Along for the Ride

Dream Theater

It looks like the full stream of the new Dream Theater that I linked to earlier is restricted to the UK.

But, hey, it is also available in the USA.

And this is the WORLD WIDE LINK: http://smarturl.it/dreamtheaterpremiere — so Canadians, for example, can click there!

And the track “Along for the Ride” can also be heard over on SoundCloud for free.

As Bill and Ted would say: It’s excellent!

Dream On

Listen to Dream Theater

Dream Theater is about to premiere a full album stream of their new self-titled record.

Listen to the full record before it’s out!

Find their twelfth studio record over at PROG:

Dream Theater Tracklist

01. False Awakening Suite
I. Sleep Paralysis
II. Night Terrors
III. Lucid Dream
02. The Enemy Inside
03. The Looking Glass
04. Enigma Machine
05. The Bigger Picture
06. Behind The Veil
07. Surrender To Reason
08. Along For The Ride
09. Illumination Theory
I. Paradoxe de la Lumière Noire
II. Live, Die, Kill
III. The Embracing Circle
IV. The Pursuit of Truth
V. Surrender, Trust & Passion

Make Some Noise with Big Big Train

make-some-noise

Have you heard the Big news?

And check out the blog post by Greg Spawton.

I am fascinated that the song order has been changed.

Disc One:

1. Make Some Noise (4.22)
2. The First Rebreather (8.31)
3. Uncle Jack (3.49)
4. Swan Hunter (6.20)
5. Seen Better Days (7.37)
6. Edgelands (1.26)
7. Summoned By Bells (9.16)
8. Upton Heath (5.39)
9. A Boy in Darkness (8.03)
10. Hedgerow (8.54)

Disc Two:

1. Judas Unrepentant (7.17)
2. Worked Out (7.30)
3. Winchester From St Giles’ Hill (7.17)
4. The Lovers (5.32)
5. Leopards (3.54)
6. Keeper of Abbeys (6.59)
7. The Permanent Way (8.16)
8. East Coast Racer (15.44)
9. Curator of Butterflies (8.45)

Surely this is a new development in the history of prog.

Bands are now comfortable messing with the track order of their masterpieces — because it is the age of digital downloads?

I am curious about whether it works or not. I am skeptical about the placing of “East Coast Racer”, for example.

But, listening is believing. So I look forward to digesting this, the final form of a masterpiece…

You can buy from The Merch Desk or try and get one of the sold-out signed copies from Burning Shed.

The Red Priest Rides Again

Vivaldi

I highly recommend this recording (available from DG) by Daniel Hope, an amazing reconception of the most famous work by “the red priest”:

Today the “Four Seasons,” with more than 1,000 available recordings, are not just rediscovered—they are being reimagined. Astor Piazzolla, Uri Caine, Philip Glass and others have all created their own versions. In Spring 2012, I received an enigmatic call from the British composer Max Richter, who said he wanted to “recompose” the “Four Seasons” for me. His problem, he explained, was not with the music, but how we have treated it. We are subjected to it in supermarkets, elevators or when a caller puts you on hold. Like many of us, he was deeply fond of the “Seasons” but felt a degree of irritation at the music’s ubiquity. He told me that because Vivaldi’s music is made up of regular patterns, it has affinities with the seriality of contemporary postminimalism, one style in which he composes. Therefore, he said, the moment seemed ideal to reimagine a new way of hearing it.

I had always shied away from recording Vivaldi’s original. There are simply too many other versions already out there. But Mr. Richter’s reworking meant listening again to what is constantly new in a piece we think we are hearing when, really, we just blank it out. The album, “Recomposed By Max Richter: Four Seasons,” was released late last year. With his old warhorse refitted for the 21st century, the inimitable red priest rides again.

Over at The Imaginative Conservative, you can also find more recommended recordings of “the red priest” for your listening pleasure.

Given what Richter and Hope have done, don’t you think it’s time for someone to do a prog presentation of music by “the red priest”?

It could be epic!

The Enemy Inside: Outside the USA

A big thanks to Kevin Williams for his first listen (and heads up) to the new Dream Theater: “The Enemy Inside”.

The new track debuted over at USAToday.com, but if (like me) you are located in Canada, the streaming from SoundCloud will not work at that link.

So, over at the Dream Theater Facebook page, there is a link that takes you to a localized stream for non-USA countries: http://smarturl.it/theenemyinside

That link didn’t work for me (I got a “404 Not Found—The requested resource was not found” message), but I did track down the track for Canadian playback over here: Dream Theater – “The Enemy Inside” [Song Stream] [Exclusive Canadian Premiere].

The track is awesome. You’ll want to read Kevin’s excellent “first listen” review, to compare notes. Be sure also to listen to “On the Backs of Angels” at the same time, to compare your listening experience with his assessment:

The chorus is soaring – a perfect counterpoint to the thunderous verse sections – and it immediately grabbed me in the same way that “On The Backs Of Angels” did from “ADTOE.” It’s then followed by a keyboard riff very reminiscent of a run from “ADTOE.”

We’re looking forward to September 24!

Alex Lifeson and The Trees

It is entirely fitting that Rush guitarist Alex Lifeson makes his dwelling amidst The Trees:

Ms. Zivojinovich and her husband Alex Lifeson consulted Toronto-based architect Dimitri Papatheodorou, who quickly saw the potential: The house would sit on a natural belvedere, set back from the road and surrounded by pine trees.

“It was pretty obvious that the house wanted to align with the cosmos,” he says.

Now the rolling hills north of Toronto offer a tranquil setting for family gatherings, and the trees provide seclusion for Mr. Lifeson during downtime from a demanding schedule of touring as guitarist for the hallowed Canadian rock band Rush.

In Italian, belvedere means “beautiful view.” The home’s position on a ridge offers vistas of nearby farms from the second-floor master suite and family bedrooms. The principal rooms on the main floor are encircled by trees.

Be sure to check out Alex’s fine wine cellar as you take the visual tour.

The Musical Odyssey: A Long and Winding Road

Jane Monheit

Robert Sibley reflects on what the power of music has to do with nostalgia:

The word comes from the ancient Greek words “nostos,” referring to “homecoming,” and “algia,” meaning “grief or pain or suffering.” Hence, nostalgia reflects the desire “to escape pain by returning home,” or, as some etymological dictionaries have it, “to return home safely.”

What this suggests is that nostalgia can be a form of psychological therapy, a break from the madhouse vagaries of contemporary life — you know, terrorism, killer weather, crashing airplanes, exploding towns, rampaging gunmen. To listen to fondly remembered pop songs, whether on the car stereo heading to work or at a concert, nostalgia provides such a respite. …

One of the major narrative inputs for my generation was the Beatles. John Lennon, Paul McCartney, George Harrison and Ringo Starr were effectively members of what psychologists refer to as our “fictive kin.” We didn’t know them personally like we did family and friends, but their music — from ebullient adolescent love songs such as She Loves You and the drug-mediated experiments of A Day in the Life to the symphonic farewells of Let it Be and The Long and Winding Road (the Beatles split as a group in 1970) — made them an intimate presence in our lives. The Beatles, in short, provided the musical accompaniment for many of the most meaningful moments of our lives.

I still remember doing my homework at the kitchen table in our house in north Red Deer when I first heard that brief trill of drums that opens She Loves You, my head snapping up to look at the countertop radio as if to ask “what’s this?” An insignificant moment in a life, to be sure, but somehow embedded with epiphanic clarity in my memory. Of course, I’ll never forget working up the courage to ask Maxine Edwards for a dance at the local community hall as Lennon belted out Can’t Buy Me Love. And when I hear the lyric “Out of college, money spent/ See no future, pay no rent/ All the money’s gone, nowhere to go/ … oh that magic feeling” from 1969’s Abbey Road album, I’m once again on the veranda of a dingy seaside café in western Morocco, hypnotized by the endless wash of the Atlantic Ocean as I celebrate my 24th birthday. Sun, sand, sea and song; it was pure magic.

Is this “homesickness,” an inability to cope with the world? I think not. The Beatles once sang, “Once there was a way to get back homeward/ Once there was a way to get back home.” The way, I suggest, is in the song itself. Listening to the old songs is like visiting your hometown after a long absence. You know you’re not staying, but there’s a feeling of rejuvenation in visiting times and places past.

And there’s something truly rejuvenating about cover versions of songs, especially when they defy jaded expectations and are done well.

For example, Jane Monheit has a very cool, head-turning jazz cover of “Golden Slumbers / Long and Winding Road” on her new album, The Heart of the Matter.

Jane seems to have a gift for doing terrific covers. Explore her discography and have fun discovering all her clever musical remakes and reconfigurations.

In particular, be sure to check out her stunning versions of Eric Kaz and Libby Titus’s “Love Has No Pride” (on In the Sun) and of Joni Mitchell’s “A Case of You” (on Come Dream with Me).

But, getting back to the Beatles, let me end by recommending a personal favorite — Laura Crema’s soaring cover of “Blackbird.”

Happy Dominion Day, Eh!

Today’s despatch from the Great White North, land of Rush and other wonders of prog:

Happy Dominion Day, eh!

(Oh, did you say “Canada Day“? Take off, eh!)