Radical Action To Unseat The Hold Of Monkey Mind — King Crimson

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You can now pre-order the new King Crimson. Here’s the key concept:

Three themed CDs of material recorded in 2015, each forming a separate discrete
performance with audio selected from a variety of shows and fully mixed from multi-track tapes by Chris Porter, Robert Fripp and David Singleton. As no audience is audible between tracks, this allows for a “virtual studio album” effect. (The current King Crimson line-up was deliberately conceived as a performing band rather than as a band concerned with making full studio recordings).

You can read more over at DGM news. Here’s a taste, along with artwork and video:

Radical Action To Unseat The Hold Of Monkey Mind is the title of a new multi-disc set from King Crimson scheduled for release on 2nd September.

pre-order links for the 3cd/2dvd/1blu-ray limited edition are as follows
Inner Knot (USA) and Burning Shed (UK & Europe)

Pre-order for the 3cd/1blu-ray set are as follows
Inner Knot (USA) and Burning Shed (UK & Europe)

All copies come with a postcard featuring Francesca Sundsten’s striking cover artwork

Taken from the 2015 tours of the UK, Canada & Japan, Radical Action To Unseat The Hold Of Monkey Mind represents the most comprehensive release for this incarnation of King Crimson, and will be available as a 3cd/1blu-ray set, and in a 3cd/2dvd/1blu-ray limited edition.

The live set eatures every song and piece performed by Pat Mastelotto, Bill Rieflin, Gavin Harrison, Mel Collins, Tony Levin, Jakko Jakszyk and Robert Fripp and as Fripp commented last month while supervising mixing, “This is King Crimson… re-imagined.”

Audio/Video performances include:

Threshold Soundscape
Larks’ Tongues in Aspic Part One
Pictures of a City
Peace
Radical Action (to Unseat The Hold of Monkey Mind)
Meltdown
Radical Action II
Level Five
Epitaph
The Hell Hounds of Krim
The ConstruKction of Light
Scarcity of Miracles
Red
VROOOM
Banshee Legs Bell Hassle
Easy Money
Interlude
The Letters
Sailor’s Tale
The Light of Day
The Talking Drum
Larks’ Tongues in Aspic Part Two
Starless
Devil Dogs of Tessellation Row
In the Court of the Crimson King
21st Century Schizoid Man
Suitable Grounds for the Blues
One More Red Nightmare

Getting Physical with Insideout: Riverside and Karmakanic

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riverside 2016

2016 special edition

Two unexpected beauties arrived in the mail today–the latest releases from Riverside and Karmakanic.  Well, I write unexpected because 1) I had completely forgotten that I’d pre-ordered the Riverside; and 2) I wasn’t expecting it to show up with Karmakanic, which I’d also forgotten was a two-disk affair.  Truly serendipity.

The Riverside release is really a re-release of last year’s LOVE FEAR AND THE TIME MACHINE.  This special edition includes a second disk, a DVD, with the album presented in hi-res stereo as well as 5.1 surround (mixed by Bruce Soord).  It also includes a hi-res version of five tracks from the recording sessions, and the videos made to accompany the album.  From what I can tell, the booklet that comes with it contains no new information from last year’s release except for an update on who mixed the DVD.

Not surprisingly in the least, everything here is outstanding–from the packaging to the re-released music.  If you haven’t yet, make sure you check out Erik Heter’s review as well as his interview with the band last year.

I’m especially taken with the five additional tracks labeled as “day sessions.”  These add up to nearly 28 minutes of extra music.  If you remember how The Pineapple Thief often released bonus material of their jam sessions a decade or so ago, you know exactly what to expect from these “day sessions.”  Frankly, they’re stunning, sounding as much like Lunatic Soul as Riverside.  The atmosphere created and presented by these tracks is really exceptional.  It’s worth ordering this new package just for these five songs alone.  I’m sure I will be spending many hours listening to these songs.

Karmakanic-DOT-960x960

DOT.

When I pre-ordered the new Karmakanic (already reviewed–several days ago), I didn’t remember having ordered the special edition.  While the artwork–provided by Rush’s Hugh Syme–is simply stunning, I can’t say the same about the packaging.  Mostly plastic, my new case came pre-crushed!  The booklet is in good shape, but the innards that hold the two disks are just lots and lots of flaky pieces.  Ugh.  Thankfully, the disks are ok, but the packaging is weak and poor.  Too bad, as this release deserves the highest treatment possible.  The extra disk is also a DVD.  It has five songs recorded at RosFest 2012, a “making of” documentary, and several interviews.

Both albums come from Insideout.

Interview with TRAUMA FIELD

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Trauma Field (photo by Miika Ihanainen)

Finnish progsters Trauma Field released one of the most pleasant releases of 2016 that I’ve listened on quite a few occasions so far. Their second album, “Changing Tides,” is certainly a great addition to the melodic, more melancholic spectre of the progressive genre.

Jaakko Pessu (vocals, guitars) and Antero Jokinen (keyboards) answered my question about their work. Head over the band’s Bandcamp page, hit the play button and enjoy reading this interview while “Changing Tides” takes you on a journey through vast.

What made you go for the name Trauma Field?

Jaakko: Trauma is a powerful and somewhat scary word. The name can make you wonder, what is a trauma field and how does it look like. And then you have a picture in your head. At least that’s how it worked for me in the beginning. Also it describes our themes well. Trauma field is inside ones head, and that’s where we dive on our albums.

How do you usually describe your music?

Jaakko: Atmoshpheric, melodic and somewhat progressive. The goal is to deliver emotions and feelings and to do that, all tools and spices can be used.

What is your writing process like?

Jaakko: I usually get a small idea from somewhere. It can be a melody, a riff or a chord progression. Immediately after that I try to recognize the feeling in it. That feeling is the guideline to make the rest of the song and the lyrics. But of course every song and every process is different.

Who or what is your inspiration, if you have any?

Jaakko: I find inspiration from everywhere. Usually it’s other music, but it can be a movie, a photo, etc. The lyrical theme of Changing Tides is the progress of growing and maturing through good and bad days. I have thought about these things for a couple of years now and it was kind of natural to mold these thoughts into an album.

Changing Tides

What is your favourite piece on the “Changing Tides” album?

Jaakko: My personal favourite is High Tide. It was fun and painless to make and contains some elements I’m really proud of, like the use of the theme melody in different time signatures. The best thing about this album is that everyone has a different favourite.

Antero: My favourite piece changes from time to time but I have to say I’m very happy to have a proper ballad on the album! I mean Hope For Rain of course.

What makes “Changing Tides” different?

Jaakko: It is a combination of easy and complex things. The melodies are clear and easy to follow, but there’s more in the songs. I hope that a listener wants to hear the songs again and again to hear and understand new things.

What should music lovers expect from “Changing Tides”?

Jaakko: A musical journey to yourself. Everyone should think these themes at some point in their lives. Musically it’s full of feeling and emotion to dive into.

What kind of emotions would you like your audience to feel when they listen to your music?

Jaakko: Depends on the song. Most of the time it’s some shade of melancholy, but there’s always a positive side to it. I’m small, but I matter. Today it rains but the sun will shine tomorrow.

Which do you like most, life in the studio or on tour?

Jaakko: We have never been on a longer tour, but I guess the studio wins. It’s nice to try different ideas and hear the music form in front of you. You can never hear it quite the same while playing.

Antero: We would like to have a some kind of tour of course but sometimes I wonder how some bands can do it for almost two years straight.

Pick your three favourite albums that you would take on a desert island with you.

Jaakko: Today’s choice would be: Boxer by The National, New World Shadows by Omnium Gatherum and Appeal to Reason by Rise Against. An album for each mood.

Antero: I have to say Unia by Sonata Arctica because the album is so complex  and you can find new things in it on every listen. Other two might be Once by Nightwish and Addicted by Devin Townsend Project.

Check out Progarchy’s review of “Changing Tides” here.

RochaNews: Nosound

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NOSOUND LAUNCHES NEW VIDEO FOR “SOGNO E INCENDIO” FEAT. ITALIAN SINGER ANDREA CHIMENTI
Fifth studio album “Scintilla” out September 2 on Kscope
ROME, Italy – Ahead of the release of its fifth studio album Scintilla on September 2 via Kscope, Nosound has launched a new video for the song “Sogno E Incendio” featuring acclaimed Italian singer Andrea Chimenti. Stream the clip on YouTube at:
Nosound’s Giancarlo Erra explains: “The video was directed by Erika Errante. She was introduced to me by Andrea [Chimenti] via his son, as she had produced a few videos for his band and I wanted a video done by someone else for once, not myself. For this reason I wanted to give her full freedom. All we knew is that we didn’t want to go too literal with the lyrics in the song, but instead expressing the concept in another way. So the concept is explained through the idea of lost and found people and feeling, and transformation from one into the other. It is a more loose and artistic connection, and I liked it a lot for that reason.” 
Giancarlo Erra co-wrote the song with Andrea Chimenti: “Working with Andrea was extremely easy; we discovered we have a common emotional ground, so the theme of my album immediately vibrated with him and together we quickly arrived to the meaning this song was meant for. The song is all about the spark (scintilla) that can ignite a fire, but for that to happen there’s a need for dead dried leaves, or branches, or old paper, so the old and dead stuff that seems useless is what is really needed for the fire to start again.”
 
On the collaboration and creative thought process Chimenti adds: “Giancarlo Erra had long ago sent me an instrumental song to listen to. It struck me immediately and I liked very much the idea of working with him, but as often happens we were busy with various things and that tune remained in the drawer for a while … maybe it was not the time to deal with it because everything happens when it has to happen. At the beginning of this year, after a series of events that have transformed my life, the text and singing for that song were born. The extraordinary piano sequence of Nosound, with its perpetual motion, rolled out the words, one after another like a string of pearls and the album title ‘Scintilla’ was the thread on which they walked. 
 
“The crescendo of the second part suggested to me fire as a purifying element that from a spark turns into a real fire. I love music when it manages to be evocative, calling into dreams and images. The music of this song has in it all that strength and not just that of the dream, but that of the spark, the fire prelude.”
Inspired by personal upheaval and a desire for change, Scintilla is an emotionally complex and musically direct work, presenting a stripped-down set of compositions that mark a major departure from Nosound’s trademark symphonic lushness and production precision. Taking in influences from post rock, shoegaze and alt-singer-songwriters, the album imaginatively utilizes a mostly organic and acoustic sound palette.
In addition to Andrea Chimenti, Anathema’s Vincent Cavanagh lends his distinctive vocals to two of the album’s tracks, and cellist Marianne De Chastelaine returns once more to the Nosound fold (this time in a more free-flowing and improvisational capacity).
An additional Scintilla track and video, “Short Story,” can be streamed on YouTube at: https://www.youtube.com/watch?v=yLtfb-HcTz8&feature=youtu.be and Vimeo at: https://vimeo.com/167108079.
Scintilla is available to pre-order via the Kscope webstore at: https://www.burningshed.com/store/nosound as a deluxe CD/Blu-Ray in Mediabook (with 24 page booklet and Blu-Ray containing HD stereo and 5.1 surround sound mixes, plus additional video content) and audiophile double 180g vinyl edition (mastered at 45rpm to ensure quality) in a gatefold cover with booklet and poly-lined inner bags. Download and streaming versions will be available to pre-order at: http://smarturl.it/SCINTILLA_DIGITAL with instant downloads of “Short Story” and “Sogno E Incendio.”
1. Short Story [02:24]
2. Last Lunch [07:00]
3. Little Man [04:38]
4. In Celebration of Life [05:34]
5. Sogno E Incendio [04:44]
6. Emily [03:19]
7. The Perfect Wife [07:27]
8. Love is Forever [02:51]
9. Evil Smile [04:33]
10. Scintilla [06:27]
Regarded by critics and fans alike as one of the most interesting up and coming alt/art rock bands in Europe, Nosound inventively combines influences from ’70s psychedelia, ’80s/’90s ambient and contemporary alternative, progressive and post rock. The project started as a one man studio project in late 2002 by Giancarlo Erra, but has since grown into a five piece band, evolving into something unique, focused and powerful. The music is evocative and intense, with personal songwriting.
A cathartic album of emotional extremes, Scintilla marks the brave beginning of the second phase of Nosound’s fascinating career. Stay tuned for more information on Nosound and Scintilla, out this September on Kscope.
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Nosound is:
Giancarlo Erra – vocals, guitar, keyboards
Marco Berni – keyboards, vocals
Alessandro Luci – bass, upright bass, keyboards
Paolo Vigliarolo – acoustic/electric guitars
Giulio Caneponi – drums, percussion, vocals
Nosound online:
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