Interview with HEYOKA’s MIRROR

Calgary, Canada-based progressive metal act Heyoka’s Mirror has recently returned with the release of a new, instrumental single “Asylum” which is a grand taster for the group’s upcoming full-length album.

Let’s start from your early music beginnings. How did your musical career begin? When did you start playing? Which groups have been your favorites? Please tell us something more about your early life.

Andrew: Omar and I started playing music around the same age. We were 14 and 16. I discovered Dream Theater when I was 14 years old and that’s when I started taking singing and theory lessons. I spent my teenage years listening to bands like Dream Theater, Symphony X, and Transatlantic. 

Omar: Yup, started playing around 16. As a young kid, I was a huge GNR and Metallica fan and always wanted to play like those guys! Then when I picked up the guitar and started learning, I was introduced to music from guys like Eddie Van Halen, Joe Satriani, Steve Vai, John Petrucci, DREAM THEATER (greatest band!), Paul Gilbert, Yngwie J. Malmsteen and the list goes on and on! 

How did you go about starting Heyoka’s Mirror? Who was the most influential when the project started its musical journey?

Andrew: I met Omar in the spring of 2015. I had just moved into Calgary and I was looking for a guitar player for a solo project I had. We met and decided to have a writing session a week after our meeting. That’s when Heyoka’s Mirror started. 

Omar: Just like Andrew said. I was contacted by him through social media, we met and had a quick discussion about the kind of music we both wanted to do and that was it. I remember we discussed how melody is a very important aspect of the kind of music we want to create. 

In the beginning, did you have some “fixed” tempo in composing songs or everything was a product of jamming, improvising?

Andrew: We always write a story first. Once the story is complete, then we start writing the music according to the events in the tale. 

Omar: Story always comes first and then we start creating the music for it. A lot of it just happens bouncing ideas, talking about the story and then trying to communicate those feelings and emotions through our music. 

How would you describe Heyoka’s Mirror music on your own?

Omar: I would say it is a blend of a lot of different styles of music. Our songs and certain parts within them can sound like hard rock, pop, jazz, metal, blues, blues rock. To us, whatever feels right for the story, belongs in the song. Let’s go with Progressive Rock/Metal 🙂

What is the most important thing for the structure of your songs? Is it a riff, a melody line?

Omar: We like to write a story before we write the music. If there is no story, what is the music about? For the album coming up, the whole album is one story (concept album). We go part by part, song by song to create the music for it, while keeping the story in mind and where it is going. For recording, all the drums, vocals and bass are recorded in the studio. Andrew and I record our parts(keys, 8 string guitars, rhythm and lead guitars) at home. 

The most important thing for the structure of the song? I think there are a few things.

Melody is important! Riffs that are heavy and high energy in certain situations. We also like to avoid sounding mechanical. We want the music to be full of life and character! 

Recommend us some good prog metal acts coming from your area.

Andrew: Oh, there are some really good ones! Illuminated Minerva, Metavore, Subsume, and my favorite one… Nok Novum! Those guys are amazing! 

Are you also involved in any other projects or bands beside Heyoka’s Mirror?

Andrew: Not really, I help here and there as a session player, but not really as a full time member.

Omar: No. I play golf in my free time. Golf is the best!

What are your long-term plans for Heyoka’s Mirror?

Andrew: First things first… we need a drummer! Our album was completed with the help of session drummers, but we need someone who would like to join the family. Once we have a drummer, we would like to start going out on little tours. Start expanding. We want Heyoka’s Mirror to eventually get big enough so we can tour around the world (every musician’s dreams pretty much). We would love to play with big bands, play festivals. We just want to get OUT THERE!

“Asylum” is out now; get it from Bandcamp. Follow Heyoka’s Mirror on Facebook.

KATATONIA’s ANDERS NYSTRÖM on Band’s Comeback: “Our Hunger and Passion Came Back Pretty Quick”

Photo credits: Ester Segarra

KATATONIA’s guitarist Anders Nyström and singer Jonas Renkse talked before the recent show in Izmir, Turkey about their return, the upcoming album City Burials which is out on April 24 via Peaceville Records, among other topics. Watch the full interview below.

Asked about KATATONIA’s return a year after they announced the hiatus, Nyström commented: “The break was something that we really needed to do. We’ve been going for a band since early ‘90s, non stop. With everything you need to step back and sometimes put things into perspective and re-evaluate yourself and everything around you. We needed to do that. Also to try to see where we want to go and also to gain the motivation to continue. It was not a set plan that we need a year. I think our hunger and passion came back pretty quick. It kind of happened to be the anniversary of ‘The Night is the New Day’ album and we felt that it was like a perfect slow comeback thing; nothing too dramatic and it would just make a lot of sense trying things out again and celebrate that album. It actually made things very exciting again. Stepping into that, that way.

KATATONIA returns on April 24 with the release of their 11th studio album City Burials; pre-order it here. The band will play a fan voted by request set at the Prognosis Festival in Eindhoven on March 20.

Watch the interview with Anders and Jonas below.

Algorythm

Beyond Creation illustrates the same old genre elements, but in a remarkably novel way. With a pronounced jazz fusion sound and layered signature progressions, these Canadians craft an atmosphere often too poignant for tech death. Drawing from that proficient lineage running from Mahavishnu Orchestra to Atheist, Algorythm is technical death evolution at its refined best. Bristling with demanding bass lines and odd drum patterns, the band simply marvels in their unquestionable extreme music territory.

With a structured ease and sophistication, songs bridge jazz rock segments with sheer death. Whether it’s “Surfaces Echoes” or the title track, these transformations are frequent, and happens with an Opeth like finesse. So it’s quite possible, when that atmospheric jazz fusion harmony fades into a passage as brutal as Suffocation’s, the listener might be too captivated to even realize the subtle, vital and stunningly exquisite nature of this symphony.

Image Attribution: https://beyondcreationofficial.com/gallery/

News of the World … of Prog

Big Big Train’s announcement of the Passengers Club and North American tour dates were just the tip of the iceberg this week!  In other progressive rock-related news:

King Crimson and The Zappa Band (the latter an authorized project of Frank Zappa’s estate, featuring alumni from his 1980s bands) will tour the USA and Canada in June & July.  One tour date (at Wolf Trap National Park for the Performing Arts) in Virginia has been announced for June 30th; others will be announced soon.

The three-part Emerson Lake & Palmer epic “Karn Evil 9” is being developed as a science-fiction movie, to start production later this year.  ELP managers Stewart Young & Bruce Pilato will serve as producers, along with Carl Palmer and Radar Pictures (developers of the Jumanji and Riddick franchises).

Plenty of great album releases are on the way as well, including:

Tiger Moth Tales’ live CD/DVD A Visit to Zoetermeer, out on February 21 and available to pre-order on Bandcamp;

John Holden’s Rise and Fall, the follow-up to 2018’s well received Capture Light, out on February 29;

Fernando Perdomo’s Out to Sea 3: The Stormout on March 6;

Rick Wakeman & The English Rock Ensemble’s The Red Planetout in April.

Time, it would seem, for the world of prog rock to awaken from its long winter’s nap!

— Rick Krueger

 

 

Big Big Train Release “Passengers Club” and Announce North America Live Dates

Big Big Train have just announced a new members-only club called the Passengers Club. From the band:

Membership of the Passengers Club will give listeners a chance to get behind the scenes in the world of Big Big Train. Club members will be able to hear early demos from the writing and recording stages of our studio releases and demos of songs that got lost along the way, including some tracks from an abandoned concept album that we were working on a few years ago. There will be films of us backstage, recording in the studio, and during rehearsals and soundchecks. There will also be exclusive photo galleries, blog posts, Facebook Q and As, and other good things.

Membership of the Passengers Club costs £30 for one year, or £50 for two years.

Full details of how to sign up, what is on offer, and our reasons for starting the Passengers Club can be found at https://thepassengersclub.com.

They also announced some live dates for the United States and Canada:

• Saturday 9 May – Rosfest, Opera House, Sarasota, Florida, USA (festival headline show)
• Monday 11 May – Opera House, Toronto, Canada *
• Tuesday 12 May – Corona Theatre, Montreal, Canada *
• Wednesday 13 May – Théâtre de la Cité Universitaire, Quebec City, Canada *
• Sunday 17 May – Brook Arts Center, Bound Brook, New Jersey, USA *
• Saturday 23rd May – Sweetwater Performance Pavilion, Fort Wayne, Indiana, USA **
• Thursday 16 July – Friars, Aylesbury, UK ***
• Saturday 18 July – Ramblin’ Man Festival, Kent, UK (festival headline show)
• Monday 20 July – Stadstheater, Zoetermeer, The Netherlands **
• Tuesday 21 July – Lichtburg, Essen, Germany **
• Thursday 23 July – Konzerthaus, Karlsruhe, Germany **
• Friday 24th July – Phenomenon, Fontaneto D’Agogna, Milan, Italy **

* Supported by IZZ
** Supported by Robert Berry’s 3.2
*** Supported by Lazuli

All shows will feature the full 12-piece BBT live band.


Progarchy’s co-founder and former editor, Brad Birzer, and Progarchist Tad Wert have released an ebook about Big Big Train called Big Big Train: A Dream of the West. Yours truly and Progarchist Alison Reijman contributed chapters. Get it at Amazon: https://www.amazon.com/Big-Train-Dream-West-ebook/dp/B084QF79GK/ref=zg_bs_156354011_5?_encoding=UTF8&psc=1&refRID=5NSMTTWKFH5CJZT8NDBV.

Get ready for @WhiteCrone on 22/02/2020!

Great sounding tracks below from White Crone!

No hype, definitely as advertised: ‘White Crone’s The Poisoner delivers Traditional Heavy Metal, with traces of prog, proto & doom. Featuring soaring Dickinsonian female vocals, epic dual guitars, thunderous drums & (most especially) iron-fisted bass guitar, The Poisoner will take you “back to the day.”‘