaring fire to his creativity. Momentum is his finest solo work since the Question Mark album.
In the liner notes to this release, Neal mentions that he found Hubauer, Gillette, and Sodré through YouTube auditions, so I before I popped in the first DVD, I was a little apprehensive regarding their ability to keep up with Morse, Portnoy, and George. My fears were completely unfounded, as Adson lays down a jaw-dropping guitar solo in the opening song, “Momentum” (you can see the performance of the song in the promo video below). Eric Gillette shines on guitar, vocals, and keyboards throughout the entire show, and Hubauer adds wonderful depth with his keyboard pyrotechnics and fine violin and sax work.
Basically, what Neal put together is a three-keyboard/three-guitar front lineup that is incredibly versatile. Add in their ability to execute complicated vocal harmonies on songs like “Thoughts Part 5”, and this is one of the best live outfits I’ve ever seen. Mike Portnoy is the hardest working drummer in showbiz, and he is obviously having a blast propelling this group through epic after epic. The avuncular Randy George is the anchor on stage, nimbly laying down rock-solid yet melodic basslines, while eschewing the spotlight.
Neal himself is, of course, the center of attention as he moves back and forth between keyboards and guitar, conducting the band (and the audience) from one emotional peak to another. It’s clear he’s delighted with the tight rapport between himself and the band. They are able to shift from a delicate flamenco-style acoustic interlude to crushing hard rock in the blink of an eye and make it look easy.
The set includes four major epics. “Testimony Suite” clocks in at 21 minutes, and it includes highlights from Morse’s 2003 album, Testimony. Neal is upfront and open about his Christian faith, and it is a genuinely emotional moment for him as he sings this account of his conversion. “The Conflict (From Sola Scriptura)” is 27 minutes long. Initially, I was put off by Sola Scriptura, but this performance illuminated aspects of it that I hadn’t heard before. It’s a beautiful piece. “Question Mark Suite”, at 21 minutes, is an outstanding distillation of Neal’s exploration of the symbolism behind the Exodus and the Hebrew Tabernacle. After a change of pace with the relatively brief “Fly High” (I would have preferred something like “Absolute Beginner” here; “Fly High” isn’t that strong a song, IMO), Neal and the band wrap up the show with the 33 minute magnum opus “World Without End” from Momentum. It’s an incredible performance that outdoes the original, and leaves the audience yelling for more.
The band fulfills that request with a three-song encore: “Crazy Horses” (yes, the Osmonds oldie!) sung by Mike Portnoy while Neal takes over the drums; “Sing It High” (which features every member taking a solo turn), and finally, “King Jesus”. As the exhausted musicians leave the stage, you can clearly hear a member of the audience call out, “Neal! Neal! Thank You!”
The second DVD disc includes an hour-plus tour documentary. Beginning with rehearsals in Tennessee, we follow the band from their first show in Nashville on October 2, 2012 (which, to my eternal regret, I had to miss) to their last in Chicago on October 12. In the space of ten days, they perform shows in Nashville, Jacksonville, Mexico City, Los Angeles, Seattle, Denver, New York City, and Chicago, all the while practicing and continually refining their parts. It’s a marathon run at a sprinter’s pace. There is video footage of every performance, and much of it is quite good. One definitely gets an appreciation for how much hard work and how many hours it takes to make a live performance look easy. As Mike Portnoy says, “This band kicks ass! I mean, the second gig – it’s tight; a really tight second gig.” Neal himself describes them as “A band on fire”. I can’t disagree.
You can order this CD/DVD set direct from Radiant Records.
Here’s the promo video for “Momentum”:
5 thoughts on “Mass x Velocity = Band on Fire”
My copy should arrive in the mail in about ten hours, along with Nick Cave’s new one, I’m so looking forward to it after reading this review. What a great week it will be! 🙂 The only (more to come probably) score on Progarchives is quite positive as well: FIVE slamming stars and a correspondingly review, along with many other reviews filled with superlatives on the internet.
You’re going to love it. Set aside 3 solid hours and be ready to rock. I wish I could have written more about how great Eric Gillette, Adson Sodre, and Bill Hubauer are, but I didn’t want my review to get too long!
I saw the Momentum live video, the Inner Circle dvd with a Finland gig in July last year (Iso Siotto Festival, one the first gigs with the new line-up, but crappy quality) and a couple of YT vids with the auditions and that already was quite mindblowing. Camping by the mailbox, eagerly awaiting mister postman…
I WANT TO STATE here that I respect NEAL MORSE. I first became aware of SPOCK’S BEARD in 1997. and attended PROGFEST 97, the only time I have ever been in LA! Upon reading the reviews and responses above, I will retain the sincere accolades about MOMENTUM, and go over his solo work. I had a lot of trouble with Neal when he abruptly left SB after SNOW, and always thought he could have continued AND maintain a solo career. I have followed TRANSATLANTIC and have seen them 3 times. HOWEVER, NEAL’S desire to put his fervent faith and religious path into music was a detractor for me. I prefer a more subtle message about celebrating ones faith. I know RICK WAKEMAN recorded several christian based albums, BARCLAY JAMES HARVEST touched on christian themes at times as well, I just prefer they not make a career about it! So I am going to give Neal a try and kind of filter the message into something I can relate to. I believe and have a certain SPIRITUALITY. I like the INFERED message than an outright declaration!
That’s all Neal would ask of anyone – give him a try. I hope you enjoy Momentum – I think it has some of his best melodies, and the lyrics are not quite as declarative as the Testimony ones. Like you, I was very disappointed when he left SB, but I’ve come to appreciate his position: he didn’t want to force the other band members to follow him in the direction he felt he was being led.
I envy you having the opportunity to see Transatlantic three times! Thanks for taking the time to read this review – I hope you become a regular reader and commenter!