Interactive Album Cover Art: The Next Evolutionary Stage

The power-pop geniuses known as The New Pornographers have a new album, “Brill Bruisers,” coming out in August. You can pre-order and download the first track.

On their web site, they have an interactive version of the nifty album cover art. It’s a fantastic experience and it makes me think that this is the future of the album cover.

While this brilliant band hearkens back to the good old days, especially with their plans to release a paint-splattered vinyl version of the new album (also with a 3D poster and 3D glasses), I do think that perhaps we have a glimpse here of where tablets could take us for the album cover future.

Don’t you think the vinyl aficionados amongst us would pay for a tablet that is the shape of an album cover?

And what about when the technology permits us to have flexible and foldable screens? We could then have some wonderful gatefold-style simulations of the classic album experience in the future!

The album cover lives. And the new tech is simply taking us to the next evolutionary stage.

Believe Again — Pre-order Yes’s new album and get an instant download of the first track

It’s official (and no longer unofficial). You can listen to an excerpt of some new Yes online. A pre-order will get you a full download.

Prog Studies: The University of Rush

Dr. Geddy gives a lecture, dedicated to his Mom, on “the true Immigrant Song”:

Dr. Alex gives a seminar on the meaning of prog; i.e., how to make true progress in life:

Overly impressed with its own puerile histrionics

Stephen H. Webb has some interesting remarks in his review of Christopher Partridge’s book, The Lyre of Orpheus:

Partridge seems hardly aware of how pathetic it is that heavy metal has devolving into specialized sub-genres like death, thrash, sludge, and drone, each with their own code of conduct and their own lines of fashion accessories.

Without Christianity, rock’s agitations become spume and splutter, which suggests that rock cannot be essentially transgressive. Transgression is always derivative, secondary, reactive, and thus essentially conservative, secretly in service to the hegemonic order it seeks to overthrow. Dissonance is dependent on the natural appeal of harmony, just as Satan’s activities are possible only due to God’s providential permission. That is why rock, when it tries to be overtly blasphemous, ends up being overly impressed with its own puerile histrionics.

Rock is a threat to Christianity not because it is essentially transgressive, but because it too often acquiesces to modernity’s distancing of art from truth. The result is a mindless numbing of the emotions …

The honesty of rock is in its vocal yearning, not its electric thrashing. The alternative to transgression is transcendence, not docile submission to social order. Rock was born out of blues, folk and Gospel, not sexual aggression and gender bending. There is nothing inevitable about rock’s demise, although it might take a miracle for rock to rediscover its voice.

Does rock and roll have philosophical ties to ancient truths?

Mark Judge reflects on rock and roll:

But then, what is rock and roll? I would argue that we don’t know, and that not knowing is part of what gives the art form its mysticism and power.

Ironically, there is now an entire rock and roll industry that is very insistent that we know what rock and roll is. From the Chuck Berry to the Beatles, punk to hip-hop, rock is about rebelling against societal norms. But what about artists like Adele, U2, Coldplay, and Lykke Li, who seem to not only want to break new sonic ground but reexamine and even reinforce ancient truths about love, death, human nature, and God? Are they iconoclasts? Or are they rediscovering the truth of things, a truth that is not contradicted by the religious establishments that pop music is supposedly meant to dismantle?

Rock critics don’t like to think about those questions, because it may mean questioning their own dogma.

The new Yes album and the concept of “Heaven and Earth”

Steve Howe’s reflections on the concept of “Heaven and Earth” are highlighted over at the new web site (which management seems to have set up in response to the unauthorized audio excerpts):

I don’t know whether it’s a concept record in the true sense, but basically Roger Dean and I were talking about different things and sometimes it helps to get Roger fired up about ideas that we can draw from. In a way, the parallel of saying ‘Heaven And Earth’ is the same as saying good and bad, yin and yang, up and down, left and right. They’re two extremes, but I think the way Roger and I liked it was that in fact the Earth is a physical place where you can measure stuff and you can do quantum physics.

You can look at tiny things or you can see the world as a very big thing in an even bigger universe. It’s all about the physical. But Heaven is an unknown place of no particular destination as far as anybody knows. And yet it doesn’t matter whether you’re totally tied up in a religious belief or whether you’re spiritual in a way that doesn’t require religious commitment — it just requires awareness to the fact that there’s obviously something out there that we don’t know about.

In fact, there’s most probably 99% of everything about the universe we don’t understand and that isn’t only in the physical. It’s also in the effects of what is spiritual or what is ethereal. What is heaven and is there life after death?

You know, all of those questions that just have no bloody answer! [Laughs] That keeps us guessing and I think that’s why I approved the title ‘Heaven And Earth’ because basically it sums up the dualistic quality of the known and the unknown and the more you look at the known the more you see that there’s even more unknown than you knew before.

 

The New Apple Records

Taylor Swift and Apple?

Rocco makes the case why Apple Computer should start its own record label:

What Apple would do as a “record label” is redefine what it means to be a record label. In the spirit of how Netflix handles its DVD division, Apple could produce the bare minimum number of physical copies of recordings, effectively pushing music listeners away from CDs and nudging them to where they’re going anyway — streaming. Accessing, not owning music. Leasing music, not buying it. Storing it in the cloud, not on bookshelves and in empty milk crates.

Apple could set up compensation schemes for everything from sales to streams to merchandise to touring that artists such as [Taylor] Swift would not merely accept, but love, respect and, most of all, promote. And others would follow. They would scratch and claw to sign with Apple. There would be nothing like being on the label owned by Apple and run by Jimmy Iovine and Dr. Dre. The move would instantly propel Tim Cook to Steve Jobs-level genius.

Sahg — Sleeper’s Gate to the Galaxy

Like some wild prog love child of Pink Floyd and Black Sabbath, Sahg will amaze and astonish.

Sample this epic track, “Sleeper’s Gate to the Galaxy” (11:18), from their latest album Delusions of Grandeur (2013).

This Norwegian metal band is totally upper-echelon.

They know how to driver the goods!

Rock out with them today.

Voyager — V Preview

V

Here’s the key excerpt from the interesting review by Steel Druhm of the new Voyager disc, V:

They have a very distinctive sound and approach to power-prog and their ear for melody and hooks is second only to Anubis Gate. Naturally, as the release of grew near I became giddy like a school girl at a Justin Bieber kissing booth. Now I’ve spent some serious time with V  and it actually comes close to my high expectations…at first. This is really a tale of two albums: the first half is one slick, smooth, memorable song after another, but the second half drops way off, becoming far more pedestrian and unremarkable. V also sacrifices heaviness for more poppish melodies and their musical palette seems less diverse than before, but when it works, it works very well. Unfortunately, that’s only about 60% of the time here.

Read more over at Angry Metal Guy.

Well, I don’t know about you, but I do think the back half of V is pretty darn great!

Read more about the awesomeness of Anubis Gate here at Progarchy.

“Carpe Diem” — Within Temptation

Within Temptation looks back on the Hydra tour to date … and the crowd participation is truly something wonderful to behold …