Nad Sylvan – “Courting the Widow”

Read about the surprising and elegant new solo album from Nad Sylvan.

http://theprogmind.com/2015/10/15/nad-sylvan-courting-the-widow/

PAIN OF SALVATION Works On New Concept Album

Swedish progressive rock innovators Pain of Salvation have kept busy working on various new recording projects ever since their latest release, the semi-acoustic album “Falling Home” from November 2014. Having just returned from some successful shows in Russia, Pain of Salvation have now also announced a next string of shows in The Netherlands and Italy. Here are…

http://www.prog-sphere.com/news/pain-salvation-works-new-concept-album/

Review: Autumn Electric – Star Being Earth Child

Seattle prog rockers Autumn Electric have returned with their fifth studio album “Star Being Earth Child” earlier this year. The album has an engaging story to tell, and it does it with support from music that is nothing less captivating. The album opens with “Infinite Islands Engulfed in the Silence,” a wonderfully fanciful, inspiring, and […]

https://progarchy.com/2015/10/16/review-autumn-electric-star-being-earth-child/

Review: Autumn Electric – Star Being Earth Child

Star Being Earth Child

Seattle prog rockers Autumn Electric have returned with their fifth studio album “Star Being Earth Child” earlier this year. The album has an engaging story to tell, and it does it with support from music that is nothing less captivating.

The album opens with “Infinite Islands Engulfed in the Silence,” a wonderfully fanciful, inspiring, and original way to start. Michael Trew sings with the peculiar cadences, and the instrumentation is a hypnotic and robust journey from a subtle, theatrical arrangement to an enticing buildup that carries the same untroubled spirit and brilliant timbres as the music of early Pink Floyd. “Someday I Will Find Out Who You Are” launches a sequence of soothing performance lovely transitions and catchy, heartfelt melodies that are topped with Trew’s flute work. There’s a vital British essence about the combination that makes it quite endearing too.

Trickier rhythms and an emphasis on structural changes make “She Has a Supernova” stand out, while “Whose Garden Was This?” ventures into a surprisingly different direction, with folk tones and a meditative, singer-songwriter atmosphere offering a philosophical vibe. Trew layers his vocals beautifully, adding a bit more emotion to the playing field. “Virgil” begins on a similarly quiet and reflective note but soon piles on the prog rock virtuosity and madness, with synths, frenzy drumming, and equally wild guitar work showcasing just how eccentric and ambitious they can be.

The disc ends with arguably its most emotional piece, “One of Your Kind.” A mournful yet smooth and classy introduction eventually dissolves into an acoustic guitar sculpture. From there, the psychedelic vibe comes back with a faint ominous vengeance, as well as slight touches of alternative rock.

All in all, Autumn Electric can be very proud of this album. It’s their most complex record out to date, and it proves that there are still artists that know how to pay tribute but retain originality. Highly recommended.

“Star Being Earth Child” is available from Bandcamp. Autumn Electric are on Facebook too.

Geddy Lee Experiences The Chaos of ALDS Game 5 and Calls in to The Dan Patrick Show

“We interrupt our PROGramming to bring you this prog-related aside…”

When not dominating stages throughout the land with Rush, you’re likely to find Geddy Lee occupying choice seats behind home plate at Toronto Blue Jays games, seeing as how he’s a HUGE baseball fan.

With the band having wrapped their R40 tour and with the Jays having reached the American League playoffs for the first time since 1993, it’s pretty much a given that Dirk will be there if he’s in town.

In case you missed last night’s mayhem in Toronto, feel free to Google “Blue Jays Game 5,” find the highlights, and then click below to hear Geddy’s reaction to what he saw at last night’s game.

Geddy also talks about his baseball memorabilia collection, Hall of Fame pitcher Randy Johnson’s photographic contributions to the band, compares lead singers to starting pitchers and, if he could get into the Rock & Roll Hall of Fame or the Baseball Hall of Fame, which would he choose…and is Rush really done touring?

By the way, the Jays eliminated the Texas Rangers to advance to the American League Championship Series, so it’s a safe bet that we’ll see our favorite bass player even more this October!

“We now join our regularly-scheduled PROGramming, already in progress (and still on the same epic song, no doubt).”

Rush Releases “Jacob’s Ladder” from Forthcoming “R40 LIVE” Video

Following up on the recent release of the “Roll The Bones” video from Rush’s upcoming “R40 LIVE” concert film, the boys have posted a clip to one of the highlights of the R40 tour (and “Permanent Waves,” for that matter): “Jacobs Ladder.”

“R40 LIVE” will be released on November 20th.

I’ll say no more – enjoy the video!

Review: Ursus – The Migration EP

Ursus - The Migration

Swindonian bears Ursus (note that “ursus” means “bear” in Latin) are a progressive/djent metal newcomers with lots of melodic death metal influences that have come up with their debut EP titled “The Migration” this past summer. With their aggressive approach to progressive metal, the sextet is swimming in the waters of djent. Considering that this EP is their debut release, it turns out that it is also a perfect headstart for their career.

“The Migration” has seven tracks in total, and each of the tunes shows that melody and aggression transmitted through breakdowns and brutal vocals are very important for what Ursus do. There are lots of different influences in the band’s music ranging from Between the Buried and Me to Periphery, Intervals, Korn, etc. But although Ursus pay their tribute to influences, they still build their own sound and make it sound original. Almost half an hour long “The Migration” has very tasty melodies based on progressive metal, but the band threads it through melodic death metal, and on moments it comes close to doom metal domain.

The first track on the album is an intro “The Beginning,” which kind of gives you an idea of what can be expected throughout the EP. Starting with “Burn,” “The Migration” keeps the grooviness until the end. Most credits for the EP being melodic go to guitars (three in the band!), which although being distorted most the time make the Ursus sound tasty.

The last song on the record is “The Migration,” and it comes with a different structure comparing with other tracks. It is by far most progressive and more melodic song, and it features a guest vocalist Beth Humphries. Her voice is calming, and somewhat sets the pace in a different direction. Adding female vocals to this song is a nice touch, it brings variety to the EP in overall. Perhaps, there is a hint that next Ursus releases will emphasise this melodic death metal side of the band.

If you are a fan of progressive death metal, djent and melodic metal, don’t pass this great, young UK band without giving them a listen. They certainly have a bright future.

“The Migration” EP is available from Bandcamp. Follow the band on Facebook.