Best Prog of 2016, Part II

continued from last night. . .

OLYMPUS DIGITAL CAMERAAndy Tillison Diskdrive, MACHTE ES DURCH.  Sadly, this release has gotten very little press, and, yet, as with all things Tillison, it’s simply genius and extraordinary.  When thinking of Andy and The Tangent, think intensity and integrity.  When thinking of Andy Tillison Diskdrive, think of taste and integrity.  On his solo albums (at least this one and the previous one), Andy has been exploring–rather expertly–jazz-rock-fusion.  He is a natural and a master.

ghost communityGhost Community, CYCLE OF LIFE.  I’ve been rather joyously following the trajectory and art of Matt Cohen for almost a decade now.  The guy is simply put–the kind of guy you really, really, really want to support.  Whatever tragedies the man has experienced, he comes out on top and with an infectious joy.  Not only is his bass playing on this album gorgeous, but the album itself is just joy made manifest.  Imagine a truly progressive and non-cheesy Styx of 1975, and you have Ghost Community.  Probably more rock than prog, it’s what prog needs right now to keep some balance. (Notice, please, that I used some form of “joy” three times in this mini-review!)

Continue reading “Best Prog of 2016, Part II”

Fire Garden’s Immediate Past and Immediate Future

“Best ofs” are flying around every where at the moment.

The top 10.  The top 22.  The top 25.  Best albums.  Best songs.  Best gigs.

Admittedly, I not only love all of these lists, but I encourage and contribute to them.  List, list, list!  Yet, in the middle of it all, I also worry.  Are we allowing the conventions of time to limit our vision?  Things that came out in 2015 have relevance, while things that came out in 2010 have weight.  What about those things that came out between 2010 and now?

So, in the spirit of lists and in the warning labels that should come attached to every one of them, I offer the following about a favorite from. . . not 2015. . . but 2014.  May it never be forgotten.

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Do not–I repeat–DO NOT enter 2016 without having purchased this brilliant album from 2014.

On June 10, 2014, Zee Baig, Chicago prog mastermind and professional artist (photography), revealed to the world Fire Garden’s first full LP, the gorgeous SOUND OF MAJESTIC COLORS.  A little less than two years earlier, he had tempted us all with his three-song EP, appropriately entitled THE PRELUDE.  It was a smart move on Zee’s part, as it truly whetted the appetite.  For eighteen months, I looked forward to the full album.  And, when it finally arrived, it did no–in any way–disappoint.  It was everything the EP had promised and, then, so much more.  The band kindly sent me a review copy, but I was also more than happy to purchase a personal copy.  And, so glad that I did.  Zee does nothing if not perfectly, and a beautiful package arrived promptly from the Windy City, complete with a lovingly-crafted CD and case, a poster, small stickers, and a large bumper sticker, “GOT PROG?”  I had never applied a bumper sticker to my car before.  I generally find them entertaining but tacky.  This one was so good, however—and I was moving to Boulder, Colorado—I had to apply it.  And, there it proudly remains.  It’s actually attracted a lot of attention, especially when I was in Colorado.

As I type this, the band is recording (literally, as I type this) its second album.  I type “band” for convenience, but Zee properly labels Fire Garden a “project,” rather than a band, and, of course, he’s right.  As a project, it magnifies the art, soul, and mind of Zee rather than being a mere expression of each.

SOUND OF MAJESTIC COLORS has been in constant rotation in my playlist for eighteen-months now.  Never has it left that playlist, and never has it bored me.  Indeed, as with all true art, the album reveals more and more to me with each listen.  Granted, I received the album just days before moving to Colorado for a year, so it is tied up with very good personal feelings and memories of my time at CU-Boulder.  But, lots of albums could have done that—at least in terms of possibilities—but it was Fire Garden that best expressed my love of life along the Front Range.  Even now, as I listen to it, I can remember with absolute clarity the view of Rocky Mountain National Park from our back deck.

Zee describes his own music as a reflection of his love for progressive metal bands such as Dream Theater as well as for much harder prog such as Rush.  He also properly notes that he doesn’t really like categorization and that he goes where the muses lead him.  Amen.

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Intense perfectionist, Zee Baig.

As many times as I’ve listened to the album, I still can’t quite place it into any specific category of music.  Yes, I hear Zee’s love of Dream Theater, Drama-era Yes, and Rush and other bands too, but Zee offers something quite different than any one of these bands does.  He shares the tightness of both DT and Rush, but he’s also more melodic than DT and more intense than Rush.  His lyrics, too, speak to a million things.  If I’m understanding every thing I’m hearing, I assume that Zee and I have a fairly similar view of the world, but I may be missing some depth here.  He’s younger than I am by almost two decades, but I still think we view the world in a rather similar fashion.  His love of intensity and perfection certainly inspires me.  No doubt about it.

And, interestingly enough, the lyrics point out everything from a love of Christopher Nolen’s Dark Knight trilogy to existential angst to perseverance to the nature of grace.  All to the good!

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Jimmy Keegan and Zee.

Zee has offered a few teasers from time to time on social media about the forthcoming album, and, of course, he is genius.  The big news is that the new album will feature Jimmy Keegan, the drummer from Spock’s Beard.

Add to this the fact that the first album featured engineers from Dream Theater and Rush, and you get a really good sense of what means what to Zee.  As I’ve already written, this is not a guy to do anything half way.  If something is worth doing, it’s worth doing with excellence.  Zee is excellence, and excellence is Zee.

As we exit 2015 and contemplate the best of this year, let’s not forgot what led into it, what came immediately before it, and what will spring from it.  Fire Garden’s new album is certainly one I anticipate the most for the upcoming year.

Make sure you visit Zee’s official site: http://firegardenmusic.com.  He keeps it up regularly, and I’m always interested in what he’s listening to at the moment.

 

My (Brad’s) Top 101 Albums of the Rock Era

IMG_1425On Facebook, Chris McGarel posted his favorite albums of all time.  It’s an excellent list.  I’d like to do the same, and I’m hoping all of the Progarchists will as well at some point.  But, I’m not quite ready to be so definitive yet.  So, instead of a “best of,” I offer a list of 101 favorites, subject to change over time. Two weeks before turning 46. . . with a bit of humility and more than a bit of awe, I offer the following 100 in (according to group name) alphabetic order.

ABC, Lexicon of Love

Advent, Cantus Firmus

Arjen A. Lucasen, Lost in the New Real

Ayreon, Human Equation

Ayreon, Timeline

Beatles, Magical Mystery Tour

Big Big Train, English Electric (vols 1 and 2)

Big Big Train, The Difference Machine

Big Big Train, Far Skies, Deep Time

Big Big Train, Underfall Yard

Big Country, Steeltown

Blancmange, Happy Families

Bryan Ferry, Boys and Girls

Catherine Wheel, Chrome

Chris Squire, Fish Out of Water

Cocteau Twins, Heaven or Las Vegas

Cosmograf, When Age Has Done Its Duty

Cosmograf, The Man Left in Space

Echo and the Bunnymen, Heaven Up Here

Echo and the Bunnymen, Porcupine

Flower Kings, Paradox Hotel

Flower Kings, Space Revolver

Gazpacho, Night

Gazpacho, Tick Tock

Genesis, A Trick of the Tail

Genesis, Seconds Out

Genesis, Selling England by the Pound

Glass Hammer, Lex Rex

Glass Hammer, Perilous

IZZ, Darkened Room

Jethro Tull, Songs from the Wood

Kate Bush, The Hounds of Love

Kevin McCormick, Squall

Kevin McCormick, With the Coming of Evening

Kingbathmat, Overcoming the Monster

Love Spit Love (self titled)

Kansas, Leftoverture

Marillion, Brave

Marillion, Marbles

Moody Blues, Days of Future Past

My Bloody Valentine, Loveless

New Order, Low Life

Nosound, Lightdark

Oceansize, Effloresce

Peter Gabriel, Security

Peter Gabriel, So

Phish, Rift

Pink Floyd, Animals

Pink Floyd, The Final Cut

Porcupine Tree, Signify

Porcupine Tree, Lightbulb Sun

Porcupine Tree, Fear of a Blank Planet

Psychedelic Furs, Talk, Talk, Talk

Pure Reason Revolution, The Dark Third

Queen, A Night at the Opera

Radiohead, Kid A

Riverside, Out of Myself

Rush 2112

Rush, A Farewell to Kings

Rush, Grace Under Pressure

Rush, Snakes and Arrows

Sarah McLachlan, Fumbling Toward Ecstacy

Simple Minds, New Gold Dream

Sixpence None the Richer (self titled)

Spock’s Beard, The Light

Spock’s Beard, Snow

Steven Wilson, Insurgentes

Talk Talk, The Colour of Spring

Talk Talk, The Spirit of Eden

Talk Talk, Laughing Stock

Tears for Fears, Songs from the Big Chair

The Cure, Disintegration

The Cure, Pornography

The Cure, Head on the Door

The Cure, Bloodflowers

The Doors (self titled)

The Fierce and the Dead, Part I

The Reasoning, Dark Angel

The Reasoning, Adventures in Neverland

The Smiths, Queen is Dead

The Stone Roses (self titled)

3RDegree, The Long Division

The Tangent, Le Sacre Du Travail

The Tangent, Not as Good as the Book

The Tangent, The Music That Died Alone

The The, Dusk

Thomas Dolby, Golden Age of Wireless

Thomas Dolby, The Flat Earth

Tin Spirits, Wired to the Earth

Tori Amos, Under the Pink

Traffic, John Barleycorn Must Die

Traffic, Mr. Fantasy

Transatlantic, SMPT: e

U2, The Joshua Tree

Ultravox, Lament

World Party, Goodbye Jumbo

XTC, Skylarking

XTC, Nonesuch

Yes, Close to the Edge

Yes, Drama

Yes, Fragile