Whether it’s songs like “Cosmic Sea” or “Trapped In A Corner”, Death manages to capture a unique musical terrain. Deriving from primal thrash structures, they took that Celtic Frost like blueprint to a threatening, bleak, and a more refined direction. Instead of the more gruesome death metal attributes like blast beats, atonality and deeper growls — this album emphasizes coherent structural progression and melody.
‘The Sound of Perseverance’ (1998) is a genuinely dazzling confluence of these early influences and more. It’s tailored to quickly envelop a progressive metal disciple or a death metal-head. The record straddles this complex ground between progressive musical sensibilities and sheer sonic savagery. At the margins of these two demanding genres, Death crafts an exquisite bridge from a Dream Theater to a Morbid Angel. This overall immersive experience can be elegantly summarized in Chuck Schuldiner’s own lyrics: “touch, taste, breathe, consumed”.
Widely varying transitions are graceful and numerous. Baffling how an At The Gates like guitar imprint runs into a razor steel Priestly guitars, finally exploding into an Obituary like mid-paced chugging. The good old signature riff-drum pattern of Death is also omnipresent. ‘The Sound of Perseverance’ acknowledges the progressive side to Death, and does that without deviations from their death metal roots. Essentially the same old harsh melodic guitar tones, screaming vocals and scathing leads interleaved with intricate passages — but now restructured into a progressive death symphony.
While firmly grounded in thrash roots, over the years, Death pursued a guided musical trajectory of progressive refinement. Emphasizing that crucial New Wave of British Heavy Metal artistry and sophistication – it’s essentially Iron Maiden’s melody reconciled with Hellhammer like brutal force. This constant duality in Death’s composition was always shifting in a progressive direction. So, for the longtime fans, ‘The Sound of Perseverance’ must have been a lot like the very last song from the record – “Open my eyes wide to see a moment of clarity”.
By A Sniper (Own work) [CC BY-SA 3.0 or GFDL], via Wikimedia Commons
For the Clash there was no leaving politics off-record or offstage, and more than any of the mainstream punk or post-punk bands, except for maybe Gang of Four, they worked the seam in rock’s goldmine that pitted the disempowered and disenfranchised against authority, entitlement, and impunity. No mistake their hit cover of Bobby Fuller’s “I Fought the Law.” They gave punk a much-needed edge that went beyond simple nihilism, stoking it with purposeful aggression that, even as an act that in part it was, absolutely rocked. The Clash were also a band in the way the British loved their bands, from the Beatles to the 
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