Rick’s Quick Takes: Pricier Prog Edition

A typically quiet summer in our little corner of the music world came to an abrupt end last week, with the news that at the end of August, the United States government would impose new tariffs on goods from UK and the countries of the EU — two prime sources of progressive rock for American fans. In addition, a ‘de minimis’ exemption that allowed foreign packages valued under $800 to enter the US duty-free was going away at the same time. This prompted the Royal Mail, other European postal services and international businesses like Etsy and DHL to suspend deliveries to the US, allowing time for new procedures and paperwork to be developed and put in place. (The Royal Mail has restarted deliveries, providing tariff collection services on their end and charging sellers an additional handling fee.)

The impact on musicians we’ve come to know and love is currently unclear. Progarchy’s go-to British retailer Burning Shed will collect the new 10% tariff on UK shipments to the US — but only on merch, citing Royal Mail guidance that “informational materials” (books, CDs, vinyl, DVDs, BluRays, cassettes, posters and photographs) are exempt. Bandcamp is providing similar guidance to their international sellers (including Leonardo Pavkovic’s MoonJune Records — though as ever, Leonardo does things in his own unique way) and US buyers, but they also note that

The exception will depend on the seller including the correct HS codes on the customs forms and the US agencies processing the packages correctly . . . For those packages that are shipped to the United States after August 29, 2025, you (the buyer) may be charged tariffs upon delivery of the order. Any import duties are the buyer’s responsibility to pay.

Stalwart American importer (and Progarchy fave) The Band Wagon USA is leery about the impact of these changes, citing the real possibility of price increases and more limited stock in the near future. To their credit, they’re also stepping up to provide US distribution for DIY artists like Celtic-Tolkien progger Dave Brons (previously featured on this site), whom these new taxes and regulations will impact the most. But even the bigger acts in the genre are pondering their options; Marillion was one of the first to sound the alert about the coming changes, then suspend shipments until the fog clears. And since the two largest prog labels — Inside Out, a European division of Sony, and Kscope — are headquartered overseas, saying what the future holds only becomes more difficult.

Hardcore fan that I am, I plan to keep on keepin’ on with my upcoming purchases, wherever in the world they come from (I mean, come on — a new live album from Big Big Train! Ring van Möbius’ farewell album! A triple set of trio improv from The Necks!). And while your mileage may vary, let’s continue to support the musicians and the middlemen that bring the music to us, in a way that helps them continue to do what they love!

— Rick Krueger

New and Noteworthy on Bandcamp!

Nearly six months into the worldwide coronavirus epidemic, Bandcamp continues to be a lifeline for musicians.  Since March, fans have purchased more than $75 million worth of music and merchandise there  — including more than $20 million from four Bandcamp Fridays, when the website has waived its fees for artists and labels.  Last week, the announcement was made that Bandcamp Fridays will continue for the rest of 2020.

So (as your pocketbook permits), what’s worth your hard-earned cash on August 7, September 4, October 2, November 6, or December 4?  From my Bandcamp collection and wishlist, a few suggestions:

iatmw things unseenI Am the Manic Whale, Things Unseen:  I’m blown away by the energy, humor and sheer delight these young British proggers bring to their story-songs; this third album could be their best yet, with crystal clear production by Rob Aubrey.  There’s wickedly cheery satire in “Billionaire” and “Celebrity”, an atmospheric trip to Narnia in “The Deplorable Word” and unbounded joy at the gift of children in “Smile” and “Halcyon Days”.  Not to mention IAtMW’s very own train song, “Valenta Scream”, challenging Big Big Train with (in my opinion) the best lyrical simile of 2020: “Making it look so very easy/Eating up the distance like a cheese sandwich.”  Really.

 

mcstine minnemannMcStine and Minnemann: left-field, shreddy art-pop to get your adrenalin flowing. Randy McStine (guitars, vocals, other stuff) and Marco Minnemann (drums, vocals, other stuff) prove steady hands on the steering wheel for wild rides like “Your Offenses” and “Activate”, as well as the stark ballad “The Closer”.  Sure, the songs are short; they’re also stuffed to the gills with ethereal melodies and harmonies, woozily evocative lyrics, ear-grabbing riffs, impossible  drum fills, freaky collages of sound and radical mood shifts.  Don’t expect to focus on anything else while you’re listening to this — just hold on tight and have fun.

 

sancious eyes wide openDavid Sancious, Eyes Wide Open:  a charter member of Bruce Springsteen’s E Street Band, Sancious led the critically acclaimed trio Tone before tackling wingman duties for Peter Gabriel and Sting.  The focus of Eyes Wide Open (finished before lockdowns and protests swallowed news feeds whole) on today’s cultural unrest proves eerily prescient; the vocal tracks “Urban Psalm #3” and “If” and the instrumental “War in Heaven” are ambitious statements on universal human dignity that can lay claim to the moody, magnificent heights of Marvin Gaye’s What’s Going On.  Sancious sings on half the tracks and plays burning guitar and keys throughout, fusing jazz, rock and gospel into winning combinations, atop unbelievably funky drumming by Vinnie Colaiuta, Will Calhoun (Living Colour) and Michael Bland (Prince).  

 

spiraling transmitterSpiraling, Transmitter:  Back in the early 2000s, Tom Brislin (now tearing up the keys in Kansas) led this obscure, wonderful power-pop band in between side gigs with Meat Loaf, Yes and Camel.   On this re-release from 2002, Brislin’s sardonic, appealing vocal delivery perfectly matches the bone-dry wit of “The Girl on Top (Of the Piano)”, “The L Word III” and “(Get Your Own) Holy Grail”.  And the music is built to match: irresistible hooks, propulsive rhythms and riffs that take unexpected detours, every sonic crevice crammed full of nifty synth riffs, effects and solos.  This is unbelievably catchy, unbelievably sharp stuff.   (Check out Brislin’s new, punky public service announcement too!)

 

tmt still aliveTiger Moth Tales, Still Alive/A Visit to Rockfield:  This isn’t the Tiger Moth Tales album Peter Jones planned to release this year — but it’s definitely one that fits the moment.  His gift for melody and innate hopefulness gives these six new tracks (well, five plus a reprise) an effervescence and a glow that can warm the coldest heart.  There’s a beautiful, broad range of expression here, from the optimistic fortitude of the title track and the epic sweep of “The Mighty Fallen” to the rhythm box-laden goofiness of “Whistle Along.”   The bonus DVD features Jones and TMT in session at the legendary Rockfield Studios.  Enjoy this love letter to the world from deepest Nottinghamshire.

 

soft machine baked potatoMoonJune Records: Soft Machine’s Live at the Baked Potato is the latest release from global impresario Leonardo Pavkovic.  On this beauty, the Softs’ explorations are every bit as daring and delectable as when I heard them live in 2018.  Plus, there are plenty of other face-melting instrumental jazz/rock/avant/ethno albums coming soon from Stick Men, touch guitarist Markus Reuter, guitarist Mark Wingfield and a host of other international talents!  Watch for more news at the MoonJune Bandcamp page, or do what I did; subscribe and get everything MoonJune releases for a year!

 

— Rick Krueger

Bandcamp Does It Again!

Back on March 20, Bandcamp waived its share of all sales, in order to support artists whose livelihoods were effected by the COVID-19 pandemic (especially because of cancelled live shows and tours).  The results were astonishing: $4,300,000 in sales of downloads, CDs, LPs and merch, 15 times a normal Friday’s take.

So, to their credit, Bandcamp is doing it again.  And again.  And again.

On May 1, June 5, and July 3 (the first Friday of each month), we’re waiving our revenue share for all sales on Bandcamp, from midnight to midnight PDT on each day.

(Over 150 artists and labels are offering discounts, exclusive items, merch bundles, and more this Friday.)

It may sound simple, but the best way to help artists is with your direct financial support, and we hope you’ll join us through the coming months as we work to support artists in this challenging time.

And, in case you’re wondering, there’s tons of recorded goodness available at Bandcamp from these Progarchy-favored artists:

If your budget allows it, and you need a prog fix, why not do your shopping at Bandcamp this Friday?

 

— Rick Krueger

Eternally Delayed, Infernally Good

Whisper it, but Phideaux is back.

In the seven years that have passed since Snowtorch, it has sometimes felt as if we would never see the much-vaunted ‘Project Infernal’ come to fruition. But here it is, finally: the long-awaited concluding chapter of the eco-terror trilogy that began with 2006’s The Great Leap and was developed further in 2007’s classic Doomsday Afternoon.

I’m little more than halfway through my first listen as I write this. There’s an awful lot to take in from this 19-track, 83-minute double album, but it seems clear already that time has done little to diminish Phideaux Xavier’s distinctive ‘dark wave of art rock’. Infernal is rich, melodic and varied, with moments of real Floydian grandeur. Check it out now on Bandcamp!