Review: Trauma Field – Changing Tides

Changing Tides

Trauma Field is an progressive metal group hailing from Jyvaskyla in Finlad, who recently released their second full-length album “Changing Tides.” All songs (as well lyrics) on “Changing Tides” were written by singer and guitarist Jakko Pessu. The album was recorded between 2015 and early 2016 and was tracked by the band and Joonathan Jaakownaho, who also did the mix.

Welcome to the beautiful nightmare world called “Changing Tides.” With a very focused release to the band’s opus, Trauma Field created an album that has all the potential to push them into upper echelons of charts.

As “outsider” as it feels, “Changing tides” is something that masses can easily identify with. It rather feels as a band with the drive and unfettered ambition to create a standalone marvel which not only awakens the ghosts and cliches from alternative and progressive music’s pompous pasts, but it entirely adds its own voice. And Pesu’s voice is intelligent and familiar, his cold grandiosity spreads out like wildfire as the album plays out.

The opening, title track is going the furthest in imitating feelings of desolation. “Aeons,” “Black Haze,” and “Reborn” are the sharpest-sounding tracks on “Changing Tides.” There is everything here to make Trauma Fe

Field big — ethereal melodies, soaring melodies, and a bombastic sense of “epic” that makes the band’s sound both memorable and powerful.

“Changing Tides” covers a wide range of emotions. There is great songwriting, great performances and an epic quality that is rarely found in alternative rock. Trauma Field have a way of magically turning a quintet into the sonic equivalent of a rock orchestra, and giving strength and bite to their music.

Is this band going to meet a criticism from metal fans? Unfortunately, yes. They are very progressive based, which many would consider a far cry from actually being prog. While there is definitely a feeling that Trauma Field are never going to be full-out prog band, they incorporate prog music into a more accessible songwriting style that is enjoyable, although the music tends to flow in a depressing direction in terms of style and feeling. The band integrates progressive (innovative) ideas into a more accessible sound. But that also doesn’t mean that this is mainstream. It is simply a marriage of two schools of music, and there are certainly enough strange ideas in the music to keep the album fresh for many listens.

In general, Trauma Field have impressed me with their songwriting. They succeeded in making an album that is dramatic, bombastic and larger than life from start to finish. “Changing Tides” is one of the nicest discoveries in terms of new music in 2016.

“Changing Tides” is available from Bandcamp here. Like Trauma Field on Facebook.

A big update from your roving reporter! — Grendel HeadQuarters

Hey hey! ‘sme with some news again. As you may know, I’ve left House of Prog recently (if you haven’t read my statement yet, you can read it here). I got a lot of responses and sweet messages (mostly on Facebook) from friends, colleagues, readers, listeners, and even artists! I would like to thank everyone for […]

via A big update from your roving reporter! — Grendel HeadQuarters

Honourable mention: 7sleepers — Grendel HeadQuarters

Check out the website (where you can get the music for free, or can ask for a cd): http://7sleepers.net/Free http://7sleepers.net/

Not so long ago, I posted an article about the fact that I I’m only into progressive rock music, and that I’m also open for a lot of other genres too. Suddenly I got a message on Twitter from someone named 7sleepers. He asked me if I was interested in reviewing his album, so I […]

via Honourable mention: 7sleepers — Grendel HeadQuarters

Skynet’s first single

Skynet has downloaded its first single…

This 90-second song was composed by a Google algorithm: MP3

Read all about it here.

One small step for software…

One giant leap for robotkind?

Will software eventually be able to write prog epics??

Rockin’ genius to the Hult: Chris Cornell’s magical evening in Eugene, Oregon

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Waiting for the show to commence….

Nearing the end of his stunning two-and-a-half hour concert last night at the Hult Center here in Eugene, Oregon, a clearly delighted Chris Cornell noted that while he had enjoyed his two previous stops in Eugene, this particular night was “special”. He was quite right. I was at his October 19, 2013 show at The Shedd—a smaller and more intimate (that is, cramped) venue—and while it was a very good show, Cornell topped it last night with a generous mix of newer and older tunes—a total of 26 songs in all— the occasional accompaniment of Brian Gibson on keyboards and cello, and a vocal performance that rivals any I’ve heard from him—and I’ve listened to numerous live performances on albums and via YouTube.

Simply put, Cornell’s songs are demanding, requiring the sort of range, strength, stamina, and flexibility that very few singers can pull off on a regular basis. And there have been times when the strains of traveling and performing have taken a toll on Cornell’s voice, especially on Soundgarden tours. But the legendary singer and songwriter (Soundgarden, Audioslave, Temple of the Dog, solo) is, without doubt, in a wonderful place as an artist, making great new music and embracing his older songs with unashamed enthusiasm. Late in the set, introducing “Black Hole Sun”—a huge hit that he has sung countless times—Cornell mused that he didn’t understand why some artists end up “hating” those defining hits. “If you don’t want to sing it,” he said, “don’t write it and record it in the first place.” And then he tore into the song as if he had written it just last week, clearly thriving on the interplay between his acoustic guitar riffs and Gibson’s dynamic cello excursions.  Continue reading “Rockin’ genius to the Hult: Chris Cornell’s magical evening in Eugene, Oregon”

Adam Holzman, Live at De Twee Spieghels Leiden, 7 July 2016 — Grendel HeadQuarters

Steven Wilson and band were going to perform on North Sea Jazz Festival The Netherlands on the 9th of July, but keyboardist/pianist Adam Holzman had arrived a few days earlier and was actually looking to do a solo performance somewhere in the area. Arne van Os van den Abeelen and Monica Scheepers made it possible […]

via Adam Holzman, Live at De Twee Spieghels Leiden, 7 July 2016 — Grendel HeadQuarters

TRAUMA FIELD: Neverending Cycle — Prog Sphere

Atmospheric metal quintet from Jyväskylä in Finland, Trauma Field released their second studio album titled “Changing Tides” in May this year, a versatile release that has a lot to offer. Prog Sphere talked with singer and guitarist Jaakko Pesu and keyboardist Antero Jokinen. Read below what they told us about the mentioned release, influences, technology, and…

via TRAUMA FIELD: Neverending Cycle — Prog Sphere

OPETH Reveal Track Listing and Artwork for “Sorceress” — Prog Sphere

2016 marks the monumental return of one of heavy rock’s most unique, revered and fearless bands of the last three decades, Opeth. Over the years, the experimental, prog veterans have continuously reinvented themselves, pushing the boundaries of their craft and expectations of fans and critics alike. Today, Opeth announces their 12th album, Sorceress, will be released…

via OPETH Reveal Track Listing and Artwork for “Sorceress” — Prog Sphere

John Wesley Announces New Album

From John Wesley’s website:

My new album, ‘a way you’ll never be’ is scheduled for release on October 7, 2016 on InsideOut Music!

’a way you’ll never be’ was fairly big step for me in that I have worked extremely hard at bringing the two sides of my writing together: the “acoustic singer songwriter” and the “electric heavy guitar” elements. This album is most certainly the set of songs that has successfully combined my introspective lyrics with the aggressive type of guitar playing and writing that I love.

The album will feature Mark Prator on drums & percussion, and Sean Malone (Cynic) on Bass. The themes of the lyrics, the melodies, and the playing make these my favourite, most cohesive and adventurous set of tracks to date. Stylistically the songs revisit some of the guitar music of the 70’s that grabbed me and made me want to be a guitarist. Sonically I combined those 70’s big guitar tones with the modern sounds available to us as guitarists today.

Continue reading “John Wesley Announces New Album”

The Tangent News!

Wow, after just posting my praise of Andy and Jonas (previous post), Andy posted this at the exact same time on Facebook.  Nothing like a little synchronicity to get the blood flowing.

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Andy Tillison and Theo Travis, intimate house concert.

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Continue reading “The Tangent News!”