Here are the albums of new music from 2018 that grabbed me on first or second listen, then compelled repeated plays. I’m not gonna rank them except for those that achieved Top Favorite status, which I’ll save for the very end. The others are listed alphabetically by artist. (Old school style, that is — last names first where necessary!) Links to the ones I’ve previously reviewed are embedded in the album titles. But first, a graphic tease …
Pre-orders are open for the new album from The Tangent!
Recorded “quietly and carefully” over Spring and Summer of this year, Proxy is scheduled for release by the esteemed Inside Out Music on 16 November and will be available as a CD digipak, vinyl LP and digital download.
Soon after placing my order, I was delighted to receive a long and chatty email from Andy Tillison, delving deeply into the influences and musical styles of the new album, and the approach used to make it. Absolutely fascinating.
According to Andy, it is a “very organic feeling piece”, featuring a real drummer this time (Steve Roberts). Naturally, we should expect Prog – “not just Prog, but lots of it… often focused on the Hammond and Electric Piano”, with “less in the way of orchestrations – more focus on the core instruments”. Apparently, we’ll “spot influences from Chris Squire, Keith Emerson, Pip Pyle, Pierre Moerlen, Tony Iommi, Chick Corea, Fatboy Slim, Sophie Ellis Bextor and Peter Hammill”. Now that’s an eclectic bunch!
Because Doctor Livingstone from Slow Rust was so well received, we’ll be getting another instrumental on Proxy, along with a 17-minute epic that, intriguingly, has all the hallmarks of Prog and yet is “not made out of Prog… Imagine the Eiffel Tower made in mahogany”. I am very curious to find out what this actually means…
And what of the lyrics? Let me quote Andy in full here:
No overall concept this time. Yes, there will be politically motivated bits – there will be introspect – there will be reckless optimism and ever more reckless pessimism. Some of the songs are tinged with the regrets arising from missed opportunities earlier in life, some are angry and cynical. But the overall conclusion of the album is that there is “still time”.
Bring it on!
The term “Kalman Filter” refers to a process of observing and measuring something over long periods of time, rather than simply making a single observation of a single moment at a specific time. The process never claims to be perfect, but it does claim to be a more accurate of understanding over the long term.
Why Andy Tillison chose to name his new band and new project Kalman Filter is beyond my knowledge. Whether he just liked the name or whether he has some intent in comparing his approach to the music to the Kalman Filter process is, again, unknown to me. Still, if it’s the latter, it seems to fit. The music does seem to me to be a way of thinking about a process, seen over moments of great lengths of time, reaching toward perfection.
To complicate matters, Tillison has written an extremely detailed if rather psychedelic story about his encounters with some black-op security forces here: https://www.thetangent.org/index.php/read/the-kalman-filter
Tillison is best known—especially to Americans—as the fountainhead and touchstone of all thing The Tangent related. But, he’s responsible for a number of other groups and projects as well: including, most recently, Tangekanic, as well as Parallel or 90 Degrees and a number of solo albums (Fog, Murk, Electric Sinfonia, and Durch).
This arrived, happily, this evening from Sally Collyer. Great update about all things Tillison.
Happy New Year to everyone and first and foremost a huge thank you to all who supported Andy and the band last year, bought “The Slow Rust of Forgotten Machinery”, attended the live shows in Europe and the USA and voted for the album and band members in the PROG Magazine readers poll, huge congratulations to Andy for being voted number one in the Keyboard players category and to Jonas and Luke for gaining 5th place in the Bass Player and Guitarist categories respectively, the album “The Slow Rust of Forgotten Machinery” also achieved 5th in the best album category, all in all incredible achievements considering the wealth of talented output in the progressive music genre over the last 12 months, in addition to the fact that we have a policy of never asking fans to vote in polls, it was wonderful to get this news in the knowledge that people had chosen to give support without any outside influence, the music really did speak for itself!
Lots going on here at Tangent HQ right now:
The Tangent, SLOW RUST OF FORGOTTEN MACHINERY (Insideout Music, 2017). Tracks: Two Swings; Doctor Livingstone; Slow Rust; The Story of Lead and Astatine; A Few Steps Down the Wrong Road; and Basildonxit.
Andy Tillison is not a happy man.
From the art work, to the vocal work, to the lyrics of this latest The Tangent album, SLOW RUST, Tillison has embraced a critical response to the rapidly growing and evolving fascistic, fascist-lite, and insular movements of the western world over the last several years. As artist, as man, and as thinker, Tillison hopes to stay the dark trajectory of the West or even, God willing, reverse it. While the great red-headed man of prog mischief has never backed away from controversial viewpoints, he’s rarely been this explicit.
Even the album cover makes one pause. Previously, Tillison has joked that he represents the dark side of prog, the antithesis, in particular, to Big Big Train, and the cover seems to project this rather profoundly, as a (presumably) single Muslim mother walks along dilapidated railroad tracks, holding the hands of her two daughters. The once majestic train has derailed, and the crossing sign (the closest thing to the viewer of the album) reads “go.” Clearly, several things have gone very, very wrong. There’s no hedgerow in the distance, only a ruined, collapsed, and spent civilization. There’s some blue sky showing, but it’s obscured by the ruddy reds of smoke and grit floating all too freely in a broken and war-torn world.
This morning, Andy Tillison, the mighty and mischievous redhead of the prog world, posted this wonderful essay on how much Rush has influenced him and his music.
Delayed yesterday owing to the highly unpleasant news about Jonas – and only because I know he’s on the mend – here is the FOURTH of the albums I have chosen to represent some of the influential albums on The Tangent’s career. Once again to stress that this is not a chart, a “best of” – nor is it an effort to say or imply that The Tangent sound like this. Because today – i do not think we sound anything like this band, who (like the previous artist) hail from Canada
So far my choices have been street credible and artistically laudable I think – and there will be those who heave a sigh of disappointment when they see that I chose an album by Rush. Indeed, I spent many years not having a great deal of time for this group and they didn’t really hit me until the mid 80s. But when they did… they did.
What I find so appealing about Rush – is something that Sally had also identified, independently of me before either of us met.. and that to us – to try an explain, is the MOTION in which Rush songs set themselves. Where many progressive bands take a stand on the hilltops- taking a view of the broader vista, Rush are always IN the landscape, travelling through it – usually at some speed! They’re looking at the hills that others are standing on – as they whizz past gas stations and motels, steel works and a very very familiar real world environment.
FROM INSIDEOUT music MAY 9 2017
The Tangent, the progressive rock group led by Andy Tillison, have announced the release of the first new music since 2015. Their new ninth studio album ‘The Slow Rust of Forgotten Machinery’ is set for release on 21st July 2017. The line-up for this album once again features Tillison on keyboards, vocals (and for the first time on a Tangent record – drums), Jonas Reingold on bass, Luke Machin on guitars and vocals, and Theo Travis on sax and flutes plus new member Marie-Eve de Gaultier on keys and vocals. There are also guest appearances from author/playwright and Chumbawamba founder Boff Whalley on vocals, and upcoming DJ/producer Matt Farrow.
Band leader Andy Tillison had this to say: “Roger Waters did prove the ability of Progressive Music to act as a vehicle to communicate ideas about the current world scene. In both Pink Floyd’s “The Final Cut” and his “Amused To Death” albums, Waters set a challenge to others in the genre. A challenge which has not been frequently accepted.”
The album sees The Tangent in political commentary mode once again – this time often focussing on the horrendous plight of refugees from war torn parts of the world – and the way in which they are treated by the West, and in particular by the tabloid press. The album laments the new trend in building walls and defending borders across the world yet takes time to look at the breakup of friendships and other more personal issues – along with a song about the fate of wildlife in the modern consumer world.
And it’s a Progressive Rock Record. Full of intricacies, long developed pieces, challenging arrangements and virtuoso playing from all members. New sounds and styles (the band have brought a DJ on board for some sections) – new voices and techniques (first female vocals in The Tangent since the “Not As Good As The Book” album 10 years ago). A new producer in the form of Luke Machin whose open and deep/clear sound is a major factor of this album, a new drummer in the form of Andy Tillison who decided at long last (after drumming for 30 years) to let his own performances guide the rest of the band rather than adding another musician later. And after 13 years of asking, Jonas finally agreed to play some double bass in a song where Luke also plays some Scat guitar and Andy does a full on drum solo.
“The Slow Rust Of Forgotten Machinery” also features stellar artwork from Marvel / DC Comics artist Mark Buckingham. The sleeve of the album is totally based on the music it contains and was especially created for this project.
The album will be available on limited digipak CD, gatefold 2LP + CD, and digital download, and you can find the full track-listing below:
Two Rope Swings
Doctor Livingstone (I Presume)
The Sad Story of Lead and Astatine
A Few Steps Down the Wrong Road
The band will head out on tour in support of the new record, once again joining forces with Sweden’s Karmakanic to present albums by both bands. The full list of dates is as follows:
Aug 26th 2017 – Bierkeller, Reichenbach, DE
Sept 1st 2017 – 2 days of Prog +1 Festival, Veruno, Italy
Sept 9th 2017 – The Boerderij, Zoetermeer
Oct 8th 2017 – SUMMERS END Festival, Chepstow, UK
Oct 21st 2017 – Progtoberfest, Chicago, USA
Oct 22nd 2017 – Shank Hall, Milwaukee WI, USA
Oct 24th 2017 – Token Lounge, Westland MI, USA
Oct 26th 2017 – Roxy & Dukes, Dunellen NJ, USA
Oct 27th 2017 – The Regent Theatre, Arlington MA, USA
Look out for more information in the coming weeks!
The Tangent online:
Visit the new Insideout Shop: