Garrett N., Let’s Get Surreal, 2018
Tracks: Overture (9:04), Avant (3:25), Avant3/Ahip1/Caine (4:47), Bak1 (4:16), The Eternal Laugh (14:20), Quiet (2:19), Saddam/Espace (7:25), Gorf (3:16), Reprise/Bak3/Unknown (10:08), Scorpio/Ramos (1:51), Sinister (1:58), Avant4-Outtro-Epilogue (9:33)
Webster’s Dictionary defines “surreal” as an adjective meaning “marked by the intense irrational reality of a dream.” In other words, something so bizarre that it shouldn’t be real, yet it is. This may be the most accurate name for an album I’ve ever encountered.
Composer, musician, engineer, and producer Garrett N. has a background making music for commercials, films, and documentaries, in addition to a few of his own progressive albums. That background helps explain the non-traditional nature of this album. Garrett performed all the music on the album, displaying wide musical talents. He also sings on the few tracks that have lyrics.
Let’s Get Surreal is extremely synth-heavy in a Pink Floyd sort of way. I’d say Floyd is the biggest rock/psychedelic influence here, and at times it works very well. The first four tracks in particular are quite strong in this regard. There is a sci-fi cinematic feel to some of the synths sounds too, in a sort of 1950s alien sci-fi movie way. With that said, the slightly distorted acoustic guitar on “The Eternal Laugh” is a welcome addition. The next track, “Quiet,” features what sounds like extremely distorted electric guitar… maybe too distorted. Definitely a gritty sound. The blending of different types of synths, drums, and guitars manages to work, however. The bit of flute on “Scorpio/Ramos” is nice, although the song could have used a lot more of it.
Garrett appears to making a bit of a political statement on a few tracks, particularly on “Saddam/Espace.” This song has a remix of former US President George W. Bush giving a speech about Saddam Hussein and all that mess. It is an interesting reworking of the speech, with blurred repetition of Bush saying “terror” playing through the background. The album was recorded between 2013-2017, so this track seems like it is 10-15 years past when it should have been released. That particular moment has passed, making this song lose a lot of its punch.
At an hour and thirteen minutes in length, the album kind of drags a bit because a lot of it sounds the same. There are a few songs that could have had a few minutes trimmed out. The album is at its best when other instruments are mixed in with the synths, rather than the lengthy sections that are only synthesizers.
Ultimately, this album sounds more like a tv show soundtrack than it does a rock album. It is mostly instrumental, with synths dominating the instruments being used. As such, it doesn’t sound like a typical instrumental prog album. There’s nothing inherently wrong with that, but it does feel like we are missing a piece of the puzzle. “Let’s Get Surreal” won’t be for everyone, but those into the more psychedelic side of prog should appreciate it.