Album Review: @DaveKerzner — Paranoia EP and New World Live LP ★★★★★

Dave Kerzner continues to amaze. His new Paranoia EP starts off with two new tracks. Don’t underestimate these. The more you listen to them, the more they take hold of you. Dave is an underrated songwriter. This EP proves it. These first two tracks are incredibly finely crafted songs, but unlike most prog they do not draw your attention to that fact. Instead, they are subtle, and your appreciation of them will only grow. Absolutely stellar tracks, they leave me wanting more. I can’t wait for Dave’s next full album.

Also on the EP are two live tracks that are taken from the extended 2015 Deluxe Edition of New World. “Secret” was never a favorite of mine, but here in this live version the song is much enhanced. It works so much better live, and Dave even drops an F-bomb to liven up the saccharine Barry Manilow vibe that I always thought ruined the song. Well, I understand the track much better now. The sappy atmosphere is actually meant to be totally ironic. Listen to the lyrics, and you’ll get it. I now love this song. I guess it needed to be abstracted from the two-hours-plus version of New World in order for me to finally appreciate it. Well, I really love it now.

As for “Recurring Dream,” I always really, really liked the song. The way it starts is so cool, and the whole harmonious structure is so beautiful, graced with one of Dave’s very best melodies. I can understand why it seems to be being played as an encore here. Bravo! This is a rock solid EP, and a real gift to the fans.

Continue reading “Album Review: @DaveKerzner — Paranoia EP and New World Live LP ★★★★★”

Paranoia: from New World Live Extended Edition Bonus Disc @DaveKerzner

Check out this incredible new track from the great Dave Kerzner, and be sure to buy the bonus disc. It goes nicely with the New World album.

On a Roll – 2015 Prog In Review

So you’re watching a baseball game. The pitcher for one of the teams has yet to give up a hit. In fact, he’s retired every batter that he’s faced, giving up not so much as a walk. And even as the game stretches into the latter innings, he’s not getting tired. He’s struck out six batters in a row and is just completely shutting down the opposition in a manner reminiscent of the way noted Rush fan Randy Johnson used to do. You look at that guy and think “man, he’s on a roll.”

Maybe it’s a team that has won a number of games in a row. Maybe it’s a business leader who has led his company into the stratosphere with one popular product offering after another.

Or maybe you are a fan of prog rock. In fact, you probably are just that if you’re reading this. You look back a few years ago, at 2012, and realize it was a good year, producing a number of excellent albums, including Echolyn’s “Windowpane” album, Glass Hammer’s incredible Perilous, and Gazpacho’s March of Ghosts (highly underrated if you ask me). Then 2013 comes along, and you think, “what an amazing year,” as your album collection grows with releases such as Ayreon’s The Theory if Everything, The Tangent’s magnum opus Le Sacre Du Travail, and Haken’s outstanding The Mountain. There is no letup at all in 2014, more new releases, many of them are “must haves”, such as IQ’s The Road of Bones and Cosmograf’s Capacitor among them. And now, here we are in 2015, and you’ve been deluged with more incredible music in what has been yet another great year in prog. And you think, “man, prog on a roll!”

Indeed it is.

Each December for the last several years, we at Progarchy have gushed about the abundance of great prog music coming out and the health of the current prog scene. We are getting to be like a broken record. But can you blame us? And would you rather it be different, like the early 90’s or so when the prog light was a dimly flickering candle?

What else can I say? Well, I can start talking about the albums.

Album of the Year:

In a year of stellar releases, my hands down album of the year with a bullet is Riverside’s utterly brilliant Love, Fear, and The Time Machine. I simply cannot overstate how much I love this album, or how good it is. Riverside has tamed much of their heavy metal side, moving in more melodic direction – while still retaining the dynamism and overall sound Riverside-coverthat is unmistakably Riverside. While the album still has some of their trademark moodiness, the darkness has been replaced with a mature, tempered, and realistic optimism that grows throughout. This album was quite a leap for Riverside in terms of direction, and yet they pulled it off flawlessly.

Other Notables:

Most others have put Steven Wilson’s Hand Cannot Erase at the top of their album of the year charts. I can’t do that, and I’m probably not quite asSteven_Wilson_Hand_Cannot_Erase_cover

much of a Wilson fan as most of the hardcore proggers are today. That being said, this was a pretty good album for me, if a bit depressing in subject matter. But musically, Wilson and his band are firing on all cylinders. Home Invasion/Regret #9 stands out as my favorite track on the album, although you really have to listen to the whole thing to get the gist.

One of my new discoveries this year was Nad Sylvan, and his excellent solo album Courting the Widow. Sylvan’s album builds on the album_coverclassic/symphronic prog sound of an earlier era, and yet sounds fresh and modern. It works especially well since Sylvan’s natural singing voice seems to be a perfect mix of Peter Gabriel and Phil Collins, making it no mystery as to why Steve Hackett selected him as a touring vocalist. Standout tracks on this album include the title track, Echoes of Ekwabet, and the excellent epic, To Turn The Other Side.

Gazpacho didn’t wait long after their release of Demon in 2014, coming back this year with an equally strange album Molok. Like its predecessor,

artworks-000129814894-5f07ie-t500x500

this album is very strange – but don’t mistake that for a lack of quality. All the Gazpacho trademarks are there, the meticulous subtlety, the unusual structures that take time to reveal themselves, and the thin veneer of simple riffs on top with a staggering complexity underneath. Conceptually, this album is not easy to explain, and it’s best to read the band’s explanation put up on their Facebook page. It’s hard to pick out a favorite track since the album has to be taken as a whole … although Molok Rising provides a strong and satisfying end to the album.

Everything Arjen Anthony Luccassen touches turns to awesome, and The Diary by his project with Anneke van Giersbergen, The Gentle Storm. This Gentle Stormwas really two albums in one, a heavy version (Storm) with all the songs “metaled up” by Arjen, and a lighter version (Gentle) which relied more heavily on acoustic instruments and folky sounds. Both are excellent and it’s tough to pick on. Shores of India seems to work best in the Gentle form, while The Storm, appropriately, seems to work best in the Storm version.

I’m going to go slightly off script here into the realms of heavy metal, because my list would not be complete without a mention of Iron Maiden’s stunning album, The Book of Souls. Why am I only slightly off script? book of soulsBecause this album is the proggiest thing Iron Maiden has ever done, even though it retains their previous heavy metal elements. While this album is excellent from start to finish, the boys of Maiden are at their strongest here when they are on their proggiest – the 10 minutes plus title, track, the 13 minutes plus The Red and the Black, and the closing, 18 minute epic, Empire of the Clouds. For the shorter, more familiar Maiden, Speed of Light is a particularly strong track. I’ve always defended the members and the music of Iron Maiden as being more intelligent and thoughtful than that of their heavy metal peers, and this album is the best evidence yet of that. This is truly a crowning achievement on an amazing career.

Moving back into prog-proper territory, Andy Tillison and his band The Tangent followed up 2013’s outstanding Le Sacre Du Travail with an equallytangent1 excellent release, A Spark in the Aether. One of the things that really comes through on this album (and makes it so excellent) is that is sounds like Tillison was having tongs of fun in making it. The joy really shines through on one of my favorite tracks, Codpieces and Capes, a celebration of prog’s glorious past. Even better is The Celluloid Road, Andy’s insightful look at America through the lens provided in film, i.e. movies that is. It’s the highlight of an album full of highlights. Oh, and speaking of America …

Three Cheers for the Red, White and Blue:

This year was an exceptional year for prog from this side of the Atlantic, Echolyn Coverbetter than I can remember in some time. For one, Echolyn returned with I Heard You Listening, which more or less picks up where they left off in 2012. There were no bad tracks on the album, but Messenger of All’s Right, Different Days, and All This Time We’re Given were especially strong.

District 97 returned with their eclectic and somewhat heavy brand of prog, bringing us In Vaults. The early part of this release starts out sounding similar to their previous release, Trouble With Machines, but gradually District-97-In-Vaults-e1433201699982evolves into new territory. I absolutely love the leadoff track, Snow Country, and am also partial to A Lottery and On Paper. The playing is top notch throughout. But what I like best about this album is the outstanding vocal performance of Leslie Hunt, who continues to make a strong case for the title of First Lady of Prog. Whether it’s her breathy jazz phrasing, her power vocals, or something in between, she hits it perfect every time.

Our favorite boys from Joisey, 3rd Degree, came out Ones and Zeros: Vol. 1. 3rdegreeI’m hoping that the Vol. 1 part of the title is an implicit stating that there will be a Vol. 2, because I definitely want more of this. A concept album that explores our relationship to technology (the digital world in particular), the lyrics are both clever and insightful. This one will be interesting to come back to five or ten years hence to examine the lyrics/concept in the context of how times will change.

The Ted Leonard era of Spock’s Beard continued apace with The Oblivion Spocksbeard_theoblivionparticle_coverParticle. I won’t mince words here – I think Leonard is the best vocalist Spock’s Beard has ever had, and I love where they are going with him at the mike. Bennett Built a Time Machine is an excellent track, and I love Minion as well (would have liked the move Minions to have worked a little prog into their soundtrack with this one …). They musicianship is as stellar as ever, and combined with Leonard’s voice, the Beard sounds as good as ever to these ears.

One final entry here is Dave Kerzner’s New World. Now technically, this david-kerzner-new-world-deluxealbum was initially released in 2014, but after many had already compiled their year-end best-of lists. It didn’t seem fair to me that such a fine album wouldn’t make the cut simply because of the timing of its release. So I’m going to include it here as a 2015 release and put it on my list – and on the merits it most definitely belongs.

And no, I haven’t forgot about Glass Hammer’s highly acclaimed Breaking of the World. But I must confess I haven’t gotten around to listening to this one yet. So much prog, so little time.

So another great year is almost in the books. What will 2016 bring? Well, if current trends continue, it’s going to be a pretty good year. For one, we will probably get the DVD of The Theater Equation, and I’m very much looking forward to that. Let’s just hope things stay where they’re at – on a roll.

Bryan’s Best of 2015

2015 turned out to be another fantastic year for prog, as well as metal. Last year, I made a top 10 list, but this year, there has been far too much great music in prog, metal, and rock to narrow it down to 10 albums. Apart from my top 4, there will be no particular order for the rest of my picks. Most of this will be prog, but there is some straight up metal here as well.

The Neal Morse Band – The Grand Experiment

grandexperimentNeal Morse and company have made another outstanding album. “Alive Again” might be one of the top 10 best long progressive songs ever made. It is remarkably beautiful. Mike Portnoy’s drumming is exceptional, as always, and, like last year, this isn’t the last we shall hear of him on this list.

 

 

Spock’s Beard – The Oblivion Particle

cd_top1The Oblivion Particle is my first introduction to Spock’s Beard, and I am heartily impressed. Ted Leonard’s vocals really round out the band. “Bennett Built a Time Machine” is my personal favorite from the record.

 

 

Stryper – Fallen

stryperfallenart1-602x536I’m brand new to Stryper, and after listening to their last two albums, I’m flabbergasted. Their new music is better than their original stuff from the 80s. The drummer has grown incredibly, and Michael Sweet’s vocals soar to the heavens. The best thing – Stryper hasn’t given up on their values. They blast metal to honor God.

 

Lonely Robot – Please Come Home

71R0HHLaiqL._SY355_I was pleasantly surprised by this album. The music has just the right amount of complexity, with a few pop hooks here and there for good measure. The song “Lonely Robot” should be a radio staple, but rock radio sucks.

 

 

LEAH – Kings and Queens

a1021213633_16The reigning queen of prog metal released a masterpiece this year. A long masterpiece. Her combination of metal with celtic influences works amazingly well. She creates a wonderful sound that no one else really tries to duplicate. Originality abounds.

 

 

Dave Kerzner – New World (Deluxe Edition)

david-kerzner-new-world-deluxeThe deluxe edition came out this year, so it counts as 2015. Plus, I overlooked the album last year since it came out in December, and for that I sincerely apologize to Dave. This album brilliantly revives classic elements of Pink Floyd, and Kerzner’s voice is eerily reminiscent of David Gilmour’s. This is an album meant to last.

 

 

The Winery Dogs – Hot Streak

81SPiEsz2HL._SX425_Wow! AC/DC meets Mike Portnoy! Richie Kotzen’s voice has grown on me, as has the “Dog’s” music. From the virtuosity of the first track, “Oblivion,” to the hard rock bombast of “Captain Love,” Hot Streak is a fantastic album. Billy Sheehan’s bass balances Portnoy’s drums and Kotzen’s guitars beautifully. The quiet piece, “Fire,” is a nice change up, as well.

 

Next to None – A Light in the Dark

3655066_origI saw these guys live in concert with Haken this spring, and I was impressed. For teenagers, these guys have serious chops. Max Portnoy stands out though, as he has clearly inherited his father’s raw talent. Check out my review of the album and interview with Max – https://progarchy.com/2015/07/20/metal-mondays-interview-with-max-portnoy-of-next-to-none/

 

Metal Allegiance – Metal Allegiance

safe_image.phpYou could call this a supergroup for thrash, although it seems anything with Mike Portnoy in it could be called a supergroup. His double bass thrash drumming is a nice change for him. The abundant guest performances from bands such as Testament, Anthrax, and many other groups really round out their sound. Normally I don’t like thrash because of the lyrics, but the lyrics here are great. The combination of guests makes this album one of the greatest thrash albums ever made.

Disturbed – Immortalized

81FC381L9HL._SY355_This isn’t prog in any sense of the word, but Disturbed’s first album since 2010 is a return to form for the band. They didn’t want to make an album again unless it was really good, and they delivered on that desire. Immortalized is one of the best album’s they have made, with only one song that I don’t like. Their cover of “The Sound of Silence” is better than the original, in my opinion.

 

Flying Colors: Live at the Z7

CD_FC-2ndNatureLIVE_digi-03-625x567The live Blu-ray is one of the best live shows I have seen. The music is played flawlessly, and the production for sound is excellent. It was filmed in 4K and you can choose from two sound choices – front row or sound board. Well played, FC, well played. Oh ya, more Mike Portnoy, too.

 

Rush – R40 Live 

1035x1511-R40.Tour.Cover7.FNL-copyThis needs no explanation. Long live Rush.

 

 

 

 

Steve Hackett – Wolflight

wolflightFrontCoverAnother great solo effort from one of the greatest guitarists ever. I have such a great respect for Steve Hackett and his dedication to his craft and the genre. Of all the 70s prog giants, Hackett is probably the best ally to the newer prog artists and musicians.

 

 

4. Muse – Drones

MUSE-DRONESAnother fantastic album from Muse, and a dystopic concept album at that. I’m convinced that Matt Bellamy has the best voice in the business, plus he’s a god on the guitar. Chris Wolstenholme’s bass is underrated, as well. Check out my review: https://progarchy.com/2015/08/11/back-to-basics-muses-drones/

 

3. Steven Wilson – Hand. Cannot. Erase.

A year ago, I couldn’t stand Steven Wilson. Now I’m a fan. Go figure. Hand. Cannot. Erase. is simply brilliant. The story telling is at an extremely high level, and this album, while rather depressing, is so addicting to listen to. Wilson is an incredibly important figure in progressive rock.

 

 

2. Vanden Plas – Chronicles of the Immortals: Netherworld Path 2

81ADonu6jjL._SX355_Combined with part 1, these two albums are a masterpiece. I’m still deciphering what the story is about, but I am thoroughly enjoying it. These guys have been going strong for a long time, and they have only gotten better with age. Check out my review: https://progarchy.com/2015/11/18/vanden-plas-another-stroke-of-genius/

 

1. The Tangent – A Spark in the Aether

tangent1Yeehaw, this is a great album! Holy crap, I don’t know how Andy Tillison does it! He is a master of cultural criticism, and while I don’t agree with him politically, I do respect him immensely. This album is well worth your time.

 

 


 

Like I said, a great year for rock of all kinds. As I promised, Mike Portnoy features prominently in my list, just like last year. He certainly deserves it since he is one of the hardest working men in the business. His “Hello Kitty” drum video for Loudwire was an instant classic.

Cultural RePercussions 2 (1)Best prog book of the year goes to Progarchy’s very own Brad Birzer for his excellent book on Neil Peart, a man of letters. Well worth your time.

Get it at Amazon here.

 

 

kansas_miraclesThe new Kansas documentary, Miracles out of Nowhere, is excellent. While it only goes through Point of Know Return, it is an excellent look at the band, from the band members themselves, as well as Brian May and Garth Brooks. It was great to see that the band members don’t hate each other. In fact, they genuinely seem to like each other. If at all possible, order it from the band because it comes with a bonus disc featuring the band reminiscing and a few other features – http://www.kansasmerch.toursync.com

Check out Carl Olson’s fantastic review of the documentary: https://progarchy.com/2015/08/19/miracles-and-music-out-of-kansas/

915g7JKrT-L._SX385_One final documentary/live concert that is worthy of any “best of” list is Roger Waters’ movie, The Wall. It combines a live concert from his recent tour with short scenes that examine the meaning of the album for him. The concert itself is outstanding – better than his 1990 The Wall concert in Berlin, performed after the fall of the Berlin Wall. The music is basically indistinguishable from the album. A worthy look at one of the best and most important albums ever made.

 

Sorry if I have bored you with my list, but I am nothing if not thorough. I’m just amazed by the quality of music that has been released the last few years, and I eagerly look forward to what the coming year has in store. New Dream Theater coming in January. And who knows what Mike Portnoy will release. Such excitement. Merry Christmas everybody, and prog on into 2016.

2015: It Was The Best Of Prog…..

2015 continued the trend of the past few years of providing tremendous offerings for lovers of prog.

For starters, Best Reissue:

Minstrel in GalleryThe number of exciting and revelatory reissues of prog classics is growing at an exponential rate. The best one of 2015 is La Grande Edition of Jethro Tull’s Minstrel In The Gallery. Ian Anderson was at his peak, songwriting-wise, at this point in his career, and this lavish set (including a new 5.1 surround mix) does one of the band’s best albums true justice.

 

 

And now for some new music:

Heart Is A Monster8. Failure: The Heart Is A Monster

A great Seattle band of the ‘90s that never received the acclaim it was due. They have reunited 20 years later. They are all older and much wiser, and it shows in their music. It’s still tough, melodic, and full of energy, while exhibiting a confidence and ease that is very gratifying.

 

 

Night of Demon7.Gazpacho: Night Of The Demon

A very nice live set that provides a good sample of Gazpacho’s output. The band is incredibly tight while performing some demanding pieces. This is an excellent introduction to a band whose music is often enigmatic.

 

 

 

deluxen6. Dave Kerzner: New World

Technically, this is a 2014 release, but the expanded double album came out this year, so I’m including it in this list. Strong Pink Floyd/Genesis influences which Kerzner uses to springboard into new territory. This is a concept album with an intriguing storyline – a stranded astronaut has to make it back to civilization on a planet. This is the most “classically prog” rock I’ve heard in a long time, and it’s tremendously appealing.

 

La Strada5. Kevin Keller: La Strada

Kevin Keller is a classical pianist and composer who loves Rush in general and Neil Peart in particular. His compositions are melodic yet challenging, and his production values are top-notch. His latest album is the perfect accompaniment to a relaxed Sunday afternoon.

 

 

 

Lonely Robot4. Lonely Robot: Please Come Home

Before 2015, I knew nothing of John Mitchell; this year I immersed myself in his work, listening to Frost*, It Bites, and above all his solo project Lonely Robot. This is prog with a pop orientation that never disappoints. He is an incredibly talented guitarist and vocalist, and I hope this is the first of many Lonely Robot albums.

 

3. Glass Hammer: The Breaking Of The World

Wow. Ode To Echo was an amazing album, and “The Breaking Of The World” tops it. Carl Groves is the best vocalist they’ve ever had, and he’s no slouch in the lyrics department. His voice works perfectly with Susie Bogdanowicz, as you can experience on their other fine release of 2015, “Double Live”. On this album, the band is fire, powered by Steve Babb’s endlessly inventive bass and Fred Schendel’s keyboards.

Neal Morse Grand Experiment2. Neal Morse Band: The Grand Experiment

Neal Morse continues his streak as one of the most prolific artists in prog, and this time he offers up a true group effort, with all the band members sharing songwriting credit. “New Jerusalem” may be the best short-form song he’s ever been involved in, while “Alive Again” ranks up there with his finest epics. The band tore down the house when they performed these songs live; here’s hoping this is more than a one-time experiment.

Riverside Love, Fear, etc.1.Riverside: Love, Fear, and the Time Machine

For their sixth full-length album, Riverside has tightened up their sound to deliver their best set of songs ever. Mariusz Duda marries the ambience of his Lunatic Soul project to a definite ‘80s sound – Discard Your Fear would be right at home on a Tears For Fears album, while Duda’s bass work has Peter Hook’s influence all over it – and the result is the most beautiful album I’ve heard in years. I listen to it two or three times in a row, I put it aside for a while, and I bring it back out. I have yet to tire of it. Be sure to read Erik Heter’s excellent and illuminating interview of Duda.

Something for Nothing? “Nothing” for Nothing! Thanks to @DaveKerzner

You learned from Rush that “you don’t get something for nothing,” right?

Well, here’s a case where you can get “Nothing” for nothing!

Download the Radio Edit version of Dave Kerzner’s “Nothing” for free for a limited time only.

New music video: “Nothing” from @DaveKerzner prog rock concept album New World

New World is one of the very best albums of 2015.

Here’s a new music video for “Nothing,” which is one of its many killer tracks:

You can also watch cool videos of more great tracks from the album over at Dave Kerzner’s Web site.

A New World, for Free!

Kerzner's debut solo album, NEW WORLD (deluxe).
Kerzner’s debut solo album, NEW WORLD (deluxe).

Dave Kerzner is letting prog fans stream his album, New World, free. If you haven’t heard it yet, you owe it to yourself to give it a listen. It is one of the best albums of the last few years, and while you’re enjoying it, read Progarchy’s Alan Dawes’ excellent review.

Click here to go to the album stream, and click here to read Alan’s review.

New World Man: Dave Kerzner

New World Deluxe by Dave Kerzner

By Alan Dawes. Rating 10/10

Kerzner's debut solo album, NEW WORLD (deluxe).
Kerzner’s debut solo album, NEW WORLD (deluxe).

The standard version of New World was released last December, even though it was released so last in the year it had enough impact to finish in the top 10 albums for 2014 in Prog magazine readers poll. 

The deluxe version of this incredible album has just been released and I truly believe it should top the readers poll this year.  It would be an amazing achievement as it faces tough competition from Steven Wilson, Steve Hackett and David Gilmour.

For those of you unfamiliar with Mr Kerzner and this project, here is a brief history lesson.

Dave Kerzner first came to peoples notice as a member of Thud and then Giraffe which were both projects by the late, great Kevin Gilbert.  After Kevin’s untimely death, Dave continued to write songs but mainly spent his time working at his Sonic Reality company recording sound samples for keyboard software so if you want Nick Mason, Neil Peart, Keith Emerson and many others playing on your own material it is possible with SR  software.

A meeting with Simon Collins led the pair working together and eventually to the formation of Sound of Contact with Kelly Nordstrom and Matt Dorsey.  The band recorded Dimensionaut , which was released to critical acclaim  and the band went on to receive the best newcomer at last years prog awards.   Upon returning home after The Night Of The Prog festival in Germany, Dave set about writing new material.  It didn’t really come as a major surprise when it was revealed that he had left SoC.

After spending a few months writing and recording demo’s it was time to put a band together and set about creating his debut solo album.  A kickstarter campaign was created on 27th June to try any raise $17.000 to fund the album by 6th August.  The backers responded and nearly double the required amount was raised in the required time.

Dave recruited his old Thud bandmate Nick D’Virgilio on Drums and another friend Fernando “The Fretmeister”Perdomo on guitars.  They were soon joined by several guest artists.  

New World is a concept album that follows the story of “The Traveller” a man stranded in a vast desert after his ship has crashed and his journey to safety. I won’t go into the full details of how this journey progresses.  I think if you gave the story outline to a dozen sci-fi authors, you would end up with twelve completely different books. So listen to the music, look at the artwork and write your own story.

So why should I buy the deluxe version instead of the standard?  Well unlike most deluxe versions of albums this isn’t just the basic album with an extra cd thrown in with a few out takes and rough demos.

The deluxe version is an extension of the standard, the original 11 tracks are spread across the 2 CDs and another 12 tracks were added.  As a follower of the kickstarter campaign I know that 3 of these tracks were originally meant to be on the standard release. The extra tracks have enhanced what was already a superb album.

I think to get the best from this album, put on some headphones, crank the volume and enjoy this incredible cinematic masterpiece.

New World opens with an extended version of Stranded a five part epic that sets the scene for the album.  If this was a movie it would be shown as a series of flashbacks as The Traveller makes his way to safety. This track features A brilliant guitar solo from Steve Hackett and has backing vocals from Ana Cristina, Durga McBroom from Pink Floyd and Jason Scheff from Chicago.  I must mention part five The Darkness,  the vocal work on this part is amazing.

The recording sessions were still in progress when Dave was contacted by Keith Emerson to say that he was doing a radio show in the UK and that he wanted to play something from New World.  As Stranded was the song closest to being finished, Dave did a quick mix and the whole song was played on Planet Rock Radio.  After Dave’s initial mix he then took Stranded to Tom Lord-Alge to be re-mixed for the single release.

Next up is Into The Sun, once again extended from the standard release.  Colin Edwin plays fretless bass on this track and the wonderful Heather Findlay provides backing vocals.  The track builds in intensity throughout its nine minutes until Fernando Perdomo takes centre stage and unleashes a killer combination of solo and bass line.  The original plan was to finish with a keyboard solo, but the guitar work was just too good to ignore.  

The Lie is the first track on the album that I think could appeal to mainstream radio. At just over five minutes and with a really catchy chorus it isn’t too long.  This song features the core band of Kerzner, Perdomo and D’Vigilio

The Traveller is the first of the new tracks and features Dave on keyboards while Heather recites some lines from Into The Sun.

The Secret was originally pencilled in for the standard release.  It must have been an extremely hard decision to leave this out.  Songs this beautiful are a rarity.  Once again the song starts out calmly and builds in power throughout.  The slide guitar on this is stunning.

Reflection is another short piece which could compete with any chill out album you care to mention. Really nice orchestration on this track which leads into Under Control which is very powerful. Both of these tracks are just Dave on his own playing all the instruments. This one is perfect for all the paranoid people out there.

Premonition Suite is mainly instrumental.  The five parts link different parts of the album.  Dave shares the writing credits on this track with Francis Dunnery who provides killer guitar on part two Resilience 1.  It’s Dave’s turn for a solo on part four Altered State, sheer brilliance.

In The Garden is another work of art, beautifully written and performed.  I love the acoustic guitar on this track and the vocals from Durga McBroom are superb.  

The same can be said for the last two tracks on CD1, The Way Out and Recurring Dream are both excellent and could quite easily have been chosen for the standard release.  The vocal work on the last track is incredible.

CD2 opens with Biodome which is a short into track with David Longdon reciting part of New World.  This leads straight into the instrumental masterpiece Crossing Of Fates.

When Dave was recording Keith Emerson’s modular Moog for Sonic Reality, Keith played a solo part which Dave built this piece around.  This is keyboard heaven as Dave and Keith take turns to show their skills.  The rhythm section on this track is a change from the rest of the album.  Billy Sherwood was recruited on bass and drums are provided by Simon Phillips.

Theta is another instrumental with backing vocals by Durga and Maryam Tollar who has an amazing voice.  Also on board for this track is another musician from the days of Thud.  Satnam Ramgotra plays tabla which gives the track it’s mystical feel.  This leads into My Old Friend which is dedicated to Kevin Gilbert.  Once again Maryam provides stunning vocals.  Russ Parrish from Steel Panther sheds his Satchel persona to reunite with his Thud band mates and provide a blistering solo.

Ocean Of Stars wasn’t originally meant to be on the standard album but it couldn’t not be.  Everything about this track is perfect.  If the Grammy’s or Brits handed out awards for songwriting instead of just being a popularity contest between record companies, this would take some beating.

Solitude is vocal heaven.  They are provided by the beautiful songbirds from Aussie Floyd. Lorelei McBroom, Lara Smiles and Emily Lynn join the band for this chilled track. Drums are by Nick Mason via Sonic Reality.

Nothing is another song that could be played on mainstream radio.  Co-written with Fernando this has an ELO feel to it and I think it could be a big hit.  It features great solo’s from Dave and Fernando.

Erased is a short cinematic instrumental which leads into Realign.  Both this and the following instrumental Nexus were originally meant to be on the standard release.

The next track is New World and this is another contender for the songwriting awards.  The lyrics are sheer bloody poetry.  Francis Dunnery plays lead guitar and David Longdon does an excellent job with the backing vocals.

The album closes with Redemption (Stranded parts 6-10) another five part epic clocking in at over twenty minutes. Francis plays lead guitar and gets co-writer credit for Resilience 2 and Steve Hackett plays on the last two sections Mirage Of The Machines and To The Light.  The album closes with  Hackett solo which is a great way to finish any album.

I must mention part eight. High On The Dunes is destined to become a concert highlight on par with Dave Gilmour on top of the wall or Genesis playing Afterglow, the section is spine tingling.  It is so powerful that it is bought back as a secret track at the end of the album.

I asked the question, why should I buy this instead of the standard. Simply put you would be mad not to.

This is different to a lot of recent releases from progressive groups,  we don’t get fifteen time changes within the first two minutes, strange off tempo drumming that sounds like he’s completely forgotten what song he’s playing or solo’s that seem to be nothing more than someone trying to tune their new 37 string bass guitar.

What you do get is a collection of well crafted music.  Every track plays it’s part in the story, there is nothing that can be regarded as filler.  The musicianship is first class as is the production and packaging.

The brilliant artwork was done by Christine Leakey, who also provides vocals on Ocean Of Stars and Premonition Suite and this is a good reason you should buy the CD instead of download.

Albums this good are as rare as hens teeth. For me this is the best album I’ve heard in a very long time.  I know when it comes to handing out the awards at the end on the year, Steven Wilson will sweep the boards but in my opinion there is not a single track on Hand.Cannot.Erase that is anywhere near as good as anything on New World.

TUPVR 14: Dave Kerzner, NEW WORLD

Well, it’s been about a year since I’ve done a TUPVR (Totally Unprofessional Video Review).  Where does the time go?  Of course, Chronos is insatiable.

This TUPVR went about two minutes longer than I meant, but such is life.  If you’re brave enough to look at my aging, graying, wrinkling face, have at it!  Five minutes of joy about Dave Kerzner’s stunning solo album, NEW WORLD.  It is certainly one of the best albums of 2015, and, frankly, one of the best prog albums I’ve ever heard.

To purchase it (standard or deluxe), go here: http://www.davekerzner.com