BEAT (Belew, Vai, Levin, Carey) Tour 1980s King Crimson This Fall — Full Details Below

As Kevin McCormick posted two weeks ago, Adrian Belew & Tony Levin of King Crimson will be performing that band’s innovative 1980s repertoire live with pioneering shred guitarist Steve Vai (Frank Zappa, David Lee Roth, G3) and drummer Danny Carey (Tool). More than 40 US/Canada dates (listed below and at www.beat-tour.com) have been announced; a presale begins April 2nd at 12 noon EDT (password BEATTOUR), with sales to the general public starting April 5th.

To say I’m stoked for this tour is an understatement! I became a fan of all things associated with King Crimson founder Robert Fripp after hearing him live at a local record store in 1979,then devouring his articles about the creative process and the travails of the music business in Musician magazine. So I was primed when Fripp, Belew, Levin and drummer Bill Bruford launched a re-envisioned KC with 1981’s breakthrough album Discipline. In addition to the striking use of cutting-edge tech like Simmons electronic drums and Roland guitar synthesizers (along with a New Wave sense of texture and space), I loved how all four players were constantly interweaving; there was no real precedent for the sound in rock or even prog, but Balinese gamelan music, classical minimalists like Steve Reich & Philip Glass, and some of Talking Heads’ contemporaneous experiments came to mind. This was just the noise for a heady, more than slightly pretentious listener like me!

1982’s Beat turned out to be my favorite of the albums the band released, but I didn’t see the mighty Crim live until the Three of a Perfect Pair tour in the summer of 1984 – by which time they had throughly assimilated their new music and stomped audiences flat with it! It was the first of 10 times I heard Crimson in concert over the decades, and still it’s vividly memorable.

Shortly afterward, Fripp put Crimson on one of the band’s numerous indefinite pauses, but Belew has always had a soft spot for this music, even publishing an online appeal to Fripp, Levin & Bruford for a 30th-anniversary reunion in 2011. This only happened in truncated form: Belew’s Power Trio hooked up with Levin’s Stick Men for a series of Two of A Perfect Trio dates (I caught the Detroit stop of the tour late that year) eventually becoming the Crimson ProjeKct and opening for Dream Theater on a lengthly tour.

And while I absolutely adore Fripp’s Belew-less version of KC that ran from 2014 to 2021 (see my reviews here, here and here), I’m no less ready to lose it for a Fripp-less take on this classical material like BEAT. Given Vai & Carey’s impeccable credentials, this should be some show.

— Rick Krueger

BEAT Tour dates:

  • 9/12 SAN JOSE, CA @ SAN JOSE CIVIC
  • 9/13 NAPA, CA @ BLUE NOTE SUMMER SESSIONS at MERITAGE RESORT
  • 9/14 LOS ANGELES, CA @ THE UNITED THEATER on BROADWAY
  • 9/15 ANAHEIM, CA @ CITY NATIONAL GROVE of ANAHEIM
  • 9/17 SAN DIEGO, CA @ HUMPHREY’S CONCERTS
  • 9/18 PHOENIX, AZ @ CELEBRITY THEATRE
  • 9/20 AUSTIN, TX @ THE PARAMOUNT THEATRE
  • 9/21 HOUSTON, TX @ BAYOUS MUSIC CENTRE
  • 9/22 DALLAS, TX @ MAJESTIC THEATRE
  • 9/24 ATLANTA, GA @ THE EASTERN
  • 9/26 FORT LAUDERDALE, FL @ THE PARKER
  • 9/27 ORLANDO, FL @ HARD ROCK LIVE
  • 9/28 CLEARWATER, FL @ RUTH ECKERD HALL
  • 9/29 CHARLESTON, SC @ CHARLESTON MUSIC HALL
  • 10/01 CHARLOTTE, NC @ KNIGHT THEATER
  • 10/02 DURHAM, NC @ CAROLINA THEATRE of DURHAM / FLETCHER HALL
  • 10/04 WASHINGTON, DC @ WARNER THEATRE
  • 10/05 NEW YORK, NY @ BEACON THEATRE
  • 10/06 GLENSIDE, PA @ KESWICK THEATRE
  • 10/08 RICHMOND, VA @ CARPENTER THEATER in DOMINION ENERGY CENTER
  • 10/09 RED BANK, NJ @ COUNT BASIE CENTER
  • 10/11 BOSTON, MA @ SHUBERT THEATRE
  • 10/12 HAMPTON BEACH, NH @ HAMPTON BEACH CASINO BALLROOM
  • 10/14 HALIFAX, NS @ REBECCA COHEN AUDITORIUM
  • 10/15 MONCTON, NB @ CASINO NEW BRUNSWICK
  • 10/17 MONTREAL, QC @ THEATRE MAISONNEUVE
  • 10/18 TORONTO, ON @ MASSEY HALL
  • 10/19 ROCHESTER, NY @ KODAK CENTER
  • 10/21 ALBANY, NY @ THE EGG
  • 10/22 GREENSBURG, PA @ PALACE THEATRE
  • 10/23 READING, PA @ SANTANDER PERFORMING ARTS CENTER
  • 10/25 CLEVELAND, OH @ AGORA THEATRE
  • 10/26 CINCINNNATI, OH @ TAFT THEATRE
  • 10/27 ROYAL OAK, MI @ ROYAL OAK MUSIC THEATRE
  • 10/28 NASHVILLE, TN @ RYMAN AUDITORIUM
  • 10/30 INDIANAPOLIS, IN @ MURAT THEATRE
  • 11/01 CHICAGO, IL @ COPERNICUS CENTER
  • 11/02 MILWAUKEE, WI @ PABST THEATRE
  • 11/03 MADISON, WI @ ORPHEUM THEATER
  • 11/04 MINNEAPOLIS, MN @ STATE THEATRE
  • 11/06 DENVER, CO @ PARAMOUNT THEATRE
  • 11/08 LAS VEGAS, NV @ THE THEATER at VIRGIN HOTEL

Bologna’s Earthset Perform Concert Film For Silent Science Fiction Film, “L’Uomo Meccanico”

This is pretty cool. Earthset, a band from Bologna, Italy, sent me this video and some additional info about a live concert they recently did to go along with footage from the Italian movie “L’Uomo Meccanico,” or “The Mechanical Man.” It’s a science fiction silent film from 1921 that apparently was quite influential in the history of film. Earthset’s music for the film is experimental and atmospheric, but it has its heavier moments to go along with the movie. There’s a lot of interesting guitar work, and I think it’s a cool idea to bring these films back to life with contemporary music.

Here’s some more info from the band about it: Continue reading “Bologna’s Earthset Perform Concert Film For Silent Science Fiction Film, “L’Uomo Meccanico””

Debut Album From Portugal’s ARTNAT Out Now

Press Release:

CoverARTNAT is a new progressive rock band formed by lead guitarist and founder of the known TANTRA prog group from Portugal, Manuel Cardoso. They recently released their first album, The Mirror Effect. The name reflects the continuity in symphonic prog style of music between TANTRA’s music and ARTNAT. With high compositional levels together with wild experimental themes, this is a colorful and multi ambiance work with top-level musicians, but with no technical show off.

Manuel Cardoso says about the project:

Well, after several excellent albums with TANTRA I felt that though in my heart and mind, I just felt like doing the same type of music, obviously with a natural evolution, being the only link to the original group I should use a different name. So ARTNAT just felt right… Mirrored word for an evolving music, like a mirrored dimension.

Still, to me, it’s just TANTRA´s evolution in the 21st century!”

Check out the album on Bandcamp: https://artnat.bandcamp.com

https://www.facebook.com/ARTNAT.Art.Prog.Rock/