Hold On

90125

G.K Chesterton is the alleged source for Yes’ terrific 90125 song, “Hold On.”

Frank Weathers cites personal correspondence between Jon Anderson and a friend of his, in which Anderson attributes the song’s inspiration to this quotation:

In the struggle for existence, it is only on those who hang on for ten minutes after all is hopeless, that hope begins to dawn.

I searched the Internet and this quote is all over the place, attributed to Chesterton, as if writing thus in The Speaker on February 2, 1901.

Of course, that doesn’t mean Chesterton actually wrote it. There are lots of fake quotations propagated by the Internet.

And the way the “struggle for existence” phrase is placed in that sentence doesn’t sound like Chesterton to me.

I did a search through the Collected Works of Chesterton published by Ignatius Press but I have been unable to verify the quotation.

In addition, my scouring of Chesterton books via the tremendous power of Google Books yields no results.

Is there anyone out there who can cite me a published source, in order to verify this Chesterton quotation?

Until then, I will have to conclude that it is fake.

Still, this would be a marvelous case of felix culpa…

Marvelous that Anderson could read a simple fake quotation somewhere and then spin a glorious Yes song out of it.

Perhaps it would not be too much to say that Anderson had a connatural understanding of Chesterton on this one point, in somewhat the same way that Chesterton himself had an intuitive grasp of Thomas Aquinas by way of connaturality, as Marshall McLuhan has argued in his “Introduction” to Hugh Kenner’s Paradox in Chesterton:

[Chesterton] seems never to have reached any position by dialectic or doctrine, but to have enjoyed a kind of connaturality with every kind of reasonableness.

According to Weathers’ friend, Anderson apparently had this to say about his inspiration:

He told me that the song was about pressing forward into a new world—like moving from black and white into technicolor. We could either accept the end of the world, war, corruption, the extermination of mankind, or we could work toward a bright, peaceful world based on “common sense.”

He wrote—and this is why I’ve always remembered it—that “hang on” doesn’t sound as pleasing when sung as “hold on.”

Sounds connatural to me…

After all, Chesterton is the Apostle of Common Sense.

Cosmograf Lyric Sheet Up

tmlis lyric sheet sampletmlis lyric sheet sampleVery excited about the release of the new Cosmograf CD.  Robin Armstrong–aka Mr. Cosmograf, Master and Lord of Time and Chronometers–has just updated his blog.  To view it, click here.

Pre-orders begin tomorrow.

Ayreon: A Dutch Progger in King Arthur’s Court

ayreonthefinalexperimencr9I often joke with my students that I can still remember the days when listening to progressive rock and watching Dr. Who could get a kid beaten up.  Yes, 1981.  I remember it well.  Seventh grade at Liberty Junior High in Hutchinson, Kansas.  Yet, it’s now 2013, and I’m still listening to Rush and watching Dr. Who.  Obviously, I survived the bullies

But, I can get even nerdier.  Much nerdier.  I was also a huge Dungeons and Dragons guy.  Yes, 1981.  I remember it well.  Yet, it’s now 2013, and I’m still playing DnD.  Now, with my kids.

My love of all things progressive (music; not politics!), science fiction, and fantasy have come together quite nicely in a number of direct ways: Rush, Roswell Six, Rush again, Ayreon, more Rush, Cosmograf, Glass Hammer, The Tangent, Rush, Kansas, Star One, Spock’s Beard, and even more Rush.

Surprisingly, though, only a few rock bands have really explored the Arthurian legends.  Those artists that have–such as Rick Wakeman and Gary Hughes–have gone all out, making nothing less than elaborate rock operas.  While Wakeman’s Arthur seems rather French, Hughes’s remains very Celtic.

The French legends, generally centering on the love affair of Lancelot and Gwenivere, usually reflect the medieval notions of courtship as inherited from the Moors.  The Celtic legends are almost always more mystical, suggesting strong relations between the Celtic gods (a twilight) and the Christian God.  Famously, one Celtic god, Bran the Blessed, even went so far as to sacrifice himself so that the Christian God could reign supreme.  How often does this happen in pagan myth?

Continue reading “Ayreon: A Dutch Progger in King Arthur’s Court”

East Coast Racer

Mallard steam train

In the run-up to the March release of Big Big Train’s hotly-anticipated English Electric Pt 2, Greg Spawton is delighting us once more with insights into the origins of each track on the album.

Check out the BBT blog for more on opening track East Coast Racer – the story of Mallard, legendary holder of the world speed record for steam trains.

In Concert: Rush, Clockwork Angels. A masterpiece.

CREATOR: gd-jpeg v1.0 (using IJG JPEG v62), quality = 95[This was originally posted in September at TIC.  A huge thanks to my friend, Winston Elliott, for his constant support of my loves–even when he doesn’t “get” them.]

It’s been more than a bit of a Rush extravaganza for the last several months even in the mainstream media.

The band is on tour right now, playing in venues as massive as they have for over thirty-five years.  Drummer Neil Peart turned 60 last week.  Relatively rare in progressive rock history, a novel has appeared this month that intentionally complements and further explores the world introduced in an album.  That album, “Clockwork Angels,” has justly received rave reviews, and the most prestigious magazine in the business, PROG, awarded Rush with “album of the year” earlier this month.  Last May, the Canadian Council of the Arts awarded the three members of Rush with its highest honors, including a medal and $25,000 a piece.

Never shy about technological advances, Rush released an app with exclusive content on it this week.

By any measure, Rush is at the top of the profession, having created more “gold records” than only two other rock acts in the history of rock music, despite being mocked or ignored by Rolling Stone (until recently) and the “Rock and Roll Hall of Fame” in Cleveland as “terminally unhip.”   They have sold over 40 million albums, and their fans are some of the most loyal in existence.

Rush is made up of three confident artists, having played together for a little under four decades, the closest of comrades, the most spirited of adventurers. Continue reading “In Concert: Rush, Clockwork Angels. A masterpiece.”

Urban Jungle

paper-house.bandcamp.com

British Columbia band Paper House has released a preview of their forthcoming second EP, Whistles and Missiles (Feb 1, 2013): namely, track #2, “Urban Jungle.”

It’s nice retro rock that you may find refreshing. Their prog rock-flavoured first EP is available over at Bandcamp.

But if you are interested in the theological reasoning behind the statement “all dogs go to heaven,” you’ll want to download Paper House’s hilarious country rock track, “Lucky (In Memoriam).”

And you can also download their track “Movie B.S. Theme,” which makes for a nice one-minute palate cleanser between the lengthier hyper-epic prog tracks on your playlists.

Thieves’ Kitchen’s new album releases Jan 29, now available for pre-order

On 29 January Thieves’ Kitchen release their new album, “One for Sorrow, Two for Joy.”

It’s now available for pre-order. More information at the link below.

On “One for Sorrow, Two for Joy”, the band are joined by Paul Mallyon (Drums – Sanguine Hum), Brad Waissman (Bass – Sanguine Hum), and Anna Holmgren (Flute – Anglagard) to provide a thrilling journey into a musical landscape rooted in a progressive heritage, but not limited by it. Fans of The Water Road will hear a continuity of their instantly recognisable sound, but from a band still moving forward, still exploring.

Recorded and mixed by Rob Aubrey at Aubitt studios (IQ, Big Big Train, Spock’s Beard), “One for Sorrow, Two for Joy” is a crystalline document of a band surfing the extremes of dynamics across a mosaic of shifting themes to provide an organic and engaging listening experience.

http://us6.campaign-archive2.com/?u=9765a966a943631101e12f74b&id=7b6c2dc271

Willem Klopper and BBT

Some wonderful photos appeared on Big Big Train’s FB page today.  All taken by Willem Klopper.

Spawton bass

 

longdon flute

http://www.facebook.com/media/set/?set=a.452175891514753.106940.203751903023821&type=1

Neal Morse DVD, “Momentum Live,” out February 2013.

ArtiosCAD PlotGreat news just arrived from Chris Thompson, one of Progarchy’s favorite guys in the prog world.  Chris, as probably all readers of Progarchy know, is Neal Morse’s manager.  The video he posted is especially worth previewing.  Richard Schwartz was at this concert, but Mark Widhalm and I attended the next night in Chicago.  Brilliant.

So, without more Birzer bloviating, the good news. . .

Radiant Records Announces“LIVE Momentum”

Pre-Sales begin on February 1, 2013 at  

12:00 noon (CST) AND Neal will autograph the first 200 sold from Radiant Records.com   

Available Worldwide on February 19, 2013 

Nashville, TN-When progressive rock icon Neal Morse was preparing to tour his highly acclaimed 2012 studio release, “Momentum,” he turned to YouTube to audition touring players to support his faithful duo of Mike Portnoy (drums) and Randy George (bass).

He had high hopes, but the final players selected from more than 70 applicants dramatically surpassed his expectations. They hit the road for an 8-stop North American tour. And now that band’s epic New York performance is captured on the new  “Live Momentum” 2DVD/3CD Box Set.

Fortified by the energetic live contributions of Eric Gillette (keyboards, guitars, vocals), Bill Hubauer (key-boards, violin, sax, vocals) and Adson Sodré (guitar and vocals), Morse, Portnoy and George blazed through two lengthy sets that spanned Morse’s entire, highly-heralded catalog, with the exception of material from “Testimony 2,” which was previously captured in 2011’s “Testimony 2: Live in Los Angeles” box set.

The setlist is mammoth. The players are virtuosic. Their performances are jaw-dropping. And this dynamic box set documents it all-including a special one-hour behind the scenes look at the tour.

It’s a Morse tradition to go big, and this new release unquestionably extends his powerful legacy of merging musical madness with addictive melodies in epic compositions that showcase the masterful musicianship of every member on stage.

“Live Momentum” reveals the exceptionally inspired nature of this unique band and leaves listeners and viewers mimicking those in the audience on this tour-shaking their heads and wondering, “How could they possibly top that?”

This ENORMOUS 2 DVD / 3CD set includes over 4 hours of video, including and exclusive Tour Documentary and over 3 hours of audio.

Get ALL the details at

www.Radiant Records.com 

Check out the video trailer here!