In this Progarchy Public Service Announcement I would like to welcome Peter Dabbene to the team of writers here. Pete is a New Jersey-based writer and poet, and we are very happy and excited to have him join us. He has a couple of articles coming out shortly on Big Big Train and the Cardiacs, so stay tuned for that.
Category: progressive rock
In Cauda Venenum
Post-Watershed, Martin Lopez and Peter Lindgren were conspicuously missing, but so was that musical coherence! It was complex progressive rock, but reflected very little of Opeth’s signature aesthetics. Even though all those vibrant influences were still present, a certain noticeable imbalance, especially in how they were composed! This is easily audible relative to In Cauda Venenum, here they bring back that all-immersive-experience of Blackwater Park and Still Life.
Their signature is exactly that ability to harmonize divergent strands. Funk to folk, jazz fusion to goth, all peacefully coexisting, a splendid harmony across discordant influences. It’s that harmony in discord when proggy riffs flawlessly transitions to strange ramblings in “Charlatan”, or when that further moves on to gothic blues of “Universal Truth”. That rich consistency in musicianship is also complemented by vocals– Åkerfeldt evokes a spectrum of emotions, almost reminiscent of Damnation.
Seems like Opeth was testing the waters with their first three prog rock records, and In Cauda Venenum is the consequence. Quite like an evolving organism, they are adding layers to their prog skeleton, bringing higher levels of coherence and texture. So, those underlying influences remain the same, but now they are gently cloaked beneath few exquisite layers of artistic splendor.
Happy Easter
Have a blessed Easter, fellow prog-lovers.
Stay healthy, my friends.
“Bread and Yarn” @District97 & a Progarchy video essay
“Bread and Yarn” is my favorite track from District 97’s Screens album.
Just now they have released a killer high-concept video to complement it.
As a live band, District 97 is a riveting thrill ride, always fully seizing your attention.
For example, check out this tight and nimble cover of Genesis at RoS fest:
Just like all the best bands (for example, Rush, Yes, Genesis, etc.), District 97 is so skilled as musicians that they will impress you equally both on disc and live in concert.
For example, “Snow Country” is a brilliant track, whether you listen to a live version or to the studio version on In Vaults.
Then again, you may just say of anything by them that you love it even better live, because of the breathtaking musicianship wondrously displayed in real time.
Whether they are covering King Crimson, or anything by Bruford, you are presented with definitive proof that District 97 is today’s upper-echelon prog band.
Leslie Hunt’s vocals are always stunning, as she is consistently one of the best rock and jazz singers on the planet.
Thankfully, District 97 leaves plenty of room for her to rock hard.
Open you eyes, and open your ears, to one of today’s greatest bands.
Prog on, District 97.
You are truly contemporary prog’s rara avis.
Glass Hammer, “The Dreaming City” @GlassHammerProg
This new track from Glass Hammer is freakin’ awesome…
Don’t miss their amazing new disc Dreaming City, to be released during Easter Week (and now shipping).
If you loved Chronomonaut, then this new album is definitely also for you.
Man, I totally loved Chronomonaut, and in my review I pronounced it their finest album ever.
Glass Hammer amazes by constantly taking things to a whole new level with each new album.
The heaviness promised on Dreaming City thrills my prog metal heart, so stay tuned and get ready to rock 2020 with me at maximum volume…
Are you ready for… Jazz Sabbath?
Are you ready for… Jazz Sabbath?
Groovy tunes for chillin’ inside during a pandemic…
Check out the hilarious documentary too…
Haken Announce New Album
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INSIDEOUTMUSIC Spotify Playlists:
Best of Haken – InsideOutEssentials
Prog Rock Essential
Prog Metal Essential
The Passing of a Legend: Krzysztof Penderecki (1933-2020)

Penderecki, one of the great modern composers, shuffled off this mortal coil today at the age of 86. Known for his avant-garde style, Penderecki established himself as arguably Poland’s greatest contemporary composer. Several of his works were featured in two of the more influential horror films of the twentieth century: The Exorcist and The Shining.
Requiescat in pace.
Bob Dylan: “Murder Most Foul”
What the fork?? Bob Dylan releases a song 17 minutes long… “Murder Most Foul“… Holy prog, Batman!
BTW: You can assemble the original “Blood on the Tracks” from “More Blood, More Tracks”: select tracks 69 (CD5, No.3), 71 (CD5, No.5), 34 (CD3, No.3), 76 (CD5, No.10), 48 (CD4, No.2), 16 (CD2, No.5), 11 (CD1, No.11), 59 (CD4, No.13), 46 (CD3, No.15), & 58 (CD4, No.12).



